Klangor

Maybe because it's polish critics are afraid to say how sublime this is. I'm demanding in my choices. How have to have good wtiting. But this has that and much more. And it's one of those you start jumping in front of tv, talking alone to the tv, telling them what to do or what no to do. Nordic noir. Remember The Killing? This is even better. Everything is good. The story. The filming. The images. The beautiful locations. The ambiance. The actors. I saw in a day hill, at home, with severe headaches, so imagine how good this is for me to see all 8 hours in a day. There are no repetitions, no forced writing. It's literary. The acting is beautiful. For me the best is Hania (Katarzyna Galaska), because it's the one that shows us the wisdom of a young girl facing the absolut terror. But all characters are perfect. Realistic, like the story, that makes us face our own fears and understand some people that don't live or behave like we do. Emil, Rafal, Magda, Ewa, Gabi. And the ending is just as perfect as the crescendo of all this series. It's apotheotic without losing this absolutely wonderful Nordic noir that I found I love. Well, i am Portuguese, but from the north. Now what? How am I gonna live without Klangor (beautiful name, by the way, the distant sound of a horn that could be the ferry's or the boat's) now?