Framed

I found this movie to be absolutely delightful and a perfect weld between privileged society and the average everyday person. I loved the children in the movie - their ingenuity and wit. The adults characters were also well done. Mr. Davis' character was touching, especially his reaction to the painting of the boats. As you got to know each character in the movie you became more endeared to the town and to human nature. The movie made me laugh as well. I loved the part about Mr. Davis and his thoughts on liver. These days it's very hard to find entertainment that is enjoyable and easy to watch. It was an excellent movie in that it showed how art inspires and changes people, and makes life better. There was a lot of heart and depth in that little Welsh town, and it rubbed off on the art expert who came to stay for a while. I would watch this type of movie any day, over the titillating, violent rubbish that's out there. Kudos to those who still know how to make an awesome viewing experience!

National Gallery in London is flooded. Elitist curator Quentin Lester organizes the transfer of the collection to an abandoned mine in north Wales. Local teacher Angharad Stannard soon uncovers the secret operation. Quentin confuses little boy Dylan Hughes' love of the Teenage Mutant Ninja Turtles for a love of the Italian masters. The locals start seeing the art which leads to changes. The weird butcher renovates the local pond. Dylan's mother is struggling after her husband disappeared and decides to open a cafe in their gas station's garage. Daughter Minnie Hughes is casing the cave. The Sellwood sisters have come out of their seclusion with their own painting. Questin is not a hunky lead or a terribly romantic lead. The town is full of quirky characters. They're all likable. This is a light quirky movie. The little boy is compelling. It's fun. It's heart-warming.

This begins at London's National Gallery, at which a waterline break floods the museum, causing National Gallery Director (James Woolley) and his assistant, Marnie Pope (Nina Sosanya), to close shoppe for the day.

Quentin Lester (Trevor Eve), a painting and fine arts connoisseur, who operates a slate mine along with partner Reynolds (Guy Henry), returns to his rural community, located somewhere between London and Wales.

Angharad Stannard (Eve Myles), a bicycling schoolteacher, also presents a great deal of knowledge regarding the fine arts and seems to encounter Quentin just about everywhere he turns, as he, in turn, encounters several of her pupils around the community, including the Hughes children, who play heavily into the film's theme of desertion and poverty, as they assist their mother at her roadside diner, Cafe Da, at which the uncultured aspiring artist Tom Ellis (Matthew Aubrey) also assists, by designing a window display, and helping out with the children in his own special way.

Bethan Hughes (Nicola Reynolds) has been separated from husband Daffyd Hughes (Mark Lewis Jones), who has disappeared to London to attempt to earn provisions for the family, consisting of Marie Hughes (Gwyneth Keyworth), their elder daughter, Dylan Hughes (Sam Davies), their elder son, Minnie Hughes (Mari Ann Bull) their younger daughter, and Max Hughes (Ruby Lewis) or Max Hughes (Ella Lewis), as the baby, whom Marie especially supervises.

Mr. Davis (Robert Pugh), who has lost his lost 3-year-old in the lake after an accident on the pier, serves as the town butcher, and, along with Dylan Hughes, Angharad Stannard and Quentin Lester, also holds an interest in art.

Edna Sellwood (Gwenyth Petty) and Edith Sellwood (Margaret John) reside in the community as elderly sisters, who drive to the park to sell a painting of Edna as a child, which they report their father has painted, even though Edna, now blind, is unable to steer their automobile, and so Edith holds the steering wheel, while Edna operates the accelerator and brakes, or at least Edith tries to control the vehicle, which town-folk fear when the sisters Sellwood approach outdoor gatherings.

PC Gary Evans (Tim Treloar) inspects the Hughes diner to inform Bethan that 2,000 pounds are due in taxes, while his young daughter, Jade Evans (Jodi Bird) tauts Dylan, and while another Gary, listed as "Gary," (Anton Saunders) serves as a different officer.

After Quentin experiences difficulty in ordering out-of-season lamb from Mr. Davis at Love Meat Tender, chickens cross the road at Cafe Da, causing Quentin to meet Dylan, who helps to retrieve the fowl although a rooster, Donatello, enters Quentin's automobile, to attack him once he reaches a lamb crossing and is forced to stop his vehicle.

Dylan then catches up with Quentin to rescue Donatello, impressing Quentin with his knowledge of Donatello, Leonardo, Michelangelo and Raphael, and plans to discuss the classic artists at a later time. Angharad also catches up with Quentin on her bicycle, which she often does, also to discuss the arts and other topics, such as her schoolchildren and the slate mine.

But when Angharad takes the children on a field trip to the slate mine, Quentin and Reynolds become cautious that they might face danger without their hard-hats even though the schoolchildren already brought them along, but Quentin also expresses caution when Tom and the children discover Quentin's underground art gallery down beneath the mine.

Well, Angharad expresses a disagreement with Quentin over his attitude toward the children's mishandling fine paintings beneath the slate mine or something like that, and so any hint of romance between the lovely schoolteacher and the slate miner who knows his art history is quickly nipped in the bud, or at least until he somehow surprises her with a lobster dinner deep in his underground slate mine gallery amid a wealthy display of illuminated paintings, which, of course, ought to surprise just about anyone.

And when Little Minnie schemes to champion Dylan's cause, she cleverly stifles the slate mine's security system to sneak Dylan into the slate mine gallery to switch a valuable Van Gogh with a collage of snapshots which Maria has taken of Baby Max to immortalize him the way Edna Sellwood's late father once did, before the Van Gogh gets mixed up with the painting of young Edna.

Somehow, this Hughes family cannot afford provisions, but they certainly stock plenty of photography film and art supplies at Cafe Da.

And now, on the eve of Dylan's birthday, Bethan attempts to locate Daffyd, not for her sake, but for the sake of the children, so it just may be up to Quentin to save the day for the Hughes family and for Angharad and her other schoolchildren, and the sisters Sellwood, plus the slate mine and the National Gallery, and, perhaps, the remainder of the impoverished community, which really needs to learn a few pointers on the arts.

The cast is rounded out by Olwen Medi as Mrs. Porty, Livia Hughes as London Schoolchild, Melanie Abbott as Reporter, Frank Cottrell Boyce as Car Boot Dealer, Aneirin Hughes as Petrol Representitive, and Sian Boudreaux as Florida Terrible Jones.

Comment: Now, I haven't seen Trevor Eve since "MSW: Tinker, Tailor, Liar, Thief" (1992), but he, Eve Myles, Nicola Reynolds, Robert Pugh, Guy Henry and Matthew Aubrey handle their material especially well here, as well as do several of the character actors and child actors.

I can't believe we're still making programmes depicting Welsh people as bumbling village idiots in 2009.

Stuff your PC rubbish, this is racism, pure and simple.

Also, why did every single person have a South Walian accent when it was set in North Wales? They'd never make a programme set in Liverpool and cast a bunch of Cockneys to play native born Scousers.

Do your research.

In fact, if you're going to make a programme this offensive and inaccurate, just don't bother.

It wasn't any good anyway.

This BBC production, shown in the US on Masterpiece Contemporary, stars Trevor Eve (Waking the Dead, among many other fine productions) as Quentin Lester, a senior curator from the National Gallery in London, is given the task of storing the art masterpieces somewhere during repairs on the leaky plumbing at the Gallery which threatened to damage them.

The artworks are taken to a mining cave in Wales where they had been previously stored during WWII for safe keeping until they could be returned one by one to the Gallery. There Lester meets a community of colorful characters along with a young boy whom he believes shares his interest in art. Their teacher, played so charmingly by Eva Myles, introduces herself into his life and eventually Lester becomes an integral part of the community during his stay there.

The movie is full of mishaps and adventures, many of which involve a family who are experiencing some financial difficulties. The children in the family rally around their mother trying to find a way to help the family out during their father's absence resulting in some of the most memorable scenes.

The scenery alone is an artwork unto itself with beautiful vistas frame the village and it's town folk. It is heartwarming how everyone comes alive with the arrival of the art and a lonely, solitary man finds his true self along with them.

The acting here is superb with standout performances by Eve, Myles and especially the young children. Don't miss the elderly sisters played by Margaret John and Gwyneth Petty; they are adorable.

This little movie is fantastical and lovable, reminiscent of movies like "Waking Ned Devine" or "The Englishman Who Went Up a Hill But Came Down a Mountain". Enjoy this gem for the treat it is.