A life-affirming, genre-bending story about three chapters in the life of an ordinary man named Charles Krantz.A life-affirming, genre-bending story about three chapters in the life of an ordinary man named Charles Krantz.A life-affirming, genre-bending story about three chapters in the life of an ordinary man named Charles Krantz.
- Director
- Writers
- Stars
- Awards
- 1 win & 4 nominations total
Saidah Arrika Ekulona
- Andrea
- (as Saidah Ekulona)
- Director
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Featured reviews
I so very much enjoy Tom Hiddleston in films. Karen Gillan is also a treat to watch in selected films. The rest of the cast is worth more than an honorable mention alone, as many familiar faces grace the screen (especially toward the beginning of the film). Lastly, I tend to love this 'type' of movie. I can't give too much away without using a spoiler tag, but if you watch the interview(s) with the cast featured here on IMDB, you'll know what "type" I am referring to. I wonder if I can get away with 'apocalyptic', since that is a word straight from one of these interviews.
That said ... it was a bit of a letdown for me.
The beginning was slow, but it was good. It built an expectancy toward so much more and a feeling that it was going to get so much better. Sadly, that was never fully realized or delivered.
Beginning in the second act, the film definitely starts to bog down and suffers from side or follow-up scenes that are just way too long and a bit far-fetched. The narration, too, is used far too often to the point of it just about verging on annoying.
By the third act, when they begin to introduce what is supposed to be the point of the entire thing, it has already been too bogged down by too much of not enough - if that makes sense. While the child actor is adorable and does so well, here too the movie just drags.
Moreover, everything is so overly-EXPLAINED. It's kind of like Flanagan did not trust the audience to understand what was happening, so either the narrator or characters went to great lengths to explain every detail. Well, while some may disagree, I believe audiences are more intelligent than this film gives them (us) credit for.
Sorry Mike Flanagan fans, but this is the third time I have been let down by one of his offerings. :(
That said ... it was a bit of a letdown for me.
The beginning was slow, but it was good. It built an expectancy toward so much more and a feeling that it was going to get so much better. Sadly, that was never fully realized or delivered.
Beginning in the second act, the film definitely starts to bog down and suffers from side or follow-up scenes that are just way too long and a bit far-fetched. The narration, too, is used far too often to the point of it just about verging on annoying.
By the third act, when they begin to introduce what is supposed to be the point of the entire thing, it has already been too bogged down by too much of not enough - if that makes sense. While the child actor is adorable and does so well, here too the movie just drags.
Moreover, everything is so overly-EXPLAINED. It's kind of like Flanagan did not trust the audience to understand what was happening, so either the narrator or characters went to great lengths to explain every detail. Well, while some may disagree, I believe audiences are more intelligent than this film gives them (us) credit for.
Sorry Mike Flanagan fans, but this is the third time I have been let down by one of his offerings. :(
This is a beautiful film. The pacing was perfect, with likeable characters. It doesn't spoil itself or its message, but rather gives you three acts leaving you pondering how everything weaves together.
I have pondered in my life why certain moments are impactful and have helped form me into the individual I am today. It feels like utter randomness, but that's the point isn't it. What matters to me...what gives me substance...is what makes me the unique person I am. It's the good, the bad, the meager, all of it that comes together to form our universe and reality as we know it. So I'll leave you with this: Be kind to yourself and others. Hug your loved ones, forgive those you can forgive, and when your expiration date comes accept and trust that your life was exactly as it was meant to be.
I have pondered in my life why certain moments are impactful and have helped form me into the individual I am today. It feels like utter randomness, but that's the point isn't it. What matters to me...what gives me substance...is what makes me the unique person I am. It's the good, the bad, the meager, all of it that comes together to form our universe and reality as we know it. So I'll leave you with this: Be kind to yourself and others. Hug your loved ones, forgive those you can forgive, and when your expiration date comes accept and trust that your life was exactly as it was meant to be.
It honestly boggles my mind how I kept reading about how this movie was bombing at the box office, when it clearly was very poorly marketed. It was two weeks after its "wide" release before it finally showed up to our local art house/second run movie theater. The chain multiplexes gave it a complete miss.
Mike Flanagan is a very talented screenwriter and director and this was possibly Stephen King's most sentimental work. And there's two INCREDIBLE dance scenes. The result is completely human, uplifting film.
There is some anxiety inducing story in the start of the film, but it is not a horror film by any measure. King is also very good with general fiction too, after all.
This movie will stick with you for awhile. Hours after my viewing, I was still thinking about it (and tearing up.)
Mike Flanagan is a very talented screenwriter and director and this was possibly Stephen King's most sentimental work. And there's two INCREDIBLE dance scenes. The result is completely human, uplifting film.
There is some anxiety inducing story in the start of the film, but it is not a horror film by any measure. King is also very good with general fiction too, after all.
This movie will stick with you for awhile. Hours after my viewing, I was still thinking about it (and tearing up.)
It says, when you die, you die for good. There is nothing there in the 'great beyond', no 'heaven', no meeting with your ancestors, your dad, mom, you just cease to exist altogether. It's like turning off your TV: sudden blackness. The last thought in your mind is 'I love y...' and there is nothing. Now, that is very, extremely hard to take as a thought before one dies. The nothingness. What about your mind, your consciousness, your feeling of ego, your identity? Where does it go? Does it go anywhere? The person you are. Well, that doesn't, it says. You die. You will no longer exist. Only the influences you made will live in others. Not you. I think that's why religions were invented. To make you believe that your own self won't disappear into nothingness. I also think that's why heaven and hell were invented... ...I believe it is a very thought-provoking project, full of atheism and a lot of wishful religious thinking at the same time.
I had the pleasure of attending Regal's Mystery Movie Monday and was absolutely delighted to preview The Life of Chuck. Directed by Mike Flanagan and adapted from Stephen King's novella, this film is a deeply moving exploration of life's fleeting moments and the quiet, powerful ways one person can leave a mark on the world.
Tom Hiddleston gives a captivating performance as Charles "Chuck" Krantz, portraying his life in reverse, from death back to childhood. Jacob Tremblay and Benjamin Pajak, who portray Chuck at younger ages, deliver equally sincere and affecting performances, each capturing the spirit and complexity of the character at various stages of his life. The film's unconventional structure may initially challenge viewers, but by the end, it offers a resonant, emotionally rich experience that lingers long after the credits roll.
The supporting cast brings warmth, depth, and surprise. Mia Sara, in a heartfelt return to the screen, shines as Chuck's mother. Matthew Lillard's brief appearance is both deeply touching and meomorable (my one complaint is that he did not return later in the movie), and Mark Hamill lends weight and tenderness in his role as Chuck's grandfather. Nick Offerman serves as the narrator, and his voice, calm, grounded, and thoughtful, beautifully anchors the film's reflective tone.
As a teacher, I was especially moved by the portrayal of educators. Characters like Miss Richards (Kate Siegel), Miss Rohrbacher (Samantha Sloyan), and the beautifully portrayed role by Chiwetel Ejiofor, all embody the kind of teachers we aspire to be, compassionate, inspiring, and transformative. Their presence in Chuck's life is a testament to the quiet heroism of educators.
And I have to say it, Rahul Kohli is a joy to watch in everything he does. His presence is always a highlight.
The Life of Chuck is more than just a film, it's a love letter to life, memory, connection, and the meaning we create in our short time here. Flanagan's masterful direction, paired with a stellar cast and emotionally intelligent storytelling, makes this one of the most beautiful and thought-provoking films of the year.
I wholeheartedly recommend it to anyone ready to be moved, and reminded of what truly matters.
Tom Hiddleston gives a captivating performance as Charles "Chuck" Krantz, portraying his life in reverse, from death back to childhood. Jacob Tremblay and Benjamin Pajak, who portray Chuck at younger ages, deliver equally sincere and affecting performances, each capturing the spirit and complexity of the character at various stages of his life. The film's unconventional structure may initially challenge viewers, but by the end, it offers a resonant, emotionally rich experience that lingers long after the credits roll.
The supporting cast brings warmth, depth, and surprise. Mia Sara, in a heartfelt return to the screen, shines as Chuck's mother. Matthew Lillard's brief appearance is both deeply touching and meomorable (my one complaint is that he did not return later in the movie), and Mark Hamill lends weight and tenderness in his role as Chuck's grandfather. Nick Offerman serves as the narrator, and his voice, calm, grounded, and thoughtful, beautifully anchors the film's reflective tone.
As a teacher, I was especially moved by the portrayal of educators. Characters like Miss Richards (Kate Siegel), Miss Rohrbacher (Samantha Sloyan), and the beautifully portrayed role by Chiwetel Ejiofor, all embody the kind of teachers we aspire to be, compassionate, inspiring, and transformative. Their presence in Chuck's life is a testament to the quiet heroism of educators.
And I have to say it, Rahul Kohli is a joy to watch in everything he does. His presence is always a highlight.
The Life of Chuck is more than just a film, it's a love letter to life, memory, connection, and the meaning we create in our short time here. Flanagan's masterful direction, paired with a stellar cast and emotionally intelligent storytelling, makes this one of the most beautiful and thought-provoking films of the year.
I wholeheartedly recommend it to anyone ready to be moved, and reminded of what truly matters.
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Did you know
- TriviaThis marks Mia Sara's return to acting since 2013. She had retired but told filmmaker Mike Flanagan she would return to acting for him after watching Midnight Mass (2021).
- GoofsThe funeral for Sarah (Bubbie) is a Jewish funeral. According to Judaic custom, the casket is required to be a very plain and nondescript casket, and lowered into the grave after which attendees are encouraged to shovel dirt onto the casket. At the conclusion of the funeral the ornate casket is still above ground as people are leaving. This would not happen at a Jewish Funeral.
- Quotes
Charles 'Chuck' Krantz: I will live my life until my life runs out.
- ConnectionsFeatures Cover Girl (1944)
- SoundtracksGimme Some Lovin'
Written by Spencer Davis, Steve Winwood and Muff Winwood
Performed by Steve Winwood
Courtesy of Wincraft Music Inc
By arrangement with Kobalt Music Group
- How long is The Life of Chuck?Powered by Alexa
Details
Box office
- Gross US & Canada
- $6,712,600
- Opening weekend US & Canada
- $224,585
- Jun 8, 2025
- Gross worldwide
- $11,520,953
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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