Five teenagers with different personalities are introduced to one another in a chatroom called "Chelsea Teens!" But one shows its darker side, threatening the others' lives.Five teenagers with different personalities are introduced to one another in a chatroom called "Chelsea Teens!" But one shows its darker side, threatening the others' lives.Five teenagers with different personalities are introduced to one another in a chatroom called "Chelsea Teens!" But one shows its darker side, threatening the others' lives.
- Awards
- 1 win & 2 nominations total
- Ushi
- (as Elarica Gallacher)
- William
- (as Aaron Johnson)
Storyline
Did you know
- TriviaWhile the film advertises "from the director of The Ring" director Hideo Nakata was, in fact, the director of the original Japanese film Ringu (1998) to which would inspire the American remake The Ring (2002) by American director Gore Verbinski. Nakata however would return to direct the American sequel The Ring Two (2005)
- Quotes
Eva: Come on! Come on, get personal. Who is it? Who does Jim hate?
Jim: Me.
Mo: Really, Jim?
Eva: You hate yourself... So what?
Emily: D'you have an OK family life?
Jim: [Nods] Yeah. Yeah. I don't have a father. But my mum is really nice.
Eva: So you hate yourself, because?
Jim: I've been on anti-depressants for two years.
Emily: And... Do they help? Do you know if they're helping?
Jim: I don't know... Maybe...
William: Come off the medication. If you want to feel like a person again... Come off them.
- Alternate versionsThe film was altered based on advice given by the BBFC at the script stage to avoid a potential 18 certificate. Several lines of sexual dialogue were altered, and the filmmakers were also advised to avoid "novel detail" when it came to shoot the suicide scenes.
- ConnectionsReferences Bugsy Malone (1976)
- SoundtracksDisconnect
Performed by Richie Hawtin (as Plastikman)
Written by Richie Hawtin
Published by Mute Song Limited
Licensed courtesy of Mute Records Ltd
Although the depiction of the chat-room as physical space is mildly clever (and it definitely feels as if the whole story was built to use this gimmick), the reactions of the characters to their space is completely unconvincing. The obvious lack of conviction and personality coming from any of the cast is almost forgivable given the atrocious script and pointless motivations.
One of Chatroom's strangest failures is that it doesn't seem able to integrate and weave together main-plots with sub-plots and character development, instead assigning blocks of time and space to deal with each separately. It makes unsatisfying story-telling; not all that much interaction takes place between the main characters, their lives mostly just play out independently, without much consequence except to show how inexplicably malicious the main character is. As sub-plots, we are treated to a cringeworthily over-acted memory of the main character's past, and at least two COMPLETELY unresolved sub-plots of other characters, one's disagreement with her parents, and another's obscure and pointless love for his friend's much younger sister. How can they open that can of worms and forget about it?! It's just bad story telling.
Also, maybe a minor point compared to the rest, but it's a bugbear of mine. The presentation of the chat-room and the use of the internet is unsophisticated in its depiction; both simplistic and unrealistic. If it was meant to be a close-to-the-bone comment of the dangers of the internet, why of all things use the outmoded chat-room? It doesn't work.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ch@troom
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $683,912
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.85 : 1