Metacritic reviews

It's probably the impresario's best-made movie yet, his most joyful, and his most moving.

It’s the best Tyler Perry movie to date - the writer/director/actor/mogul’s most confident and competent mixture of uplifting black middle-class melodrama and low-down comedy.

A double shot of Saturday-night lowdown chased by a cheery chug of Sunday-morning uplift.

What works best, though, is that it's practically an R&B/gospel musical.

With Bad, Perry is savvy enough to let riveting musical numbers by ringers like Gladys Knight and Mary J. Blige--along with Henson’s deeply empathetic performance--carry the film’s feverish emotions more than his characteristically ham-fisted screenplay.

Perry also spices things up with two of his most reliable fallbacks: music, and Madea. Having packed his cast with singers, he allows them all a moment to shine, with songs that deliver his patented lessons (trust in yourself, trust in others, trust in God).

Perry's latest emotional roller coaster starts with considerable promise and a high-wattage cast, including Taraji P. Henson and singers Gladys Knight and Mary J. Blige, before giving way to melodramatic predictability.

Part musical, part love story, part family melodrama, part inspirational treacle, Tyler Perry's latest movie, I Can Do Bad All by Myself is something of an unholy mess. Alternately stupefying and entertaining, the film does benefit from a strong cast.

Mr. Perry has his moviemaking machine running smoothly, which is to say somewhat predictably.

Has so many dead moments that singing spots by Gladys Knight, Pastor Marvin Winans and Mary J. Blige simply highlight, rather than alleviate, the inertia.