A Murder at the End of the World

Just finished watching the complete series. I don't agree with the negative reviews that have been posted here. I don't like to second-guess anyone, but I think people are overreacting to what is, to my mind, a well balanced, and enjoyable story, nicely paced, and well told. The relationship between Darby and Bill, with his passion and problems, rings true for me. And I especially enjoyed Darby's backstory as the daughter of a corner, and an amateur sleuth. It's certainly far better than most series that are thrown together in the endless land of streaming. Believable acting, nice twist at the end. Certainly not the best series ever made. But in my opinion, well worth the investment, from first episode to last. Well done.

I just finished watching Murder at the End of the World because I hate waiting a week between shows so I wait until the season is done and then binge it. I'm definitely glad I did that with this series because it's better as a binge watch. It will keep you guessing throughout the entire show. While it's almost impossible to guess who actually committed these murders, if you really pay attention you might be able to guess who's behind them and why. This series has so many gifted actors in this while all at the top of their game. Brit Marling not only stars in this but is also one of the writers and if you've seen any of Marling's stuff you know she always delivers. Besides the performances, they bring a lot of important subjects to the forefront like climate change and artificial intelligence.

There is a lot to praise about "A Murder At The End Of The World": the production design, the extraordinary location (Iceland - a feast for the eyes of any "winter person"), the hypnotic score, the convincing and committed performances, particularly from Emma Corrin who resembles a lot a young Jodie Foster. There are passages that speak about cell phones and technology more eloquently than I ever could but say exactly what I want to say. However, many of the secondary characters are not developed enough, and the overabundance of flashbacks deflates some of the tension in the "present" tense; the ending is OK but not mind-blowing. The series does not reach the heights of the best episodes of "The OA", the previous project by Brit Marling and Zal Batmanglij, but like its predecessor, it at least represents the vision, flaws and all, of its creators and not of a studio executive conference. It's an "auteur" endeavor in an era of mass factory production, and that is commendable. 7/10.

This show has the premise of something brilliant. A murder(s) in an isolated area, with multiple suspects with unknown motives. A perfect replica of any Agatha Christie show which should have sated the most ardent mystery lover but didn't really in the end.

A lack of character development failed to offer the mystery required for such a show. They are never truly revealed even at the end. A motive for suspects is always a compelling factor, but again, never developed or even really tempted to be known, not even at the end.

The murders are not deeply investigated, nor properly made to be indifferent. There are clues thrown in, namely obvious because of their obscure appearance, which mean something, but never expanded on, and end up as just a forgotten mention.

In the end, the killer and motive are revealed. But..... will it be enough to convince? A very mild, laid back finale ends the series almost quietly. Possibly disappointing to some, but expected these days as shows become less original in surprises.

Definitely worth watching, just for the thrills of guessing. Nothing too new but produced well enough to warrant watching 7 episodes.

Such a great cast. An a wonderful setting, in Iceland. But good God, Darby is an irritating character, and they spend much too much time dwelling on her mournful eyes as she works her way up to her next dumb move, and not enough time on the plot.

The entire series is devoted to plumbing the depths of Darby's character as she tries to stay ahead of the killer. Only problem is, she has no depths. Just those mournful eyes and a frail body.

It's a shame to see such a great cast so underused.

This series is a draft, and needed a lot more editing. The acting can't overcome the bad writing.

Watch it for the scenery, the lush production values. It's enough to make me want to go to Iceland. But don't watch it for the plot or the characters.