User reviews

Janie Jones (Abigail Breslin), a 13 year-old girl is with her mother and they are off to meet her father. Except her mother (Elisabeth Shue) is a whore-like drug- addicted loser who's abandoning her daughter. And her father (Alessandro Nivola) is a fading rock-and-roll star who has no idea he has a daughter, let alone any intention of being a father to one. "Janie Jones" the film and each of the characters pick all the right notes.

It's a fairly subtle drama about a young girl who doesn't want to be left on her own but knows how to take care of herself; and a father who doesn't seem to have the first clue about how to take care of himself, but with the arrival of Janie, he might try for her sake. Similar movies have been done before, but this one is a bit more subtle in their actions even if the plot points are the same. I whole-heartedly enjoyed each of the choices they made to the move the film along.

Ethan, the father, is a rock singer desperate to cling on to the notoriety that comes with being a band leader. As you can guess, his career isn't going so well. One of the excellent elements of the film was choosing softer, folk songs when he's actually playing music for us, or for his daughter. And, even better, it really is Nivola playing the guitar. A talented musician, he was in bands throughout high school and university.

More excellent choices were made in the casting and characterizations. Brittany Snow has managed to stay just in the shadows of the Hollywood spotlight her whole career despite her cute, blonde looks. I'm assuming that has something do with the fact that even though she is a cute blonde, either her characters have had a dark side or the films have had a dark side. I've always admired that about her. This marks the first time she's not playing a teenager. And her character, named Iris, who appears to be a whore-like drug-addicted loser on the arm of Ethan, isn't exactly as she appears to be. Frank Whaley, playing Ethan's band-mate, steals the few scenes he's in by adding some touching comedy to the drama.

Nivola and Breslin are the stars and despite their age and background differences, they never went over-the-top around each other. They both played their characters with the subtlety required. The scenes of just the two of them were cute but never showy; they held our hearts the whole way. I've always loved Nivola and have appreciated everything he has done. Breslin has made the right choice by returning to her indie roots, showing how she has matured and keeping the comedy in check.

"Janie Jones" has flown under the radar, I'm assuming because it has chosen quieter tones, but they are the right ones.

The lead character is excellent in this movie. I thought she was a very sweet young girl with a lovely singing voice too. They could have developed her character more, but then it probably would have overpowered the other characters in this ensemble movie. I liked it, even though it started out rather slow.

Like another reviewer, I too think there could be a good sequel set 'five years later'. Enjoyable, 'almost' family movie, not quite... too much pot smoking.

Elizabeth Shue must have had some money invested in this movie, because she didn't have a big part. It was almost like a 'pilot' for a TV series, actually. I loved it when the girl says she learned how to bail out her dad by watching "Dog the Bounty Hunter",

The plot line of JANIE JONES has been used many times before - estranged child forced to live with runaway parent provides growth for both - but this story is apparently based on a true incident and perhaps that is one of the reasons it becomes rather endearing. Written and directed by David Rosenthal this somewhat overly long film works well and that is in no small art due to the sensitive casting.

Tattooed, alcoholic, almost has been rock and roll performer Ethan (Alessandro Nivola) tours with a mediocre band headed by manager Sloan (Peter Stormare) who somehow manages to keep things together for the band - Dave (Joel David Moore), singer and Ethan's girl friend Iris (Britanny Snow), Chuck (Frank Whaley), and Ulysses (Michael Panes). The band has been together for years and now is forced to play the sleazy nightclubs who will book second rate acts. Into this worn down group comes a surprise - Ethan's old squeeze Mary Ann Jones (Elisabeth Shue) whom Ethan hasn't seen for 13 years arrives on the scene with Ethan's 13- year-old daughter Janie Jones (Abigail Breslin). Ethan doesn't even remember Mary And nor does he buy the fact that he fathered a child, but Mary Ann has the birth certificate to prove it: Mary Ann is drug addict and can no longer care for Janie while she attempts to dry out so she literally dumps Janie with the reluctant Ethan and disappears. The remainder of the film is a struggle Ethan has at being unable to cope with life in general, the disbanding of the band because of Ethan's sociopathic behavior, Ethan's arrest and Janie's method of bailing him out when no one else will, falling downhill as a musician, and coping with the fact that Janie is around. The gradual interaction between Ethan and Janie demonstrates the difficulties of father-daughter bonding, but it also awakens in each of them the concept of being noticed, needed, and loved.

Both Alessandro Nivola (one of our finest actors today) and Abigail Breslin bring a depth of acting skills to these rolls. They are wholly credible and have our hearts all the way through. The smaller roles (including Frances Farmer as Ethan's wealthy mother form whom he is able to get funding because of Janie's presence as her granddaughter) are well written and beautifully acted. The film relies a lot on music and Nivola and Breslin sing and pay their own musical contributions. Yes the story may be tattered from over use, but the strength of the film is well worth the viewer's interest and time. Grady Harp, November 11

I saw this film for the first time in a little theater in Des Moines, Iowa called The Varsity. It is one of my favorite spots. I thought that it was only right that I see it in an Iowa theater since thats where it was shot. A lot of my friends had worked on this and I was excited to see it! Overall I thought that the story was pretty good. I really felt for abigail's character. She is always so great in everything she does. I also heard that she was a joy to be around, so that probably helped too! This films progression was done really well. The character development was awesome! The only thing I would change would be how quickly we get to the end. I wish that I could've been led a little longer. Anyways, great film. Proud to have it shot in Iowa!

"I don't have a kid. I never even met this woman." Janie's (Breslin) mom (Shue) is having a rough time and is trying to get herself into rehab. She decides to finally introduce Janie to her rock star father (Nivola) in hopes that he will take care of her. When told of what would happen if he refuses, Ethan decides to take her. While on tour the band and Ethan's life begin to fall apart. I had pretty high expectations for this one because I really enjoyed "August Rush". While I like that the actors did their own singing this was not as good as "August Rush" was. I did really enjoy this movie though and highly recommend it but for those that have seen "August Rush" be prepared. The acting and story are very good but also extremely predictable, in most movies that hurts it, but this one still keeps you watching. If you like movies that are about music then this is a good one to check out. Overall, not as good as "August Rush" but still very much worth watching. I give it a B.

"Janie Jones," directed by David M. Rosenthal in 2010, is a cinematic work that stands out for the depth of its plot and the meticulous development of its characters. The story introduces us to Janie Jones (played by Abigail Breslin), a teenager whose life takes a turn when she meets Ethan Brand (played by Alessandro Nivola), a musician in decline. The revelation that Janie is, in fact, Ethan's daughter is the starting point for a journey that encompasses much more than the simple acknowledgment of paternity. The film unfolds gradually, allowing viewers to witness the growth and transformation of the characters as they navigate challenges, adventures and emotional discoveries.

"Janie Jones" is a film that explores themes that resonate universally. One of the central themes is that of the family, and how it can be a source of support, reconciliation and love, regardless of the circumstances. Ethan's journey from reluctant father to devoted father is moving and inspiring, showing how people can change and grow when faced with parental responsibilities. The film also sheds light on the life of a teenager who faces a series of challenges, including a search for her own identity amidst the chaos. This is a film that makes us reflect on the complexities of family relationships and the importance of mutual love and support in building true bonds.

The journey and relationship between the protagonists, Janie and Ethan, is the emotional core of the story. They evolve in deep and complex ways, providing a richly developed narrative. At the start of the film, Janie is a confused and vulnerable teenager who appears backstage at a concert by Ethan, a fading musician. The revelation that Ethan is her father takes her by surprise, and she is met with indifference by him. Their relationship begins at a point of distrust and estrangement. Afterwards, the film enters a road journey phase, in which Janie and Ethan travel together in a van. This journey is crucial to the development of their relationship. During their time together, they share moments of genuine connection and discover aspects of each other that were previously hidden. Music plays a key role in this process. Ethan, a talented musician, plays songs for Janie on his guitar, and music becomes a common language that unites them. Janie also reveals a natural talent for music, demonstrating her own ability on the piano. As the journey continues, the bonds between Janie and Ethan grow stronger. They share personal stories, laugh together and support each other during difficult times. Ethan begins to take a more active role in Janie's life, not just as a father, but as someone who genuinely cares about her well-being. This transformation is especially evident in the scenes where Ethan protects her from harm and encourages her to express herself musically.

In the third act, their relationship faces significant challenges. There are moments of conflict and emotional confrontation, in which both express their frustrations and insecurities. These moments of tension are essential for the characters' growth, as they force them to face their own mistakes and limitations. However, these conflicts also reveal how much they care for each other. The film culminates in a moving scene of reconciliation and closure. Without giving away too many spoilers, this scene involves a musical performance by Ethan and a final connecting moment between him and Janie. This is the culmination of the characters' emotional journey, where they fully recognize and accept their place in each other's lives.

The film's highlight is the extraordinary performances by Abigail Breslin and Alessandro Nivola. Breslin, in particular, captivates us with her masterful portrayal of Janie Jones. She masterfully captures the complexity of a teenager who has faced many adversities in her life, demonstrating an impressive range of emotions. Her performance is moving and genuine, providing an undeniable depth to her character. For his part, Alessandro Nivola delivers an equally remarkable performance as Ethan Brand, revealing his character's journey of redemption and self-acceptance in a deeply engaging way. The chemistry between the two actors is palpable, creating an emotional connection that becomes the film's beating heart.

Some scenes set the tone and journey presented here well. The scene that establishes the film's central dynamic occurs when Janie Jones (played by Abigail Breslin) appears backstage at an Ethan Brand (played by Alessandro Nivola) concert. The revelation that Janie is Ethan's daughter is fraught with tension, and their meeting sets the tone for the development of the father-daughter relationship; after some run-ins between Ethan and his band, Janie and Ethan's road trip begins. As they travel together, they share moments of connection and discovery, often involving music. These scenes illustrate the evolution of their relationship, showing how they begin to understand each other and enjoy each other's company.

Ethan is a talented musician, and several scenes feature his musical performances. One of the most notable is when he plays Janie a song on his guitar. Music serves as an expression of their emotions and a form of communication between them, creating moving moments. There's an emotionally charged scene where Janie and Ethan confront their own weaknesses and past mistakes. This scene is an important turning point in the narrative, as both characters begin to confront their own limitations and seek redemption. The film's final scene is one of the most touching. Without giving away too many spoilers, it involves a musical performance by Ethan and a final connecting moment between him and Janie. It's a scene that encapsulates the characters' emotional arc and offers a sense of closure and hope. Each of these scenes plays a key role in building the emotional narrative of "Janie Jones." They not only advance the story, but also reveal the complexities of the characters and their journeys of self-discovery and growth.

David M. Rosenthal's direction is adept at capturing the characters' emotional journey. He uses music as a universal language that connects Janie and Ethan, creating a soundtrack that not only complements but amplifies the narrative. The choice to shoot in real locations adds an additional layer of authenticity to the story, making the audience feel immersed in the world of the characters. The film's often raw and stripped-down atmosphere helps convey a sense of realism and accentuates the characters' emotions, making the cinematic experience even more immersive.

The film reaches a conclusion that is, at its core, a celebration of reconciliation and building family bonds. Janie and Ethan, who start out as strangers, find a genuine connection and learn to support each other. This evolution is a testament to the power of love and family, even if it is unconventional. The film reminds us that family can be formed not only by blood, but also by love and a commitment to care for each other. Another key theme in the conclusion is personal growth and self-discovery. Both Janie and Ethan go through developmental journeys throughout the film. Janie discovers herself as a talented musician and finds a father figure in Ethan, who transforms himself from a self-destructive musician into a devoted father. This change of both characters emphasizes the idea that people have the ability to evolve and redeem themselves, regardless of their past mistakes.

The conclusion also brings a sense of acceptance and closure to the characters. They accept the challenges they've faced and the choices they've made, and this allows them to move forward with hope and determination. The film's final scene, which involves a musical performance by Ethan, serves as an emotional culmination that encapsulates the entire story arc and characters' journey. Ultimately, the conclusion to "Janie Jones" is a mixture of emotion and hope. She reminds us that despite life's difficulties, human connection and the ability to grow and change are powerful elements that can lead to healing and transformation. The film invites us to reflect on the complex nature of family relationships and the importance of accepting and loving those around us, regardless of circumstances. This impactful conclusion reinforces the film's core message about the redemptive power of love and music, making "Janie Jones" an emotionally rich and rewarding cinematic experience.

Janie Jones follows the story of a 13-year-old girl whose mother abandons her after taking her to meet her father for the first time. Her father is a fading rock-and-roll star who has no idea he has a daughter, let alone any intention of being a father to one. He is told if he doesn't take her, she will be placed in foster care. So Janie Jones is a film about Janie and her dad figuring out their life together.

I had never heard of this film before, but I must say while it's not a perfect film I really enjoyed it. The acting is excellent, and the situations the characters find themselves in are believable. Abigail Breslin stole the as Janie Jones. Brittany Snow also has a small part in this film as Iris. I really wish that she had a bigger part as I feel like that character( And Brittany's acting) could have really added to the overall film. However, I understand the movie was about a father losing everything and, in the process, finding out that his daughter is what really matters. So it makes sense that she isn't in it that much. With that said, I would highly recommend this movie if you need an emotional pick me up.

I watched this because I like songwriting,road pictures, and the lead guy as an actor. But I couldn't stick with it. I left at the 3/4 mark. It was like watching a documentary of a no-talent loser strumming a guitar in bars. How long can you do that? OK Indie film world. There are a lot of Godless waste-oids floating around the states and the world. We get it already.

Was this supposed to be summer time? No one was cold, there was no snow in the Heartland, and the kid was not in school. No one ever mentions school. They could have at least acknowledged what season it is. Where is she from? Elisabeth Shue would have been 46 when this was filmed. Thirteen years prio, she would have been 33. Isn't that a bit old for a groupie? Especially since she is eight years older than the lead guy in real life.

I guess it was good that the music sucked, because then you can see why the guys is struggling and not famous anymore.I give credit for not dubbing in some soundtrack. The lead guy looks so much like Chris Martin of Coldplay by the way. We are to assume that years ago, with a full band, he sounded good and had a knack for writing poignant lyrics.

Nivola (the lead) played his role with soul, as he always does. The little girl did well by not pushing any stereotypes of the jaded kid or the precocious one.

I just didn't know where this was going,or maybe I knew all too well, and that's why I abandoned it.

I don't recommend it to anyone. It's slower than molasses, and it's hard to root for anyone, other than the kid. Having said all that, it never stooped to sleaziness or preaching, and didn't slam you over the head with an Indie soundtrack to the non-musical scenes.

Very well acted and solid story line. Actors worked very well together with believable emotion.well directed...flowed well Breslin was exceptional Story believable Good locations Interesting sequences Strong emotions Great music Solid singing Connects with audience...will go to see it again. I will encourage others to go see also. Music flowed very well in the story line. Janie Jones character could have more negative qualities to make her more believable. Movie will be popular with multiple age segments. Girls under 18 will connect with the main character easily. Sequel might be interesting to see how Janie Jones character grows up. I plan to take family members to the film. Goos family picture. Sound track should be popular especially with teen girls.

After reading the high reviews I thought I would give this movie a try, and I am left feeling baffled why this film got such high praises. The filming it's self is very low budget, as the camera is shaky and the angles are weird. The storyline of the movie is extremely predictable, very slow and uninteresting. I love watching movies about singers and their struggles especially if they are true stories; but the way this show was depicted was extremely bad and very boring. The only nice thing about the movie was seeing the diversity of some familiar actors/actresses. Alessandro Nivola was a poor choice for a lead actor; there is nothing special about this guy. Abigail Breslin was superb as always, her acting skills truly outshone anyone else on the film. I wish they would have given her more singing time on the stage. Whenever she sang on stage, she was only harmony, as you could only hear Alessandro's voice, as he over powered the song with the lead role.

I don't understand this low rating. Completely believable- very well acted, directed, written. Abigail Breslin was so natural and lovely, Alessandro Nivola (Why doesn't he work more?) absolutely pitch perfect, Peter Stormare created a nuanced manager needing to support creatives in trouble and still make money, Frank Whalley is always awesome, Francis Fisher doing another sophisticated turn as an intelligent, cold woman who wants to warm up-all wonderful. The music affecting and unusual. Having been personally behind the scenes for independent music work- spot on. I guess this is what is called a sleeper- but I advise that you try it for the family/responsibility/addiction/creative ideas. See this movie- you won't regret it.

(2011) Janie Jones DRAMA/ MUSICAL

Written and directed by David M. Rosenthal that has a recovery junkie, Mary Ann (Elizabeth Shue) inadvertently drops off her underage daughter, Janie Jones played by Abigail Breslin with her ex, Ethan (Alessandro Niovla) who didn't know he even had a daughter. And as much as he doesn't want her- he's left with no choice but to look after her, after losing some of the perks that comes with becoming a rock star, straining his relationship with his band mates. While watching this film, it almost felt like it's nothing more than another acting tool for Abigail Breslin, which showcases the audience that she's a great actress but not good enough as a singer. She plays guitar quite well but her singing is plain and uninspiring as well as much of the music throughout. Seems like the theme of this movie, was somehow inspired by "Almost Famous" since the film consists of many 'observers' that's always been known to happen when rock bands travel together in a bus, meaning that it doesn't offer anything new to the music genre in general when they're countless documentaries and books about that sort of thing- what is even the point about about watching a fictional portrayal of it. Also, if one were to cut out all the cussing and arguing- it would look like a "Sunday Afternoon special"

This movie is about a down and out rock star who learns that he has a 13 year old daughter by a drug-addicted ex-groupie, whom, sadly, he doesn't remember. (The story has actually been done before in a terrible 1984 movie (the story line of which was suggested by 'Mick Jagger' (qv) entitled _Blame It on the Night (1984)_ (qv).) Fortunately, that's where the similarity ends as this is a much better film, with respect to both writing and acting. All performances are solid and credible and the viewer doesn't feel (at least as measured by the reaction of the audience at the Tribeca Film Festival) he wasted the price of admission. Ironically, the weakest part of the film is the music: the songs performed are so poor one wonders how the lead character could have become a rock sensation in the first place.