Metacritic reviews

While you couldn’t hold up Sumotherhood to any legitimate standards as good cinema, it’s an entertaining shambles – and far less toxic than anything Clarke made.

Sumotherhood is, at times, so overstuffed that it starts to wear on the nerves. Yet, Deacon has also found a wholesome, and funny, heart to his film, circling back to the awkwardly desperate performance of masculinity that drove its prequel, and simply doubling it up.

A very silly, sporadically serious hood spoof, with some surprisingly frank discussions of mental health — and a welcome redemptive arc for the multi-talented Adam Deacon.

It’s a wildly uneven mess.

Any stabs at thematic seriousness have an incongruous feel. It’s admirable that Deacon, who has been vocal about his own mental health issues, has made his character bipolar, but the subject isn’t explored so much as mentioned repeatedly.