80
Metascore
9 reviews · Provided by Metacritic.com
- 85The Daily BeastNick SchagerThe Daily BeastNick SchagerRock ‘n’ roll portraits this vibrant, introspective, and nimble don’t come around very often.
- 85Paste MagazineMatthew JacksonPaste MagazineMatthew JacksonPersonality Crisis: One Night Only retains the impish mystery surrounding one of rock’s most underrated frontmen while building a beautiful and slightly abstracted portrait of a man in a constant state of transformation.
- 83IndieWireDavid EhrlichIndieWireDavid EhrlichThe documentary lets its subject’s weathered charisma do most of the hard work here — Scorsese and Tedeschi love him too much to beg for your attention — and yet it weaves in enough context to convince even the biggest New York Dolls neophytes of the band’s legacy. Even longtime fans might be struck by the contrast between the breeziness of the film’s tone and the weight of its history.
- 83The PlaylistJason BaileyThe PlaylistJason BaileyThe film’s key asset is Johansen, and “Personality Crisis” pulls off the neat trick of serving as an introduction for us newbies while providing new insights and footage for the fans – the latter primarily in the form of the mellow concert footage.
- 80The New York TimesLisa KennedyThe New York TimesLisa KennedyA first-rate raconteur, Johansen — wearing a pompadour, sunglasses and bespoke suit — brings the funk. The storied Café Carlyle delivers the chic.
- 80Wall Street JournalJohn AndersonWall Street JournalJohn AndersonThe results leave one thinking of the film’s subject as too delicate for punk, too vulnerable for the Rat Pack, and happy to be the kind of singular phenomenon worthy of Scorsese-ian scrutiny.
- 80The Hollywood ReporterDaniel FienbergThe Hollywood ReporterDaniel FienbergIt’s a documentary of sterling musical moments and clever connections between culture and the city that all the principals here so clearly adore.
- 75RogerEbert.comBrian TallericoRogerEbert.comBrian TallericoOne Night Only becomes the story of a man surrounded by music his whole life who knew how to filter those influences through a distinct voice. The film sometimes runs too long, but its subject has earned that length. He sounds phenomenal, and he’s filled with, well, personality.
- 67The Film StageMichael FrankThe Film StageMichael FrankJohansen is a force despite this film’s flaws, undeniable in both charms and quirks. His talent remains emphatic, and his stage presence is enough for the camera to sit back and appreciate him. Being enigmatic yet accessible, Scorsese and Tedeschi must capture his substantial coolness. They succeed in spades.