A documentary on Michael Ruppert, a police officer turned independent reporter who predicted the current financial crisis in his self-published newsletter, From the Wilderness.A documentary on Michael Ruppert, a police officer turned independent reporter who predicted the current financial crisis in his self-published newsletter, From the Wilderness.A documentary on Michael Ruppert, a police officer turned independent reporter who predicted the current financial crisis in his self-published newsletter, From the Wilderness.
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- TriviaAccording to director, Chris Smith, they initially agreed the primary subject was supposed to be the CIA's connections to drug smuggling within the Iran-Contra affair, specifically Ruppert's collaboration with Pulitzer Prize-winning reporter Gary Webb's mid-1990's investigative series, "Dark Alliance." But Ruppert didn't want to talk about the CIA. Instead, he wanted to talk about peak oil, and its critical implications for the future.
- Quotes
Michael Ruppert: It's kind of sad because we as a species have become so disconnected from the Earth. We don't have any real contact with the Earth. We don't have any sense of its functions, its feeling, its seasons, its timings.
- SoundtracksCollapse
Performed by Karli Larsen, Didier Leplae, Joe Wong
Essentially what this film does is the equivalent of getting stuck at a bus stop listening to a guy who is convinced that the world is going to come to an end and that "they" are just keeping us in the dark for some reason. I don't mean this as negatively as it sounds but it is fair to say that this film doesn't hide the fact that at times Ruppert gets carried away with himself, doesn't always cope well with having the totally open stage that he has in the interview, gets passionate, is obsessive and does happen to make statements that (out of context) come off as paranoid and doomsday in nature. It is also fair to say that, unless you already share his mindset, that there will be several times during the film where he goes further than you will be willing to go or says things that either don't make sense, seem like a stretch or that you just plain disagree with.
Mostly the film lets him talk so it is only fair that these moments are left in the film because it does let us see that, being frank, Ruppert is obsessive and that perhaps some of what he says is exaggerated and extreme but this is not to say that he is 100% wrong. So while I personally don't agree with him on the imminent nature of the collapse of the oil reserves (or that they are significantly smaller than "they" are telling us), one cannot really argue that from plastics to fuel, we really have put all our eggs into the "oil" basket and that supplies are simply not infinite. Likewise, because all of our eggs are in one place, moving them may well be possible in small numbers but if we suddenly have no basket – we're going to have a load of broken eggs. At this level the film is engaging and provides plenty to think about and I think that Ruppert is at his best when he is talking generally because his basic points are hard to argue; it is only when he gets into specifics or gets tied up in details that he begins to say "they" too often or get a bit more emotional.
These moments hurt the film by hurting him, although in fairness since the documentary is technically about him, then it is all part of the film and is a good bit of balance. So yes, Collapse will lose you at some point but it will also engage you at many more; it isn't the most factual of documentaries nor is it the best in terms of structure but I found it mostly very engaging and it sent me onto news sites and opinion sites on the internet to read up on some of the less "opinion" related "facts" that it Ruppert presents. Worth seeing for its faults because it is engaging and provides much to think about, even if your conclusions may not lie as far out there as Ruppert's.
- bob the moo
- Mar 12, 2011
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Box office
- Gross US & Canada
- $46,964
- Opening weekend US & Canada
- $7,800
- Nov 8, 2009
- Gross worldwide
- $46,964
- Runtime1 hour 22 minutes
- Color