From its opening, there’s a distinct sense of unease shrouded over Miracle, the third feature written and directed by Romanian filmmaker Bogdan George Apetri.
70
The New York TimesBen Kenigsberg
The New York TimesBen Kenigsberg
Framed by scenes of weeping, the narrative does not entirely pull itself into a satisfying arc, but the film nevertheless unfolds with dexterity and suspense.
Miracle is busy on the eye. As in a documentary, we follow the characters around from one task, whether grim or menial, to the next. Stand back, however, and Apetri’s careful patterning can be discerned.
