Despite a start that was a little shaky at times Deadloch always had the bones of a good story and some good story telling - a tribute to a great script by Kate McCartney and Kate McLennan, two of the funniest women I've seen on TV in many years, with wit and tongue as sharp as a tack. And make no mistake, the tongue is in full stride here, so if you are word squeamish - hahah - get over yourself - there is some brilliant banter and dialogue from two of the best at razor sharp spiteful and insightful barbs.
My only criticism is probably about the direction of Madeline Sami's character Eddie - the cop from Darwin. Unfortunately this part is over-played in the first few episodes and jolts well beyond what was needed - we get it, she's rough as guts, now move on. Thankfully this gradually wound back - presumably as dictated by the story arc - and eventually the energy was more finely judged and didn't jar.
Kate Box is brilliant in the lead as Dulcie an ex-bigtown cop on a tree change with her massive pain-in-the-butt partner Cath - Alicia Gardiner. Cath manages to embody everything that is annoying and aggravating with tree change feminist chic - a self absorbed air-head of epic proportions.
Under all the human drama - and there's plenty of it - is a very satisfying and tightly controlled murder mystery - well worthy of an international audience. Also worth mentioning that the only cultural cringe evident is from self aware story telling as opposed to self deluded narcissism.
Suffice to say this is a rollicking good yarn once it gets going with plenty to keep viewers interested and on the hook. A great comedy-drama-mystery well deserving of an 8.
