User reviews

This movie is 'not' a remake of Devdas. Probably, Anurag Kashyap wanted to borrow the base story from there, but I repeat if you are a big fan of Devdas then this movie isn't for you. But then again this is one of the most insane movies to come out of Bollywood. You might probably end up with a headache after watching it, but its completely worth it. There are few movies with such exceptional cinematography and music which blends completely with the movie.

The characters are well defined, but also over the top. Abhay puts in a real perfect act of a self-sympathetic fool, who drinks and does drugs just in the obsession of Paro. He becomes completely lost and finally ends up in the arms of Chanda. Paro has apparently never known the words 'shy' nor 'blush'. Chanda has seen a lot of pain and is the only character who slowly becomes sure of herself.

This movie is more about how they have painted the characters rather than the characters themselves. This is a first in Bollywood and I have never heard such dark, yet at times beautiful music. Its loud at times, but Amit Trivedi's work is a sheer genius one. If you do end up liking the movie, you would give half the credit to the music.

Anurag and the entire team have poured in their heart for this movie. Most of the work and the ideas are genuine and is not picked up from some other random movie. It is an 'its own movie'.

The movie is a great depiction of modern world or modern love. The movie is absolutely mind blowing. Abhay Deol delivers his best performance till date and he is definitely in main league of actors now. If there is anyone after Aamir khan who we should credited for his choice of movies, its none other than Abhay Deol. I can blindly spent to watch any of his movies without reading any reviews.

Coming back to movie apart from the modern remake of Devdas it explores the modern sexuality. It depicts what is going around and the way youngsters explores their sexual needs. This movie isn't for old age people and they will rate it 1 out of 10 as they wouldn't be able to digest the realism shown in the movie.

First part of the movie is very charming and indulging. Though its not a comedy but you laugh every minute because of the hard hitting sexual dialogs and realistic talks. Direction is superb and actors did more than justice to their role. Second half is not as enjoyable as compared to 1st half but still its very enjoyable.

This movie may turn out to be a flop in actual as its not a family movie, but i think this is more than commercial. Those who understand cinema needs to applaud it all the way. First time in my life i felt that i actually paid less to watch a movie.

Well this was one of the most awaited movies for people who like different kind of cinema.Dev d a story about modern Devdas is a good adaption from the previous versions.The movie setup up in north of India brings up something new and unique as a build up to the character.The story is how a boy destroys his life for his childhood love.

The darkness of the movie can be seen after he loses the girl and takes a road to utter disdain and destruction of his life.Dev meets Chanda a prostitute who also falls for his charm.Her story is completely different and well put up.The performance by all the actors is laudable and up to the mark.The camera-work and and direction is excellent and audiences will notice that after they watch the movie.The director makes a very good attempt to create a more dark ambiance once the Dev loses his love.

The background score of the movie is good considering the dark ambiance.Drinks,smoke,drugs you will see all this in abundance as it leads to destruction of his life.

This is not a movie for people who cant take dark films as it just leaves u a bit sapped after you watch it.

Go for Dev D if you want something different from commercial cinema.I would rate the movie a 8/10 and say go for it.

There are very few movies that make you wait for their day of release just like a torn lover waits for its lost love for that one last glance and Dev.D was certainly one of them. I just knew I had to watch it the moment I saw breathtaking visuals(The snorricam shots inspired from classics like Requiem for a Dream, Trainspotting) in the trailer itself. The fact that the movie was directed by Mr. Maverick (of new age Indian cinema) got me even more excited. So now when I have seen the movie I am ecstatic because I got more than what I expected.

This movie is all about your sense of perception of art. If you find charm in innovative screenplay, extraordinary photography, symbolic scenes and realistic acting you got to love this cinematic masterpiece and if you have a thing for colors, its an icing on the cake! But if you want to see an entertainer which is going to generate temporary emotions, unfortunately, its not for you. All those who find the story unrealistic must understand it is not the portrayal of what happens in love but the most beautiful depiction of what is going through one's mind when one gets/doesn't get love. So, either you will crave for the movie to go on till forever or wait for it to end.

Of course, the story line is based on the original Devdas but this contemporary version has its own twists and turns and you better not expect the expected. Abhay Deol is absolutely fantastic.There is not a single scene where one can doubt the authenticity of the character he is playing. Both the new actresses are equally good. Mahie Gill deserves all the applause for doing many a tough scenes with calming ease and expression that can light a fire. Kalki's eyes never lose the innocence in the truest sense thanks to the beautiful portrayal even though her character transcends into one of the highest zones of maturity.

I just fell in love with the movie and wanted to see more of the unpredictable series of events through extraordinary musical narration.The only thing which I missed in Dev.D was a bit of soul but that is exactly how it was meant to be.

I've been waiting for this movie since the past 2 months. I had gone to see another movie around 2 months back and there was a poster of Dev. D. It starred Abhay Deol. From that moment, I knew this movie is gonna be one of a kind. It takes place in the modern era. The instances shown in the movie are very life-like. The story deals with a loser ( Abhay Deol ) and how he deals with his life. Its like a modern rip-off from Devdas.

Everything about this movie is top notch. Right from the direction to the sets, its stunning. The screenplay is impeccable & the cinematography couldn't get better. The visuals are delightful. The music score is exceptional. Even though it is a slow movie, the pace seems very fast. The editing also is so well done. The dialogues are perfect, used in a really vulgar tone. The story is set in & around Delhi. The locations shown are ideal.

I really don't remember the last time I had seen such a good bollywood movie. But this flick is not one that will please all audiences. Only connoisseurs of movies will respect & admire this class act. Hats off to Anurag Kashyap. Legend.

A movie so great that it simply blows your heads off. Every character is Grey. No one is moral and every body is a victim of circumstances. the film is the pinnacle of movie making. the sheer audacity, rawness, and unrealistically realistic treatment creates magic on screen. and believe me one time is not good enough. songs are unbelievable as well. the characters of paro and chanda are so well written that before dev falls in love with them; u will fall in love with them. and both the ladies have done a remarkable job. mahi gill looks so elegant and an epitome of femininity. kalki has an amazing screen presence. with her earthy and next door girl looks, she will win ur heart and her school girl sexuality is incomparable. anurag is THE BEST director in this country and with a girlfriend like kalki he is a lucky bastard as well. and now we come to the real reason of watching the movie. abhay deol. he has become a cult figure for a lot of his fans. the concept is his and he has completely overshadowed and other devdas that ever was. from now on if anybody will be remembered as devdas, he will be abhay. after 7 movies he has overshadowed many heavyweights in the industry. he looks so natural and confident on screen. and how chilled this guy is can be judged from the fact that at the time of his biggest ever release he is rite now in new york for a welding course.

Well I had been waiting for over two months for this film to release. And It has been worth the wait. Anurag Kashyap's Dev.D is a contemporary take on the immortal Devdas, whose boldness will dazzle you, to say the least. The direction and screenplay, as expected, are top-notch. The music is terrific, and has been used creatively to take the story forward. The performances are excellent too, with Abhay Deol delivering a brave, powerful performance that won't be easy to forget. Mahie Gill and Kalki are very impressive too. Watch this movie also for some gems- Paro going in the fields to get laid with Dev with mattresses tied to her bicycle and Chanda and Dev in the sauna-there are many more I promise. AK has successfully ironed out the flaws in the original Devdas, and that's what makes this dark film also a feel-good film at times. AK has handled sexuality and some real-life incidents (MMS scandal, BMW hit- and-run case) in a very mature manner, without being sensationalist. Don't miss it for anything. Watch it for its sheer audacity.

"I give a 10/10 and two thumbs up for AK's newest piece of art."

Dev D is certainly a unique take on the Devdas story, but that alone is not enough to warrant this film getting more than 7 stars, tops. It is brash, explicit, and shows Indian youth in a way not often portrayed in Indian cinema (rude, obnoxious, disrespectful). But that doesn't make this a good film. Just different.

The acting is passable. I don't think that anyone is grossly miscast, but at the same time, there is very little call for real acting in this film. The biggest problem lies in the script, which never creates any emotional connection between the characters. The only character we develop any sympathy for at all is Chanda. Frankly, making the film from Chanda's point of view, and discarding the ties to the Devdas story, might have been a better direction to go with this.

Technically, it is decent work. The use of the Snorricam is unique in Bollywood, but it doesn't break any new ground. Same with the underwater shots. The lighting is excellent, but the direction and cinematography aren't memorable. Most of the songs are forgettable, although one theme is used very well. The songs are not well-integrated, often rendering them an annoying distraction.

Overall, this can only be rated an above-average film, at best. I don't think I'd watch it more than twice.

Ever thought of going to a 'remake' Hindi movie and getting apprehensive whether it will turn out to be better or as good as the previous, in this case, Devdas? well, here it is. And its not a remake, its much better. The most striking feature of this movie is the part played by Abhay Deol,(guy s got talent) which is simply very subtle and practical. No overacting (unlike any other Hindi hero), no songs around mountains and valleys, no getting emotional over your love (yes, believe me). Just chronological events that takes place with three characters around. Thats it. With a gist of recent events which include the DPS girl blow-job MMS, and the famous Drink n drive BMW mauling case in New Delhi, Anurag Kashyap has proved its possible to relate recent events in Indian cinema, which it lacks today. Never once in the movie you need a toilet break even if u need to pee really bad. Even the boldness in using the words like f*** (which i guess is the first time in commercial Hindi movie)is so well mixed, it never strikes out of the ordinary or routine. Must appreciate- Screenplay, direction, Abahay Deol. Music sucks mostly,( not a very good experiment) except a few times. Overall a very good experience, will be the most appreciated movie of 2009, unless anything else comes up.

Dev D is India's answer to sexual-lib: for instance, when Paro rides her bicycle to the fields she makes it a point to carry the mattress along; Chandramukhi attends college during the day and moonlights as a multilingual sex-worker (isn't that the politically correct term these days?); and Devdas, well, he is the same, more or less: a self-centered alcoholic, who romances Paro by asking her to email him her nude photo. For some reason, he fails to gain my sympathy even in this particular adaptation of Sarat Chandra's time classic of a hopeless romantic.

To bring the tale up-to-date, the plot makes liberal use of contemporary controversies: the MMS scandal of a schoolgirl filmed in the act of fellatio and the BMW case, when an industrialist's son drove his BMW over seven unsuspecting roadside sleepers, crushing them to death- both are incorporated into Dev D.

The direction is slick, the songs funny, and the drug-induced sequences, well, they are a direct rip-off from Danny Boyle's Trainspotter. And yes, it could do with a bit more editing.

However, this isn't a film you would want to take your family to, as I learnt to my great embarrassment: both my mother and woman-friend had little choice but to leave the theater post-interval. Their comment: "how sick can it get?"

Just as sick as it really is, I suppose.

The depiction of a modern day Devdas could not have been done any better then what Anurag Kashyap managed in Dev D through Abhay Deol. The deciphering of the movie in totality, cant really be ascertained in a single viewing. Subtle nuances keep coming up with every viewing, that is very unlike any regular Hindi potboiler but very much like the work of Martin Scorsesse, Coppola and Stanley Kubrick, the directors who have influenced Kashyap a great deal. Few are able to disencumber the wannabe tag of wanting to create something like the illustrious directors, but Anurag crosses this great divide with Dev D. He is truly the best voice in Indian cinema today because he makes a movie for himself first and foremost, (like the other great directors mentioned) and makes it with all his heart and soul. The result of his dedication can be seen in Dev D which is a flawless flick with bluntness that will raise eyebrows in the western world, what to talk of Indian sensibility? Everything is just that perfect in Dev D.

Cinematography is delightful & vividly colorful. Delhi has never looked better, looks even better then in Mouna Ragam of Mani Ratnam. Abhay Deol pulls off a remarkable character with consummate ease. The depth and the recklessness and the pain and the disarming smile is very reminiscent of the great performance of Robert De Niro in Raging Bull. Is there is any better young method actor in India, then Abhay Deol? Plain simple, No! In a career spanning just a few films he has shown a repertoire that few actors don't achieve in a lifetime. Kudos, Abhay. Mahi Gill is very competent as a village belle and Kalki Koechlin-just superb. Drugs long seen a taboo in the Indian society, though it remains a rampant problem is dealt with great finesse and audacity in Dev D. People may point this as patronizing drugs but that is not it. He wants to talk about an important social issue and he pulls it off with aplomb. It gives a feeling of hate drugs very reminiscent of Trainspotting, and that is not patronizing but presenting a very important social problem with a difference. The remaining cast is solid and helps in the overall movie compactness. Music by Amit Trivedi is very different from the repetitive bollywood music that we keep churning out. It is fresh and strikingly different from anything that we have heard in Hindi cinema. That this movie is a hit should bolster Anurag's confidence. India, is finally ready for his kind of Cinema as he keeps on saying.

OK, I just watched Dev. D and was really, truly disappointed. Which is still totally fine, you don't have to like every movie out there. But the more disappointing part is I came back and read reviews and so far only found good ones. But then I noticed something. All the reviews were saying how different it is from the typical Bollywood movie. No review said why they truly enjoyed the film. So yes, if your going to talk about it being different from Bollywood movies then yes, it was a great movie. But as a movie by itself, then no.

So many movies are different from typical Bollywood that 'different' should stop being taken into consideration as the only good aspect of the movie. A movie shouldn't be judged and given good ratings just because its not the usual Shahrukh movie. India has been making different movies right from the good old black and white days of the Apu Trilogy. Here is a short list of some other good 'different' films - Everyone says I'm fine, No Smoking, Missed Call, Hyderabad Blues and many more.

So coming back to Dev.D, as a stand alone movie was it good? Not at all. As an experiment or something different from Bollywood? Sure. And here are my reasons:

The characters didn't ever show any emotional connection, which in turn left the viewer never being able to feel for the character, specially for Dev. I probably felt a little for Chanda. But that's it. Dev really didn't have that much going on in his life to be so upset that he had to go out and get wasted or high every night. His love for Paro was never so strong to begin with. He came back to India just to get laid. This was very clearly depicted in the film. And even after meeting Paro he just wanted to get laid. So his whole 2 hours that followed felt like a waste of the two hours coz it never felt like he wanted to that bad to begin with! The whole confusion between Paro and Dev about her sleeping around with many people was such a childlike fight because really, how hard would it have been for them to figure out the truth, all they needed to do was have a 5 minute talk. Anurag, come on. You should know better. And the music. I usually always remember the score after a film. Except for the way it was shot and lit everything else was poor.

Being a friend of Anurag I was extra disappointed because I had such high expectations for the film.

I read the other review on IMDb and it was quite evident that the writer, like many people in India are right now, was just infatuated by Kashyap and will take anything to fill the hole in them that Bollywood has created, but in the process will forget how good a movie really is. Therefore its important to watch movies from all around the world, because sure, if you only watch Bollywood then this movie will surely blow you away.

Let me helm AK as the new czar of motion picture extravaganza ...

With a conforming applaud to the concept visualization by Abhay Deol himself , AK and co-writer Vikramaditya Motwane concoct a tale foretold adding the backdrop and zing of contemporary Ludhiana , Delhi !

The beauty of narrative is that it doesn't speak in dialogs but rather gratifies on the senses of the viewer . The editing is brisk and is noteworthy of its nuances to help add the necessary twists in the plot.Fresh music with loads of it helps to contemplate the emotions of the protagonist.

It isn't banal or prudish ..the dialogs are witty and minimalist !

For those who have watched the archaic DevDas , it's overwhelming to match "loosely based original characters " to our new era real life DevD( trying to empower his childhood love or trying to understand what love really is ), Paro ( Very Indian but yet liberating and sexually charged and also at par with the ultimate Indian "aadarsh" Bahu agnostics ) , Chandramukhi ( A thumbs up to the Sex industry which preaches what the whole world tries to echo in darkness and unlike the world which then raises fingers of indignation and loathe - CMon India did preach Kamasutra long back )not to forget Chunni( an amiable friend but a pimp of the sorts ).

The ensemble has done a worthy job . Newcomer : Mahie Gill easily transitions from a vulnerable lover girl to a mature responsible lady , Kalki Koechlin epitomizes the naiveness of a teenage girl whose social stigmata con-volutes her essence of life into an awry ordeal which she readily accepts and moralizes as a state of "Trying to move on .." And Abhay ( I read him being at someplace learning Wood Carving during the release of this movie ) - ( is purely a treat to watch ..the way he triumphs in being a sole loser who worships Vodka and doesn't chastise himself rather acclimatizes himself to the corner of the world called "SELF" -- the virility shown by his hairy bod -- a pungent antonym to chest waxed embellishments -- 10 kg's lost for this role -- shows the kind of efforts put on screen )

All of this with a maverick Director's surreal vision ( trademarks being his liking for water and snow .. he uses them as props and landscaper's to unearth the beauty of the far .. No Smoking had loads of it) is a cinematic milestone in itself ...

If your above 18 then go with a heart of redemption, lust , despair striving to the ultimate nemesis with oneself --- you shall be a winner !!!

Dev D is a modern-day interpretation of the classic novel "Devdas" by Sarat Chandra. Dev (Abhay Deol), Paro (Mahi Gill) and Chanda (Kalki Koechlin) of Dev D reflect the sensibilities, conflicts aggression, and independence. Free thought, exuberance and recklessness of the youth of today. A generation that is jammed between eastern roots and western sensibilities. Dev D is set in the rustic and colorful Punjab and also explores the dingy, morbid, dark underbelly of Delhi. From sprawling mustard fields to a riot of neon. Now we have come through various versions of the novel "Devdas", but "Dev. D" is way different than all the others. It's not actually the remake of Devdas, yet it can be said as it has been just inspired by it. There are minor similarities yet the characters are similar in a way. The new Devdas likes to have his vodka with Coke, asks Paro for some nude pictures of herself, chats with Paro through IM, likes to have sex, smokes even during pissing after waking up in the morning & does other various stuffs according to the current trend of Indian Youth. There are so many reasons why "Dev. D" strikes hard on it's viewers. It's a coming of an age cinema of Bollywood. Bollywood never did witnessed any stuff like Dev. D ever before. The soul of the movie lies within it's characters, specially "Dev.D" along with Paro, Chanda & Chunni. The movie also depicts Delhi in a superior way. Anurag Kashyap always trying to do something new & creative with each of his movies. First it was Black Friday, which portrayed some stunning reality behind the blasts in Mumbai in the year 1993, which also made it highly controversial & then it was "No Smoking", which was an attempt of a cult movie, though it failed to express the real message behind the movie. Anurag Kashyap this time does it in a Tarantino style. A love story in a Tarantino way. Now that's something really innovative! He gives an extra-ordinary direction, with keeping in mind to entertain the viewers. The humor of the movie with it's witty one liners keeps the viewers hooked during the first half. Though the second half looses it's momentum a bit, the movie still strikes in a powerful way. Now if we talk about the performances, Abhay Deol is one of the most talented actors in Bollywood. Not only he performs well, but what he did in this movie is called "Class Act". Top class act by Abhay. Also the performances by the two of the new-comers is refreshing & amazing. Adding to all the factors above is the music or the score of the movie. That's something different yet again for Bollywood. The track "Emotional Atyachar" is already famous. But the best tracks of the movie are "Ek Hulchul Si" & "Emotional Atyachar (Rock Version)". It would simply blow the mind of the lovers of rock music. Excellent songs & score by Amit Trivedi. The unusual cinematography of the movie gives the movie a different look, yet a dark look. Dev.D is a fantastic movie to be made in Bollywood history. A never before experienced love story with sex, drugs, drinks & lot many stuffs. A classic love story with fantastic performance by Abhay Deol.

Dev.D, Anurag Kashyap's contemporary take on Sarat Chandra Chatterjee's classic novel Devdas is simply extraordinary. Kashyap's direction is excellent and his interpretation of the original story is a perfect example of how creative and artistic an adaptation of this sort can be. The film is set partly in Punjab and partly in Delhi and captures the atmosphere of both places with precision. Kashyap masterfully portrays the effervescence, colourfulness and rusticity of the rural Punjab areas from one side, and then explores the morbid and dark reality of the urban Delhi. The film is very realistic and aspects which contribute to this include the simple writing, the slick editing and cinematography and the natural acting. It deals with such themes as sexuality, love, drugs, prostitution, self-destruction, and complex relationships. The film's fast-paced narrative style, which includes authentic dialogues, serious proceedings and many many songs (all of which are lovely, modern, and appropriately selected), is very unique and matter-of-fact. Abhay Deol stars as a modern-day Devdas, and he does an excellent job. He shows Dev's confusion, complacence, gradual ruin, and later his self-acceptance and coming to terms, with conviction and depth. Kashyap introduces two young girls in the leading roles. Mahie Gill is the first, and she is first-rate in her debut performance as Paro - very believable and impulsive. Kalki Koechlin is less impressive at first, but grows on you as the story goes by. At some points in the initial portions it looks like she's struggling with her lines, but in the second half, she confidently turns into a charming young lady and ultimately leaves a mark. The film's ending is fantastic and unexpected. To sum it up, Dev.D is Kashyap's gem. It is a prime quintessence of Hindi cinema's capability and coming-of-age. I recommend you to watch it.

This is a technical genius of Indian Cinema. One of the best films ever made. One film I personally can even think of parallel y in terms of quality would be Omkara. Dev D is not a film but a reflection of Indian youth as it is in the new century. If there was something called a psychedelic film this would definitely be the one. The soundtrack itself through out the film creates a unparalleled atmosphere. Blended superbly is the story and the characters. I am not a movie critic but I have seen IMDb top 250 and exhaustively Korean, french , Italian and Brazilian movies. This movie stand apart from the rest. There will never be another Dev D like there will never be another Avatar or Schindler's list. The only reason this film did not get worldwide recognition it deserves because it is an Indian film maybe and there should be more exposure of Indian films.

If you are not from India, and you are reading this review, watch this film once. Please make a point of watching it with headphones on or good loudspeakers. Watch it at a time, when you are most relaxed and trust me, you will never forget this film. I can personally guarantee that any Indian worth his taste in films, have not watched this movie less than a couple of times.

Enjoy the film. I don't write much review, but I like sharing the happiness i get from watching great films. More so, if i can share it with someone not from my country. Dev D is a reflection of India of the 21st century. A India you may have not seen or thought off. This will change your perception of the country to a large extent and will definitely be one of your favorite movies of all time. Blurays are available with subtitles. But trust me, except for some dialogues, the film will reach you beyond the barriers of language.

If you are in your 20s, or early 30s, and if you have not watched Dev D , you cannot say you have watched world cinema.

I think Schindler's list should be IMDb's no. 1 film and i think Dev D definitely would deserve a place in that list's top 15 if it was watched by the world at large. So watch the film, you will love it, share it with your friends. After-all that's what watching movies is all about. Enjoy with a drink or whatever makes you feel good. :) Adios..

Dev is Not like movie it's Truth of Society and tight Slap for our Society Kashyap way to Storytelling pull up and Strong Cast performance Close to Raw Cinema butral and Bold Despite of Strong start movie didn't finish well that's only I Can get for movie Overall must watch for Everyone.

DevD is a romantic black comedy movie starring Abhay Deol and debutant Mahie Gill and Kalki Koechlin with Dibyendu Bhattacharya.

This movie is a typical Anurag Kashyap Brainchild with Sex, Drugs, liquor and very little violence although Anurag Kashyap is known for violence.

The film tells the story of modern Devdas and his life.

The movie is been scripted and directed very well and full credit should be given to the director and scriptwriter.

The screenplay of the movie is also good and will keep you glued to the movie. Also special mention of the background score of the movie as it supports the scenes with an apt. The special mention to the MMS scandal which shook the country was beautifully linked with the story and also showed the aftermath of that scandal.

As far as acting is concerned Abhay Deol is one of the most underrated talent of the Bollywood and he had done an amazing role. Mahie Gill was also very good although she was doing her first film but was very impressive. In my opinion Kalki koechlin is one of the most overrated actress and her immaturity as a fresher can be seen many times during the movie.

Overall an entertaining typical 'Anurag Kashyap' movie.

"Dev. D" attempts to inject a modern-day vibe into the classic tale of Devdas, made iconic by Shah Rukh Khan's portrayal. While the script might lack the gentleness associated with the earlier adaptation, this film stands out with its own unique flavor, both in narrative and character portrayals.

One of the immediate departures from the traditional Devdas narrative is the presentation of the characters. The personalities of the actors may not resonate with everyone, and it's a matter of personal taste whether this modern take on the classic tale strikes the right chord. The film dares to redefine the characters, injecting them with contemporary nuances that might not sit well with those attached to the more traditional depictions.

However, where "Dev. D" truly shines is in its ending-an absolute standout in film history. The conclusion adds a layer of depth and uniqueness to the narrative, making the entire journey worthwhile. The culmination of the story is a masterstroke that manages to leave a lasting impact, transcending any reservations one might have had along the way.

It's undeniable that "Dev. D" takes risks, and not every aspect of the film may align with the expectations set by its predecessor. Yet, the film manages to carve out its own space, offering a fresh perspective on the timeless tale of Devdas. The ending, in particular, showcases the filmmaker's vision and storytelling prowess, making it a standout moment in cinematic history.

In the end, "Dev. D" may not be for everyone, especially those who hold a deep fondness for the more traditional portrayal of Devdas. However, for those willing to embrace a modern reimagining with a breathtaking conclusion, the film proves to be a compelling and memorable journey. The ending alone is a cinematic triumph that makes "Dev. D" a noteworthy addition to the realm of film adaptations.

This is not your old-fashioned Bollywood film, with colored saris unfurled in green fields with dancing waves of wheat while romance blooms back at home in spite of interference from the older generation: when those musicals are good they are very good indeed.

Instead, this is a gritty modern take on misunderstood romance, on living an attitude rather than a reasoned existence. The story is brilliantly filmed in many ways, with lots of electric neon color, the stunning visuals backed by a modern beat, a trio of moon dancers tossed in at one point for ironic counterpoint. I thought the young actress Kalki Koechlin was sensationally effective as a young woman on the run from her past, but the lead, Abhay Deol, although magnetic, can only carry moody angst so far, and after almost two hours of sulky, unshaven drugged-out, drunken staggering, Id had enough--how many times do I really want Abhay to get drunk or stoned or beat up?. It is fascinating to see the Bollywood product evolving in modern ways, but although sincerity was evident from this film, it went on about an hour too long: someone get the scissors!