Directed by
Jorge Colón |
Writing Credits (in alphabetical order)
Jorge Colón | ... | (written by) |
Francisco Sanchez | ... | (screenplay) |
Cast (in credits order)
Produced by
Gerardo Rene Arellano | ... | assistant producer |
Dan Carrillo Levy | ... | co-producer (as Dan Carrillo) |
Marcos Cline-Márquez | ... | co-producer |
Jorge Colón | ... | producer |
Jorge Garcia Castro | ... | co-producer |
G. Pekas Lozano | ... | line producer (as Gloria Lozano 'Pekas') |
Daniel Magana | ... | associate producer |
Inna Payán | ... | executive producer |
Ed Rivero | ... | co-producer |
Melanie Shapiro | ... | executive producer |
Music by
Armando Ávila | ... | (as Armando Avila) |
Cinematography by
Eduardo Martínez Solares |
Editing by
Hernan Menendez |
Production Design by
Claudia Vazquez |
Art Direction by
Fabiola Torres |
Costume Design by
Gilda Navarro |
Makeup Department
Regina Reyes | ... | key makeup designer |
David Ruiz Gameros | ... | key makeup artist |
Production Management
Tlacateotl Mata | ... | post-production supervisor |
Héctor Villegas | ... | unit production manager |
Second Unit Director or Assistant Director
Barbara Jane Cole | ... | second second assistant director |
Miguel Lima | ... | first assistant director |
Valeria Villalobos | ... | second assistant director |
Art Department
Eric Aguilar | ... | swing |
Alida Castelan | ... | art department coordinator |
Jesus Guarneros | ... | swing |
Esau Hernandez | ... | swing |
Jorge Huerta | ... | swing |
Juan Carlos Manjarrez | ... | storyboard artist |
Connie Martinez | ... | art department assistant / art department trainee |
Gilberto Miñón | ... | assistant art coordinator |
Irma Ávila | ... | set decor (as Irma Avila) |
Sound Department
Jaime Baksht | ... | re-recording mixer |
Michelle Couttolenc | ... | re-recording mixer assistant |
Sergio Diaz | ... | supervising sound editor/sound designer |
Rodrigo Garcia | ... | foley artist |
Juan Antonio Gomez | ... | supervising adr editor |
Jeff Gunn | ... | foley artist |
Jorge Juarez Horta | ... | sound recordist |
Samuel Mendoza | ... | foley artist |
Francisco Oroz | ... | sound recordist |
Alejandro Quevedo | ... | sound editor |
Adrián Reynoso | ... | sound assistant |
Emmanuel Romero | ... | sound effects editor |
Rodolfo Romero | ... | sound effects editor |
Lyndsey Schenk | ... | foley mixer |
Ricardo Solis | ... | foley mixer |
Arturo Zarate | ... | supervising dialogue editor |
Alfredo Pasquel | ... | foley artist (uncredited) |
Visual Effects by
Luis Blackaller | ... | opening credit sequence |
Leo Lovera | ... | digital compositor / digital intermediate supervisor |
Camera and Electrical Department
Fernando Díaz Torres | ... | second assistant camera a |
Casting Department
Julio Toledo | ... | extras casting director |
Editorial Department
Fabian García | ... | colorist: dailies |
Leo Lovera | ... | on-line editor |
Tim Stipan | ... | digital intermediate colorist |
Michael P. Whipple | ... | digital intermediate engineer |
Location Management
Andrea Gamboa | ... | location manager |
Monica Moyano | ... | location scout |
Horacio Rodríguez | ... | location scout |
Magali Sagarra | ... | location manager |
Music Department
Herminio Gutiérrez | ... | music supervisor |
Additional Crew
Alfredo Couturier | ... | project development |
Tai La Bella Damsky | ... | making-of |
Alejandra Ojeda | ... | assistant coordinator |
Diego Tort | ... | trainee director |
Claudia Valdez | ... | production coordinator |
Thanks
Jorge Colon Jr. | ... | very special thanks |
Gabriel Colon | ... | very special thanks |
Alejandro Mares | ... | special thanks |