These four scenes are highly effective mini-stories in the transsexual genre featuring mainly new talent, both interesting and sexually arousing.
Best is a near-classic vignette starring busty trans-female Gracie Jane and cis-female Delilah Day. They are introduced wearing sexy stretch pants, ready to exercise on yoga mats in a wall-mirrored studio (resembling a dance space). In long shot the duo bear a great resemblance but the two blondes' differences are revealed when Day seduces Gracie and their clothes come off, revealing Gracie's big cock. The sensual oral-sex is equal time: Day giving her tattooed partner a terrific blow job, matched by stimulating cunnilingus performed by Gracie.
The same mirrored studio is used as the setting for big-dicked Emma Rose to exercise, playing a married woman who is annoyed when Johnny B barges in with his boom box to exercise next to her. Resenting this invasion of privacy, she throws him out, but when the horny guy returns to fetch his water bottle left behind, she relents and ends up servicing him sexually. Twist is that Johnny is a bottom, enjoying her pegging his ass in several different sexual positions.
Newcomer Nicole Knight, who has masculine facial features that make her resemble a drag queen salute to porn star Jenna J. Ross, stars as an uppity stepdaughter to Dominic Pacifico. He recently married her mom, and she didn't attend the wedding, having a grudge against her frequently remarrying mother. At this first meeting at home she surpringly seduces him.
Star of the show Casey Kisses seduces her building's maintenance man DeAngelo Jackson, after he fixes a kitchen appliance and she suggestively asks him to check out her bed, too. Interracial sex with the muscular stud is hot, and gives Jackson a crossover role for Transsensual, after making a name for himself working for its companion label Noir Male.
Besides the pegging novelty, director Greenwood/Boisvert manages to throw in a creampie as well as an anal creampie.
