Directed by
| Dida Andrade | ||
| Andradina Azevedo | ||
Writing Credits (in alphabetical order)
| Rita Buzzar | ... | (written by) |
| João Segall | ... | (written by) |
Cast
Produced by
| Rita Buzzar | ... | executive producer / producer |
| Ricardo Moreira | ... | assistant producer |
| Jair Neto | ... | line producer |
| Alexandre Rocha | ... | associate producer |
| João Segall | ... | executive producer / producer |
| Thiago Strassalano | ... | producer |
Cinematography by
| Andradina Azevedo | ||
Editing by
| Bruno Autran | ||
| Roberto Rais | ... | (edited by) |
Makeup Department
| Márcio Persil | ... | makeup artist: stylist |
Second Unit Director or Assistant Director
| Julia Retondo | ... | second assistant director |
| Bruno Roberti | ... | assistant director |
| Pedro Sgarbi | ... | third assistant director |
Sound Department
| Fabio Canetti | ... | sound mixer |
| Natalia Cruz | ... | foley artist / foley editor / foley recordist |
| Davi Donato | ... | sound editor |
| Felipe Ribeiro | ... | sound assistant / sound utility |
| Marcelo Scofield | ... | boom operator |
Visual Effects by
| Samira França | ... | Assistant VFX Editor |
Camera and Electrical Department
| Daniel de Santi | ... | first assistant camera (as Daniel Augusto de Santi) |
| Flávio Chacal Geromel | ... | additional focus puller |
Editorial Department
| Jullia Aranha | ... | post-production coordinator |
| Thaynara Brito | ... | color grading assistant |
| Melissa Bávaro | ... | on-line editor |
| Guilherme Calaça | ... | digital lab operator |
| Samanta do Amaral | ... | colorist |
| Felipe Hortêncio | ... | digital lab coordinator |
| Guilherme Pozzibon | ... | on-line editor |
| Alex Reis | ... | digital lab operator |
| Daniel Torres | ... | digital lab operator |
| Beto Waite | ... | on-line editor |
Script and Continuity Department
| Leila Schneider | ... | script supervisor |
Additional Crew
| Natacha Leonelo | ... | on-line editor |