Rental Family

Almost a perfect movie, I absolutely loved it. I knew nothing about the movie going in, and it was so much fun thinking about the moral implications of what was going on, and thinking about the choices the characters make and about how things would unfold over the course of the movie. The movie has no weak spots in my eyes, I would have changed almost nothing about the film, and I don't want to give anything away so I wont mention what I would have changed but the movie is still a wow from me and wholly earns a 10/10 score.

As someone less familiar with Japanese filmography beyond a watch of the recent hit, Shogun, this was refreshingly different, but not in an unapproachable way; the friendly face of Brendan Fraser provides an instant point of recognition for westerners such as myself. Throughout this two-hour journey, the audience are given insight into the many joys and throws of modern Japanese culture, whether it comes from cleverly written emotional dialogue or visual cues such as the Monster Cat Festival - yet the film is far from an oversimplification of modern Japan - as Takehiro Hira says in an opening sequence, you could live in Tokyo for 100s of years and still not uncover all of its secrets. Director Hikari builds upon this cultural foundation with a poignant and hilarious emotional odyssey, featuring gut-wrenching moments of pain juxtaposed by much needed comedic relief. Neither sides are done cheaply - although the plot is generally predictable, it does not need to be complex; the writing is intelligent enough by itself. I thoroughly look forward to the film's general release, when I will be attending again for a second viewing!

Brendan Fraser plays an American actor who has been living in Tokyo for 7 years. His career has not been a success, doing things like toothpaste commercials. A chance gig has him connected with Rental Family, a business that rents out fake family members, friends, apologetic mistresses, etc. There are roles that specifically require a white man. His 1st official task is to play bridegroom, getting married to a young woman, who then can leave her family, ostensibly to go with him to Canada, but in fact for her to be with her lesbian lover.

In between other short-term roles, a couple of several-weeks continuing roles come up. One is to be a friend to an aging actor, under cover of being a journalist who wants to write his life story. Another is to play the long-lost father of a young girl, whose mother is trying to get into a good school, but believes that a single parent will not be acceptable. In both cases, the hiring client is not the subject of the relationship, so his acting skills are called upon. However, he gets emotionally attached, and complications ensue.

I saw this film at the World Premiere series of screenings at Toronto International Film Festival, with director Q+A. It seems that rental families are a real business in Japan, especially in Tokyo, where people are lonely, and psychotherapy is not easily available and socially disdained. Some businesses specialize in particular aspects, while others (like in the film) are generalists. Also, there are shrines around Tokyo, where, for a small offering, strangers can go to pray and meditate.

The situations are heartfelt, and Fraser does a good job playing the actor who is conflicted by playing a fake role in real people's lives. Recommended for those who are interested in a glimpse of the underbelly of Japanese culture.

I've been curious about this film for a while and it had such an interesting premise to me that I had to see this one. I think this film is absolutely heart wrenching and just throws so much emotional moments towards you that it gets you really close to crying or crying already. Brendan Fraser is just absolutely phenomenal and truly delivered yet another absolutely remarkable performance and the moments between Mia and Kikuo had me absolutely so emotional and really just elevated this film even more for me. The story here is absolutely beautiful and it's really a fresh concept which has you really thinking about the storyline going here and how Hikari truly had a brilliant idea with a beautiful work of cinematography and visuals to deliver this film which elevates it even higher for me. I really love the film delves the audience into more about the Japanese culture as that's something I'm not too knowledge about and I love how the film portrays the culture of Japan and all the beauty's and how you can't uncover all of its secrets even if you lived there for 100 years like the film states. I really love the score for the film as well and there's such beautiful moments when the film relies on the score to help bring out more emotional moments with beautiful and astonishing visuals. I feel like the film was a little predictable but that's not anything bad about the film though I feel like sometimes I could just see where things were headed pretty easily I feel like I didn't mind that due to this incredible and emotional story that were following throughout the movie. It's so emotional and wholesome seeing Brendan Fraser's character of Phillip and how he's trying to just help these people if he can possibly can and how he's going out of his way to make sure these people can have memories that can change them for the better. I honestly just think this movie was absolutely fantastic and it had me balling my eyes out near the end of the film due to how beautiful this story truly was and hats off to Brendan Fraser for another incredible performance. This is definitely worth watching in my opinion for sure.

It was going to happen at some point that someone turns this real life industry into a major film. The Japanese rental family introduces all kinds of moral issues.

Brendan Fraser's Philip is a struggling American actor in Tokyo. He doesn't buy into being a fake husband, father, journalist, or friend easily. He properly conveys the moral weight of the rental family while making the best of this situation.

This is potentially heavy material, Yes people's lives are affected, often for the better and sometimes for the worse, but it's handled in a lighthearted engaging way.

It may feel cliché the way things ultimately unravel but this is a smartly made film that leaves you with something to think about.