440 reviews
What drew me to this film were the cast, on paper this was a great cast capable of great performances. And that's exactly the case watching Easy A. While there is nothing groundbreaking and while the cast drew me in initially the concept was a kind that was kind of interesting but could've gone either way.
That said, Easy A is lushly filmed with the cinematography and colour palette simply lovely. There is also a sparkling score, a good well-paced story, strong direction and a likable assortment of characters.
The two components of Easy A that really worked were the script and the cast. The script is not only fresh, but very funny too. In the cast also, I don't think there was a single cast member I didn't like, the first time in a film in a good while that's happened.
Emma Stone is truly charming and a breath of fresh air, while Amanda Byrnes with her witty humour is a hoot. Stanley Tucci gives one of his better performances in recent years and Patricia Clarkson is equally delightful. Thomas Haden Church is also hilarious, and it was really nice to see Malcolm McDowell again.
Overall, a funny and charming film and easy to like. 8/10 Bethany Cox
That said, Easy A is lushly filmed with the cinematography and colour palette simply lovely. There is also a sparkling score, a good well-paced story, strong direction and a likable assortment of characters.
The two components of Easy A that really worked were the script and the cast. The script is not only fresh, but very funny too. In the cast also, I don't think there was a single cast member I didn't like, the first time in a film in a good while that's happened.
Emma Stone is truly charming and a breath of fresh air, while Amanda Byrnes with her witty humour is a hoot. Stanley Tucci gives one of his better performances in recent years and Patricia Clarkson is equally delightful. Thomas Haden Church is also hilarious, and it was really nice to see Malcolm McDowell again.
Overall, a funny and charming film and easy to like. 8/10 Bethany Cox
- TheLittleSongbird
- Oct 1, 2011
- Permalink
Just saw this with my daughter who is 13. She has just recently seen all the John Hughes 80's movies (Sixteen Candles, Breakfast Club, etc.) and said it felt just like one of them. I couldn't agree more - great direction and just a hint of a wacky feel to it. Realistic, fun and interesting *normal* parents that don't take the world too seriously and want to be there for their kid.
The only parts that didn't hold up was a couple of logistical things (like a girl that good looking not having any guys following her around, and having a best friend who is such a ditz). All in all though the plot stuck together, was edgy in a few ways, and thoroughly entertaining. I'd put it on the shelf right next to the John Hughes films, and that is a distinguished place indeed.
The only parts that didn't hold up was a couple of logistical things (like a girl that good looking not having any guys following her around, and having a best friend who is such a ditz). All in all though the plot stuck together, was edgy in a few ways, and thoroughly entertaining. I'd put it on the shelf right next to the John Hughes films, and that is a distinguished place indeed.
- kurt_kennett
- Sep 18, 2010
- Permalink
It's always nice to see a comedy that doesn't meander around the same stupid gags insulting my intelligence time and time again. I was very happy to see a different kind of teen comedy that was much more sophisticated than the films it branches from and even parodies in many creative ways. Easy A is about a typical high school girl named Olive (Emma Stone). Olive has never been popular and has never really been noticed by anyone, and I don't see why considering Emma Stone is absolutely beautiful but that's beside the point. Anyway, Olive, without thinking things through, starts a little white lie about losing her virginity. This lie spreads to the rumor mill and spreads throughout the whole school ridiculously fast, which is one of the bigger themes of this movie that focuses on a lot of the necessary flaws of high school, one of the most incessantly emotional periods of our lives. Obviously, the rumor quickly gets out of hand and Olive's reputation as the school slut grows. Instead of backing down here, Olive exploits the rumor mill for her own social and financial gain, as guys pay her to pretend to have sex with her. The themes and criticisms of high school life in this film are valid, but thankfully they aren't overbearing and the entire movie becomes a laugh out loud blast.
First off, the dialouge of Easy A is surprisingly great for a film set around these kinds of teenage archetypes. It is much more intelligent sophisticated than the typical pandering you hear coming out of the mouths of teenagers. It adds a whole new level of respect to the film that keeps it very lively and fresh. But the dialouge isn't cocky, thankfully, and I never got the sense the writer was trying boast his wide vocabulary. He went a totally different route, and used it to the advantage of more characterization. Olive is much smarter than her peers and her language reflects that. There are plenty of other characters in the film that obviously don't come close to her sophisticated insight into the world and are the true bimbos and airheads. Their dialouge is much more typical of a teenager, and it reflects a very distinct level of characterization that had hilarious results. Needless to say I felt much smarter watching this film than some of the other crap I've subjected myself to in recent years.
Easy A also has a great variety of characters. Olive is already a very fun character who leads the story perfectly, keeping it interesting all the way through. But then there are other characters like Amanda Bynes as Marianne, the Christian nut job of the school. It's obvious to see where a person who boasts about premarital sex versus a religious zealot is leading, and these two characters are hilarious to watch interact with all their snappy and quick witted dialouge. The male roles are arguably the weakest of the film, but its not as big of a deal when the whole story primarily focuses on the social interactions between high school girls. Gossip is obviously a huge part of the story. But apart from the younger cast the older cast also fall into some hilarious roles. Patricia Clarkson and Stanley Tucci play Olive's parents and there isn't a moment with these two on screen that you aren't laughing your head off. This duo plays off each other so well and it makes for some of the most hysterical scenes of the whole film. Then there are other great adults in the film like Thomas Haden Church as the fast talking and sarcastic English teacher who you can't help but love. Malcolm McDowell even cameos as the school's principal and has a couple of short but funny scenes. Overall you couldn't ask for a more fitting and entertaining cast.
Overall, Easy A doesn't provide anything groundbreaking or revolutionary to the comedy genre, but it is certainly a breath of fresh air that keeps my hopes alive for the comedy genre in this age where there are so many god awful comedies being released. Easy A isn't perfect by any stretch of the imagination. The story sort of becomes a mess towards the end and it seems to be going off on a lot of random tangents. And then it is all resolved rather simplistically for how all over the place it was. I also have to say that the moral compass of all these characters, especially Olive, is pretty out of wack. Some of the decisions are a little strange and seem ridiculous at times, but I guess it only reflects the naivety of a teenager, and how much we still have to learn. But overall you can't complain too much when you are delivered an overall satisfying and hilarious experience.
First off, the dialouge of Easy A is surprisingly great for a film set around these kinds of teenage archetypes. It is much more intelligent sophisticated than the typical pandering you hear coming out of the mouths of teenagers. It adds a whole new level of respect to the film that keeps it very lively and fresh. But the dialouge isn't cocky, thankfully, and I never got the sense the writer was trying boast his wide vocabulary. He went a totally different route, and used it to the advantage of more characterization. Olive is much smarter than her peers and her language reflects that. There are plenty of other characters in the film that obviously don't come close to her sophisticated insight into the world and are the true bimbos and airheads. Their dialouge is much more typical of a teenager, and it reflects a very distinct level of characterization that had hilarious results. Needless to say I felt much smarter watching this film than some of the other crap I've subjected myself to in recent years.
Easy A also has a great variety of characters. Olive is already a very fun character who leads the story perfectly, keeping it interesting all the way through. But then there are other characters like Amanda Bynes as Marianne, the Christian nut job of the school. It's obvious to see where a person who boasts about premarital sex versus a religious zealot is leading, and these two characters are hilarious to watch interact with all their snappy and quick witted dialouge. The male roles are arguably the weakest of the film, but its not as big of a deal when the whole story primarily focuses on the social interactions between high school girls. Gossip is obviously a huge part of the story. But apart from the younger cast the older cast also fall into some hilarious roles. Patricia Clarkson and Stanley Tucci play Olive's parents and there isn't a moment with these two on screen that you aren't laughing your head off. This duo plays off each other so well and it makes for some of the most hysterical scenes of the whole film. Then there are other great adults in the film like Thomas Haden Church as the fast talking and sarcastic English teacher who you can't help but love. Malcolm McDowell even cameos as the school's principal and has a couple of short but funny scenes. Overall you couldn't ask for a more fitting and entertaining cast.
Overall, Easy A doesn't provide anything groundbreaking or revolutionary to the comedy genre, but it is certainly a breath of fresh air that keeps my hopes alive for the comedy genre in this age where there are so many god awful comedies being released. Easy A isn't perfect by any stretch of the imagination. The story sort of becomes a mess towards the end and it seems to be going off on a lot of random tangents. And then it is all resolved rather simplistically for how all over the place it was. I also have to say that the moral compass of all these characters, especially Olive, is pretty out of wack. Some of the decisions are a little strange and seem ridiculous at times, but I guess it only reflects the naivety of a teenager, and how much we still have to learn. But overall you can't complain too much when you are delivered an overall satisfying and hilarious experience.
- KnightsofNi11
- Nov 25, 2010
- Permalink
June 2 2010 - saw advanced preview of "Easy A" tonight. Emma Stone plays sarcasm great in this one, and supporting cast works well with her. Emma also narrates heavily throughout, and though not rolling on the floor funny, this has the feel of a John Hughes film (even makes reference to him in a longing way). Thomas Haden Church is funny as the only teacher we really meet, and Stanley Tucci and Patricia Clarkson are well cast as the understanding and 60's hippy mentality parents. The crowd I saw it with laughed frequently, and there are a lot of "I've been there" or "I've seen that" moments that you can relate to from your own high school. The writing is a little bit above the age - that is to say, you'd be surprised to hear the advanced dialog coming from today's teenagers, but this movie worked for me and those with me. Makes for a fun night at the movies. Scheduled for release Sept 17 2010.
- claudio_carvalho
- Jun 30, 2011
- Permalink
Greetings again from the darkness. This is an obvious (and proud of it) homage to the great teen films of John Hughes. It is updated for this generation of teens - replete with FaceBook, texting and webcam. While this one may not have the fully realized characters of the Hughes films, it actually takes things a step further in its commentary on many topics: family life, parenting, religious zealotry, rumor-mongering and the public education system.
Writer Bert V. Royal's script delivers an intellectual and comedic look into high school life ... told through the eyes of the smart, "invisible" girl. Just a brief overview will be offered here so as not to take away from the multiple layers.
Emma Stone ("Zombieland", "The House Bunny") delivers a star-making performance as Olive. Forced into a faux-confession by her best friend, Olive experiences the efficiencies of digital gossip spreading as word leaks regarding the apparent loss of her "V card". Even though this one is based in Ojai, California, it's nice to know that high school promiscuity is still met with a certain stigma. Here that stigma is compared to Hawthorne's expert novel, The Scarlet Letter.
This sets into action a series of unforeseen events. The school's religious nuts, led by Amanda Bynes, take Olive's situation as a personal affront and spend a great deal of effort trying to punish her for her sins. At the same time, the geeks and dweebs view Olive as their savior and proceed to take advantage of the opportunity.
While she is presented as a very sharp-witted, well-grounded teenager, Olive experiences the enormous power of a reputation. All of this is balanced out by her extraordinary relationship with her free-spirited, yet wise parents played by Patricia Clarkson and Stanley Tucci.
I can't possibly do justice to the script or the numerous topics broached, but I will say that it's a welcome new approach to teen movies. The usual schlock sex is replaced by sharp quips and real pressures. Do note that the dialogue is filled with much harsh language that wouldn't be welcome in an environment other than a high school campus. Further support work is offered by Penn Badgley as the good guy, Thomas Haden Church as a new world cool teacher, Malcolm McDowell as an old school principal and Lisa Kudrow as a guidance counselor (in a role that gives me permission to feel the disgust I usually feel when she is on screen).
Don't be scared off thinking this is another lousy teen flick. It is instead an insightful comedy that plays well for adults and teens. While you may not agree with all of the social observations, I believe you will agree the film is presented in a most entertaining and insightful manner.
Writer Bert V. Royal's script delivers an intellectual and comedic look into high school life ... told through the eyes of the smart, "invisible" girl. Just a brief overview will be offered here so as not to take away from the multiple layers.
Emma Stone ("Zombieland", "The House Bunny") delivers a star-making performance as Olive. Forced into a faux-confession by her best friend, Olive experiences the efficiencies of digital gossip spreading as word leaks regarding the apparent loss of her "V card". Even though this one is based in Ojai, California, it's nice to know that high school promiscuity is still met with a certain stigma. Here that stigma is compared to Hawthorne's expert novel, The Scarlet Letter.
This sets into action a series of unforeseen events. The school's religious nuts, led by Amanda Bynes, take Olive's situation as a personal affront and spend a great deal of effort trying to punish her for her sins. At the same time, the geeks and dweebs view Olive as their savior and proceed to take advantage of the opportunity.
While she is presented as a very sharp-witted, well-grounded teenager, Olive experiences the enormous power of a reputation. All of this is balanced out by her extraordinary relationship with her free-spirited, yet wise parents played by Patricia Clarkson and Stanley Tucci.
I can't possibly do justice to the script or the numerous topics broached, but I will say that it's a welcome new approach to teen movies. The usual schlock sex is replaced by sharp quips and real pressures. Do note that the dialogue is filled with much harsh language that wouldn't be welcome in an environment other than a high school campus. Further support work is offered by Penn Badgley as the good guy, Thomas Haden Church as a new world cool teacher, Malcolm McDowell as an old school principal and Lisa Kudrow as a guidance counselor (in a role that gives me permission to feel the disgust I usually feel when she is on screen).
Don't be scared off thinking this is another lousy teen flick. It is instead an insightful comedy that plays well for adults and teens. While you may not agree with all of the social observations, I believe you will agree the film is presented in a most entertaining and insightful manner.
- ferguson-6
- Sep 17, 2010
- Permalink
Easy A is another in a long line of high school rom-coms that feature actors who are much too old for high school. It is one of those things that you have to suspend your disbelief on from the get-go, and I was almost able to do that. My only stumbling block was Emma Stone who looks exactly the same as she does now, so trying to see her as a teenager was tough. Another thing that I struggled with in this film was the frustrating portrayal of Christians. As a Christian myself, I can admit that these types of judgmental jerks exist, but sometimes it feels like that's all we see of evangelicals in film. Aside from that small clique, though, I do wonder if promiscuity is seen as such a negative among teenagers nowadays. Somehow I feel like this entire movie would be a non-story if it were to occur in the modern day. The film is almost built like a period piece set in my childhood years, or like it should be taking place in a highly conservative southern state, as homosexuality is also presented as a huge shame factor. I think all of these things are less of an issue, particularly in a California high school in the 2010s.
However, if you let all the nitpicky flaws go, and just accept the movie for what it is, I found Easy A to be a rather charming and cute little film. The story draws a lot of inspiration from The Scarlet Letter, and does a great job of talking about that in the film. They aren't trying to hide what they are doing, instead it is a major plot point that the students are reading that book. I liked the acting performances, in particular all the adults in the film. Patricia Clarkson and Stanley Tucci stood out in a great way, because they play non-traditional parents that kept making me laugh. The story has a number of humorous moments, but I was always looking forward to when those two would return for extra comedy. And in addition to the jokes, Easy A has all the other things you'd expect from a teen rom-com. They have a romantic arc (even if it is a tad under-developed,) some high drama moments, and even a moral to the story. I'll also admit that, despite the fact that these movies always seem so rote to me, I was genuinely surprised a couple times with this one. Easy A might not be one of the greatest movies in its genre, but it's a solid film that I would watch again.
However, if you let all the nitpicky flaws go, and just accept the movie for what it is, I found Easy A to be a rather charming and cute little film. The story draws a lot of inspiration from The Scarlet Letter, and does a great job of talking about that in the film. They aren't trying to hide what they are doing, instead it is a major plot point that the students are reading that book. I liked the acting performances, in particular all the adults in the film. Patricia Clarkson and Stanley Tucci stood out in a great way, because they play non-traditional parents that kept making me laugh. The story has a number of humorous moments, but I was always looking forward to when those two would return for extra comedy. And in addition to the jokes, Easy A has all the other things you'd expect from a teen rom-com. They have a romantic arc (even if it is a tad under-developed,) some high drama moments, and even a moral to the story. I'll also admit that, despite the fact that these movies always seem so rote to me, I was genuinely surprised a couple times with this one. Easy A might not be one of the greatest movies in its genre, but it's a solid film that I would watch again.
- blott2319-1
- Dec 17, 2020
- Permalink
Lately the genre of teen comedies skew to the ribald and the are more sex romps than tell stories and introduce characters that you can not only root for but like. "Easy A" is a welcomed throwback to earlier teen comedies: risqué, but heartfelt.
In Emma Stone you have a Molly Ringwald for a new generation: relate-able, sexy, funny, sarcastic and lovely shines as Olive, a girl who leads her best friend (Aly Michalka) to believe she wasn't a virgin. The rumor spreads about her fabled loose ways and spurs different reactions from the school population: Brandon (Dan Byrd) wants to use it to his advantage, Marianne (Amanda Bynes) the school's self-appointed religious leader wants to shame Olive and Olive decides to run with it for her own gains.
There are many pluses with this film: A cast of young actors who are true actors who can convey the humor and uphold the tone of the film; a truly funny, vibrant script by Bert V. Royal in which not only the teens get to be smart and fully fleshed out characters but the adults (Patricia Clarkson and Stanley Tucci as Olive's wry and whimsical parents are a joy; and Thomas Haden Church whose character is a new spin on the "hip teacher".) as well.
With Stone as the lead and the only face in the promotional poster people may think this is a "chick flick" but this film is for anyone who just likes a good film.
In Emma Stone you have a Molly Ringwald for a new generation: relate-able, sexy, funny, sarcastic and lovely shines as Olive, a girl who leads her best friend (Aly Michalka) to believe she wasn't a virgin. The rumor spreads about her fabled loose ways and spurs different reactions from the school population: Brandon (Dan Byrd) wants to use it to his advantage, Marianne (Amanda Bynes) the school's self-appointed religious leader wants to shame Olive and Olive decides to run with it for her own gains.
There are many pluses with this film: A cast of young actors who are true actors who can convey the humor and uphold the tone of the film; a truly funny, vibrant script by Bert V. Royal in which not only the teens get to be smart and fully fleshed out characters but the adults (Patricia Clarkson and Stanley Tucci as Olive's wry and whimsical parents are a joy; and Thomas Haden Church whose character is a new spin on the "hip teacher".) as well.
With Stone as the lead and the only face in the promotional poster people may think this is a "chick flick" but this film is for anyone who just likes a good film.
- hazysistersunshine33
- Jan 12, 2020
- Permalink
I attended a free preview of this movie and without having done any research on the movie and just based on a short synopsis, had pretty low expectations walking into the cinema. It's always great coming out of a cinema being pleasantly surprised by an enjoyable movie and that's exactly what happened! I've always been a fan of fast witty dialogue and this movie definitely delivers! Virtually every character in the movie whether minor or major seems to have something funny to say, and while there wasn't a lot of ROFL moments, there were quite a few LOL's throughout the movie! To me, it's one of those movies perfect for a Friday night to unwind from work without having to use too many brain cells (but enough so that you don't walk out of there thinking you'd wasted your time and intellect!) - it's one of those movies that i'll definitely be purchasing on DVD when it comes out!!
- halliebenfer
- Aug 28, 2010
- Permalink
Through much of the beginning of "Easy A," you have to find all the '80s teen comedy homages fishy. Maybe director Will Gluck and Burt V. Royal are trying to dress up a classic Hughesian formula with modern banter and social media references. Then, somewhere near the halfway point, comes the admission. Olive, played by up-and-comer Emma Stone, confesses she wants her life to have a "Sixteen Candles" or "Breakfast Club" or "Say Anything" moment. Ah, and suddenly this is homage territory -- much better. Like the rest of this hip, fun and surprisingly touching comedy, any time "Easy A" wanders down the path of cliché, a killer line or great scene nullifies it.
It all begins and ends with Stone, who can do a little bit of everything, which ought to ensure her a long career. She can do typical teen comedy lead autopilot/earn our sympathy, she can command the improvisation-like tangential dry humor that has defined the comedies of the last five or so years and she can be the sensitive, fragile Molly Ringwald type. Nothing feels forced or unnatural in her performance. She seems to be having fun and milking to goofy nature of Royal's script.
More importantly, the reason "Easy A" is so good is because it never stops being about Olive's story. A high school nobody, Olive lets her best friend (Alyson Michalka) pressure her into lying about losing her virginity. The simple lie gets overheard by the super-Christian Miss Everybody (Amanda Bynes) and suddenly everyone sees Olive differently, or sees her period. After deciding to embrace the attention as school slut (the story reaches here a bit), Olive then starts to pretend to have sex with guys in need of a reputation boost, which consequently sullies her own.
The only real problem with "Easy A" is that there's no good reason to believe Stone was this unattractive nobody given her actual attractiveness and the friends she has -- and we're supposed to believe that suddenly everyone is interested in her because she lost her virginity. Gluck tries to spin this into a positive by making it almost comical how everyone is staring at her or waiting in a perfect line for her to come down the hall, but it's the one scratch in this gem -- take it or leave it. The script and humor and situations that arise eventually more than make up for this road bump.
Gluck's filmmaking is hip and common of modern comedy while the writing is clever and spontaneous. For no logical reason, a scene when Olive's gay friend Brandon (the one she helps first) comes over, Stone and Patricia Clarkson, who plays her mother, do this quick exchange of pretending they're in the Old South and a boy has come over and asked for her. Though completely random and a bit forced, they actually work well at making the characters seem more organic, which is the challenge of most comedies, especially those made today.
Clarkson and Stanley Tucci as the parents are the comic relief. When was the last time parents in a teen comedy were genuine comic relief? They walk a fine line between wacko and genuinely caring and loving parents, but it totally works. Two more originally funny parents haven't existed on film before. Characters such as the aforementioned best friend Rhiannon and Bynes' are more by-the-book as far as being teen comedy stencils, but like every other small flaw with the film, they're covered up by all the multi-dimesional and more interesting ones. Worthy of mention are school faculty members played by Thomas Haden Church, Lisa Kudrow and Malcolm MacDowell.
Most intriguing of all is how the film actually succeeds at finding moments of genuine drama. A few well-thought-out and creative plot twists introduce an intelligence seemingly foreign to these kinds of comedies. The key once again comes from staying focused on Olive's story. The film is structured as a retelling with narration from Olive, so it's told in a reflective manner, which ultimately keeps it from veering off course. It's about Olive wrestling with this lie and her feelings about how she wants to be perceived, along with her understandable pity for the boys who request her "services." High school's rough and reputation seems to be everything. Some elements of the high-school experience in "Easy A" might be way off, but that's dead on.
Although it lacks the intangible innocence of the numerous '80s comedies it references, "Easy A" has a unique and lively spirit of its own and is the best teen comedy (at least featuring a female, finally!) in years. More importantly, it shows that the modern teenage sense of humor and good storytelling don't have to be mutually exclusive.
~Steven C
It all begins and ends with Stone, who can do a little bit of everything, which ought to ensure her a long career. She can do typical teen comedy lead autopilot/earn our sympathy, she can command the improvisation-like tangential dry humor that has defined the comedies of the last five or so years and she can be the sensitive, fragile Molly Ringwald type. Nothing feels forced or unnatural in her performance. She seems to be having fun and milking to goofy nature of Royal's script.
More importantly, the reason "Easy A" is so good is because it never stops being about Olive's story. A high school nobody, Olive lets her best friend (Alyson Michalka) pressure her into lying about losing her virginity. The simple lie gets overheard by the super-Christian Miss Everybody (Amanda Bynes) and suddenly everyone sees Olive differently, or sees her period. After deciding to embrace the attention as school slut (the story reaches here a bit), Olive then starts to pretend to have sex with guys in need of a reputation boost, which consequently sullies her own.
The only real problem with "Easy A" is that there's no good reason to believe Stone was this unattractive nobody given her actual attractiveness and the friends she has -- and we're supposed to believe that suddenly everyone is interested in her because she lost her virginity. Gluck tries to spin this into a positive by making it almost comical how everyone is staring at her or waiting in a perfect line for her to come down the hall, but it's the one scratch in this gem -- take it or leave it. The script and humor and situations that arise eventually more than make up for this road bump.
Gluck's filmmaking is hip and common of modern comedy while the writing is clever and spontaneous. For no logical reason, a scene when Olive's gay friend Brandon (the one she helps first) comes over, Stone and Patricia Clarkson, who plays her mother, do this quick exchange of pretending they're in the Old South and a boy has come over and asked for her. Though completely random and a bit forced, they actually work well at making the characters seem more organic, which is the challenge of most comedies, especially those made today.
Clarkson and Stanley Tucci as the parents are the comic relief. When was the last time parents in a teen comedy were genuine comic relief? They walk a fine line between wacko and genuinely caring and loving parents, but it totally works. Two more originally funny parents haven't existed on film before. Characters such as the aforementioned best friend Rhiannon and Bynes' are more by-the-book as far as being teen comedy stencils, but like every other small flaw with the film, they're covered up by all the multi-dimesional and more interesting ones. Worthy of mention are school faculty members played by Thomas Haden Church, Lisa Kudrow and Malcolm MacDowell.
Most intriguing of all is how the film actually succeeds at finding moments of genuine drama. A few well-thought-out and creative plot twists introduce an intelligence seemingly foreign to these kinds of comedies. The key once again comes from staying focused on Olive's story. The film is structured as a retelling with narration from Olive, so it's told in a reflective manner, which ultimately keeps it from veering off course. It's about Olive wrestling with this lie and her feelings about how she wants to be perceived, along with her understandable pity for the boys who request her "services." High school's rough and reputation seems to be everything. Some elements of the high-school experience in "Easy A" might be way off, but that's dead on.
Although it lacks the intangible innocence of the numerous '80s comedies it references, "Easy A" has a unique and lively spirit of its own and is the best teen comedy (at least featuring a female, finally!) in years. More importantly, it shows that the modern teenage sense of humor and good storytelling don't have to be mutually exclusive.
~Steven C
- Movie_Muse_Reviews
- Sep 17, 2010
- Permalink
- aggarwalira00
- Feb 22, 2015
- Permalink
- evan_harvey
- Sep 24, 2010
- Permalink
I think this is one of the best movies of the decade. Emma Stone is awesome and such a great actress. The story is impressive and super truthful to American's high school current reality. The Story: Olive Penderghast is a normal high school student just trying to "blend in the crowd". At some part, she says she lost her virginity to a boy in community college and everyone starts to call her a "dirty skank". Then, she starts dressing like one and pretending to have sex for money. This girl just wants to find true love but anybody would ask her out. The movie ends in a high note with a precious lesson: don't worry about what the others say about you. Just live your life. Such a great movie. I do really recommend it. :) :)
- anna-rita1999
- Feb 15, 2014
- Permalink
It's Emma Stone's movie all the way. She is adorable, geeky & has an amazing screen presence.
- mihika2590
- Sep 7, 2019
- Permalink
After watching La La Land, I kind of fell in love with Emma Stone's performance (not Emma Stone... Well, maybe Emma too). Then looked for some of her old performances, which led me to this movie. I liked the narratives, the humor, and those minor plot twists. Other than that, the movie is averagely average. Nothing special. The kind of movie I forget when the screen is turned off ( I didn't forget Emma's face though, maybe because of La La Land). Unbiased rating : 6/10
- thinkerpadder
- May 21, 2017
- Permalink
Emma Stone stars as Olive, a lonely heart who lies about losing her virginity to her best friend and soon rumour spreads she is a slut. Initially mortified Olive parades around the school as a slut, wearing an 'A' on her clothing but soon she ends up in trouble.
Described as "the best teen comedy since Mean Girls" this is a must see because quite simply, it is. The comedy variety of clever performances, physical humour and beautiful word play make a combination of knockabout comedy a treat for anyone over 15 years of age that will entertain you for a glorious hour and a half.
Emma Stone in her first major leading role excels as a typical but not yet typical teenager going through life's friendship and educational battles, and thankfully with a difference. Olive narrates via an internet blog about how everything came about and her life and school reputation changed. Through some original narrative design and comic brightness audiences are easily engaged into the world of its heroine.
Stone's performance is indescribably funny. From singing alone in her bedroom to strutting around in revealing clothing and making us laugh at the same time has made her a star for the future. One scene where she pretends to have it on in a bedroom is very funny and whilst marketed as a comedy, the inevitable drama sequences show Stone as a rock.
Stone steals the film but thanks to the experience of Stanley Tucci and Thomas Haden Church we have an array of comic genius. Tucci has never been funnier.
The plot boasts some great twists and turns whilst marketing some great songs on its soundtrack. The way it separates itself from the normal comedy, by diversifying itself through visual aids such as the live web blog or plot differentiations makes it one out watch over and over again.
A couple of drawbacks include the fact Lisa Kudrow cannot shake the Phoebe tag and the ending is slightly predictable.
These minor things aside this is a knockabout comedy with a great lead performance that is certainly worth checking out.
Described as "the best teen comedy since Mean Girls" this is a must see because quite simply, it is. The comedy variety of clever performances, physical humour and beautiful word play make a combination of knockabout comedy a treat for anyone over 15 years of age that will entertain you for a glorious hour and a half.
Emma Stone in her first major leading role excels as a typical but not yet typical teenager going through life's friendship and educational battles, and thankfully with a difference. Olive narrates via an internet blog about how everything came about and her life and school reputation changed. Through some original narrative design and comic brightness audiences are easily engaged into the world of its heroine.
Stone's performance is indescribably funny. From singing alone in her bedroom to strutting around in revealing clothing and making us laugh at the same time has made her a star for the future. One scene where she pretends to have it on in a bedroom is very funny and whilst marketed as a comedy, the inevitable drama sequences show Stone as a rock.
Stone steals the film but thanks to the experience of Stanley Tucci and Thomas Haden Church we have an array of comic genius. Tucci has never been funnier.
The plot boasts some great twists and turns whilst marketing some great songs on its soundtrack. The way it separates itself from the normal comedy, by diversifying itself through visual aids such as the live web blog or plot differentiations makes it one out watch over and over again.
A couple of drawbacks include the fact Lisa Kudrow cannot shake the Phoebe tag and the ending is slightly predictable.
These minor things aside this is a knockabout comedy with a great lead performance that is certainly worth checking out.
- Stampsfightclub
- Oct 23, 2010
- Permalink
Easy A is a fun little movie about a girl's trip through the high school rumor mill. It's funny, it's well acted, it's filled with... A bunch of people playing high schoolers that are a little too old to actually fit the part.
And that's what holds it back, because the message is important and the performances are solid and the humor did work for me... But.
For everything that works there are little things that take away from it. Some of these "kids" act the part, sure they're playing dialed up archetypes, but amidst them are also Rhodes Scholars, the most unrealistically awesome, scene stealing parents and the kind of teachers we all wish we had.
So while a good chunk of this wants to live in reality, there's a significant enough portion that wants to live in a fantasy land and the two just don't merge into a perfect harmony.
And that's what holds it back, because the message is important and the performances are solid and the humor did work for me... But.
For everything that works there are little things that take away from it. Some of these "kids" act the part, sure they're playing dialed up archetypes, but amidst them are also Rhodes Scholars, the most unrealistically awesome, scene stealing parents and the kind of teachers we all wish we had.
So while a good chunk of this wants to live in reality, there's a significant enough portion that wants to live in a fantasy land and the two just don't merge into a perfect harmony.
- questl-18592
- Sep 15, 2019
- Permalink
Very good morals involved; this is the type of rom-com that truly warms your heart in the best way possible. It inspires me & makes me miss social interactions/high school even though it was rough for me at times.
Anyway Emma Stone can really lead a movie in a magical way. I'm glad she's been nominated/won for major awards!
Anyway Emma Stone can really lead a movie in a magical way. I'm glad she's been nominated/won for major awards!
- UniqueParticle
- Mar 17, 2019
- Permalink
Thank you Emma Stone for helping this movie become the enjoyable romp it is. Mostly sarcastic, but always cutting in it's portrayal of whats right and whats wrong. Don't be fooled, this is no 'Mean Girls', nor is it a chick flick, it's a tale of a faux tramp who gains hallway cred for her gay best-friend. Everyone believes Olive (Emma Stone) is now a harlot with a one track mind seeking trim any way she can get it. Spiralling out of control after she helps with others to provide false sexual endeavors, the film frequently references 'The Scarlet Letter'. To say much more will give away more than I am prepared to. With Stanley Tucci in the cast as Olive's hipster ex hippie Father & Thomas Hayden Church as an obscure teacher, it's a must see. Truth envy ensures right to the final credit. Give Emma a rookie Oscar!
- bassrourke
- Sep 12, 2010
- Permalink
- jon.h.ochiai
- Sep 18, 2010
- Permalink
- Prismark10
- Jun 8, 2018
- Permalink
I know, suspend your disbelief when it comes to movies. I can do that with a lot of movies. However, the thing that makes highschool slice of life movies good is them being relatable and believable. This movie, not the least bit believable. Maybe it's just the highschool that I went to, but the "Jesus freaks" were largely underground because militant atheism was the "cool thing," and all the gay kids were "out and proud," and even when there were rumors about kids having sex no one really cared (some laughs maybe if it was a weird paring, but otherwise uninteresting). And here's the thing, I was in highschool when this movie came out. 2010 was my junior year, my friend's honors English class watched this as part of their Scarlett Letter unit in 2011 when the DVD was out. I was the target audience, and it fails to speak to me.
- catholiccontriversy
- Aug 26, 2018
- Permalink
This film tells how a school girl uses rumours to advance her cool factor, but her publicity stunt spirals out of control.
I thought "Easy A" was about easily getting A grades, but that is far from what it actually is. The school girl in question bows to social pressure, pretends to be promiscuous in order to be cool, and to help some disadvantaged schoolmates along the way. How she helps Brendan in the bedroom is so hilarious, I laughed hard! In just a few days, her world is turned upside down, she feels differently about herself and everyone else feels differently about her as well. For a comedy, Olive's emotional roller coaster is portrayed convincingly. I also liked her open minded and supportive parents, although they have minor roles in the film, they provide a safe haven for her to grow up and become independent.
"Easy A" is a fun teenage school comedy with a great moral story. It even tells how social pressure makes us do regrettable things. It's easy for people to relate to the story, and that's a big contributing factor to "Easy A" being a fun and enjoyable comedy.
I thought "Easy A" was about easily getting A grades, but that is far from what it actually is. The school girl in question bows to social pressure, pretends to be promiscuous in order to be cool, and to help some disadvantaged schoolmates along the way. How she helps Brendan in the bedroom is so hilarious, I laughed hard! In just a few days, her world is turned upside down, she feels differently about herself and everyone else feels differently about her as well. For a comedy, Olive's emotional roller coaster is portrayed convincingly. I also liked her open minded and supportive parents, although they have minor roles in the film, they provide a safe haven for her to grow up and become independent.
"Easy A" is a fun teenage school comedy with a great moral story. It even tells how social pressure makes us do regrettable things. It's easy for people to relate to the story, and that's a big contributing factor to "Easy A" being a fun and enjoyable comedy.