User reviews

Story of the 'The Tree' takes place in the country side of Australia. It's plot around Dawn O'Neil who is a mother of 4 children struggling to recover with the unexpected loss of her husband. When the father die the happiness of the family seems to ran far away and Dawn for months tries to understand the reality and put everything back together for her kids. But the youngest 8 year old daughter Simone fails to adapt to the situation and starts to believe that her father speaks to her via the big old tree in their garden. And when this tree becomes too unstable and threatens the house and the family Dawn has to decide if to chop the tree down amidst her daughter's objection.

The Tree has a good flow. It's filled with little events which defines the O'Neil family and how they try to cope up with the loss of their father and the protection and income. Alongside the main attention is given towards the giant tree which holds a significant value in the family and its history. Soon the viewer starts to feel like the tree is actually a family member which keeps the family in bound to each other. And it does it for good reasons.

Dawn's character is a strong one. And Charlotte Gainsbourge portrays it quite skillfully. And the performance by the little Morgana Davies who plays the sweet yet stubborn Simone does a wonderful job as well. Overall the acting in the movies is quite raw and closer to reality. Thus brings viewer in to more realism with the whole situation.

The Tree most of the time is a quite movie. With little score and few lines in between it will put the viewer in to the middle of a lonely place. But don't let that loneliness to gulp you down. Because good movies don't make much noise.

My reviews at flickshout.tk

I would like to add information about this film some people might find interesting it was actually shot in different locations in Queensland.. Winton, which actually is in the outback roughly in the middle of QLD and Boonah and the Kalbar/Tarome area not far from Boonah in South East QLD (not really the outback) Winton is over 1,350 kms from Boonah despite the geographical differences in the locations they blend seamlessly together being from the area ( The view outside my window includes the giant Moreton Bay Fig now known as "The Tree") it is amazing to see how they made these entirely different locations look like the same place as for the film it's an interesting combination of fantasy and reality light on fantasy heavy on reality it is not supposed to provide the answers to questions that arise from the family's situation it avoids, or attempts to avoid depictions of various characters reactions that are cliche even if that is to the detriment of the character or film nor does it have a neat and tidy ending that resolves all their issues and sets a clear path for the future that would seem more unreal, it is the unknown in that regard that is slightly haunting. It wasn't perfect in the acting department and was a little overlong but it had just enough puff to get me to the end. I wouldn't say the story and much of the film was enjoyable it's not that kind of film it was more like looking through a window into other peoples misfortunes and you feel lucky that that isn't you..the funny part was the frogs in the toilet and that does actually happen out here in the sticks sometimes that is not so funny.

A strong, layered second film by Julie Bertocelli, one which probably deserves more recognition that it has been given by most critics. I found it difficult to take my eyes off of Charlotte Gainsbourg, who gave a sensitive and complex portrayal of a woman grieving her husband's passing. While the film may have been compared to WALKABOUT, given the cinematic opportunities of the outback, the spiritual nature of the environment paves way for specific beautiful and endearing unexpected visual delights which compliment the narrative in obvious ways, but perhaps not offensively so. The film is quite focused. It is kept simple and unfolds nicely. I found it much more pleasing to sit through than TREE OF LIFE. Bertocelli's film is much more tightly woven and traditional in form, not necessarily any less authentic or profound. Moments were delightful, not excruciatingly painful in the sense of wallowing, allowing the occasional irritation from the daughter to seep into the point where you just want Dawn to slap her across the face. May make more of an interesting comparison the that tree scene in Poltergeist or the horror film about the WOODS. Definitely underrated on here, a film well worth checking out.

I wanted to yank the stupid out of Dawn (Charlotte Gainsbourg). As a mother and a wife she needed to step the hell up and get her life together. As an actress, was Charlotte on drugs? It seemed that at each scene she was so detached that we weren't sure if she forgot her lines, or what.

It's about time we here in the US get to see some "real" Aussies instead of Jackman and Kidman prancing about. Marton (Csokas) has been up and down the block but still refreshing.

I would have rated this lower but I really enjoyed the overall story. Worth a watch but not a buy.

Ciao, babies.

Peter O'Neil dies suddenly in front of his family. His wife Dawn (Charlotte Gainsbourg) is devastated and she's left with four kids to care for in the outbacks of Australia. The girl Simone starts talking to the giant tree next to their home. Its roots are getting into the pipe and a giant branch crashes into the home. She gets a job at the plumbing supply store and starts a relationship with owner George. Her neighbors want her to cut down the tree before the roots get into their pipes. Simone defends the tree against George claiming to hear her father.

This is a slower, meandering story like a tree slowly strangling the house. It has a dreamy feel. Some of it looks beautiful but some of it gently rocks the audience to sleep. It has some appeal but mostly, it's a low intensity tale. The neighbors could have given more tension. In the end, the storm is a convenient way to blow all the story branches away.

The universal theme of suffering after the abrupt death of a dear one, with the necessity for those who remain to go on with life, is here presented in a very serene way. No melodrama, no anxiety, no exaggeration in sensitivity, but solid realism, with a touch of the magic of this tree, heart of the family and of the movie. It's a movie which follows the pace and the inner development of the single characters, mainly of Dawn, the mother, and Simone, the daughter, both wonderfully interpreted by a high-talented Charlotte Gainsbourg, and by a surprisingly mature little girl. It's a movie about the need to go on, to accept the strokes of life with the force and dignity that, let me say it, sometimes only women have, with no sentimentalism, no pathetic indulgence, but with sober realism and a strong feeling for human courage. Another movie that unfortunately will not reach the great distribution, but we know that the phantasmagoric magic of Harry Potter attracts more public and brings more money than the humble magic of a fig tree. However, a truly valid picture.

Well. I had read reviews of this, and was looking forward to something good. What we got was - well - mediocre, really.

Charlotte Gainsbourg has been playing fragile, tense characters for a while, now. Don't get me wrong, she's good at it, but in this film she seems to have been either left without constraints to overact at will, or, worse still, TOLD to act like a gibbering, self centred wreck. (And, yes, I KNOW bereavement is tough, is excruciating, but she just gives up, then goes out to attach herself to another man).

On the other hand, Morgana Davies is just amazing. The most natural, real child actress I've seen in years, since Catinca Untaru in The Fall (2006). Just stunningly, amazingly well done.

OK, the film is about bereavement, and loss, and as a principle, and as a core and theme, this is certainly carried through, but on the one hand badly, and on the other brilliantly.

As to the other characters? Pretty well all of them two dimensional.

And, hey, if you can move houses like that, why not move the damn house a few metres down the hill and be done with it?

Morgana Davies. One to watch. Definitely.

Sometime i feel alone in this world...and when I saw that this movie only had 6.6, it really just proved it again.

Enough is enough, I had to find my old password in order to log in, and vote 10, and of course, to write this review.

This movie is a masterpiece. It has some of the most wonderful pictures, cuts and acting I've ever seen. The acting is so psychological correct, that you forget all about you are watching a movie. Instead you feel like a fly on the wall. The only place were i lost my focus to the movie, where when I think: Where did they find that girl? (Simone) I found out later that more than 200 girls were auditioned to find her. This does not necessarily mean she, Morgana Davies, is excellent, but...she just is. I will bet what i have in my pockets, that this girl just has started a carrier, like Nathalie Portman did in Leon, this is her phantom star. Surely a great carrier is waiting.

But, let us not loose our focus from the movie. If you are a deep person, who loves themes like: family, the unexplained, loyalty, love, and great moving pictures, spiced with the best acting in cinemas right now...then go and buy this movie, and give it to your friend to enjoy it after wards.

I will "only" give it 9 though..just because of movies like Braveheart, La Vita e Bella and The Matrix still exists :) Peace E

Look at the credits of this movie and you know it all. This movie was exclusively made by woman and this can be seen from minute one. There are so many cheesy scenes and so much irrational behavior that you can almost see the crew behind the camera sticking together crying their eyes out about what a touchy movie they are making.

I am sorry. It is not working that way.

The story is fine at its trunk, but when we get to the leafs it stinks - the kid's character excepted.

Could have been a nice film if it either would contain some more fairy tale elements or some more reality in terms of male thinking.

I just finished watching The Tree, and I can not describe the feeling that I have.

This was truly a beautiful film, so touching and heartfelt. If you are expecting a tear jerking drama, then The Tree will not deliver what you want. The Tree has its sad moments, but it more focus's on the happier moments. The acting is very well done, the cinematography is stunning and the musical score is brilliant. Also, Morgana Davies is adorable! I can't wait to see how far she goes.

I highly suggest you sit down and watch the tree, it will give you a very warm feeling inside! 9/10

This odd French-Australian co-production is attractive on many levels, but suffers from having Charlotte Gainsbourg as the main adult character. As in most of her other films, her acting is unconvincing. Morgana Davies is a bit better as the child, but this film also fails to have the tree-father say anything significant, and his wife makes an unconvincing recovery helped by her kids.

This adaptation of Judy Pascoe's novel Our Father Who Art in the Tree would have been better with an Australian actress, or someone more convincing anyway.

This film is about a family that griefs the sudden death of the husband / father, as he collapsed while driving.

"The Tree" is an intensely introspective film, as it attempts to sculpt the emotional states, thoughts and feelings of the family members after the husband's death. As the husband's car hit a tree next to their house, the rest of the family have a special attachment to this tree. This attachment become central to the plot, and it requires much empathy to understand the characters' actions and motivation. The wife uses the tree for comfort, while the daughter Simone uses the tree as a replacement for her father. Even though the portrayals of the family's internal world are excellent, "The Tree" still suffers from being too slow and too plain for an average viewer.

The actual tree in this film is impressive. The Swiss Family Robinson could not have found a better tree! The cinematography is gorgeous. The 8 year old daughter is an old soul who steals the film. The mother, played by Charlotte Gainsbourg, is a character we see grow and develop 180 degrees from dysfunctional grieving spouse and mother of 4 children, to branching out and obtaining her first job, to dating again with all the complexities of being a single mother, to ultimately dealing with a calamity that I will not reveal further.

I loved this understated gem. Just roll with it. What's the harm in having such an incredible magnificent giant of a tree also be one of the main characters? I never got tired of seeing that tree or how each member of the family interacted with it.