A teenage outcast discovers he is a werewolf, and must battle a pack of the brutal creatures when they threaten him and his new girlfriend.A teenage outcast discovers he is a werewolf, and must battle a pack of the brutal creatures when they threaten him and his new girlfriend.A teenage outcast discovers he is a werewolf, and must battle a pack of the brutal creatures when they threaten him and his new girlfriend.
Lindsey Shaw
- Eliana Wynter
- (as Lindsey Marie Shaw)
Sean Mercado
- Pierce
- (as Sean David Mercado)
Michael Stewart Grant
- Stalker
- (as Michael Grant)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaLandon Liboiron also plays a werewolf on the Netflix original series Hemlock Grove.
- Goofs(At around 1 hr 24 mins) A computer displays "TRANSMITION COMPLETE" with an obvious spelling error.
- Crazy creditsNo actual werewolves were harmed in the making of this motion picture.
- ConnectionsFeatured in Movie Nights: Howling VII (2011)
- SoundtracksWake Me Up (When The World's Worth Waking Up For)
Performed by Kyle Vincent
Featured review
On the eve of his high school graduation, unremarkable Will Kidman (Landon Liboiron) finally bonds with the girl he has long yearned for, reclusive Eliana Wynter. But he also discovers a dark secret from his past... that he is about to become a werewolf.
The biggest criticism one can give this film, and I have seen others do this, is that it has that MTV style, and focuses on awkward high school kids (not to mention the main character being played by a regular from "Degrassi"). I am torn between believing this is the new format we have to accept and trying to reject it as an unfortunate trend.
Allow me to quote fellow reviewer Staci Layne Wilson: "There's a little more to it than its inherent wafer thinness. Yeah, it's a corn ball flick without a whit of sense nor much suspense, but The Howling Reborn is surprisingly well-shot, has some good action sequences, the acting is fine, and the spooky bits are augmented by better-than-usual cg and practical effects." Usually I use these quotations to jump off from and disagree, but I think Staci pretty much summed it all up.
I have to call attention to the soundtrack. Some of it I do not know (probably new bands an old fogey like me never heard of) but the ones I do -- like Echo and the Bunnymen -- really set a great tone. I could have used more 80s throwbacks, like the Smiths or the Cure.
The wolf suits are impressive, though it is hard to top the creative force that is Rob Bottin from the original film. Bottin is a god. But, again, these suits are good. The camera moves fast so we cannot see any seams or flaws, which might be mildly annoying but serves the film well and adds a level of realism to the wolves.
There is also a definite sex factor. While I did not personally find the women of this film attractive, the intent was clearly to make them so and others may enjoy that. There is something feral about sex, and the director is well aware of this, throwing in not one but two sexually oriented scenes.
Is this worth seeing? Perhaps. It is not as great as some other werewolf films (e.g., "Ginger Snaps" or "Dog Soldiers") but it has the high school mentality without being as bland or mushy as "Twilight". So I guess it could have been worse.
The biggest criticism one can give this film, and I have seen others do this, is that it has that MTV style, and focuses on awkward high school kids (not to mention the main character being played by a regular from "Degrassi"). I am torn between believing this is the new format we have to accept and trying to reject it as an unfortunate trend.
Allow me to quote fellow reviewer Staci Layne Wilson: "There's a little more to it than its inherent wafer thinness. Yeah, it's a corn ball flick without a whit of sense nor much suspense, but The Howling Reborn is surprisingly well-shot, has some good action sequences, the acting is fine, and the spooky bits are augmented by better-than-usual cg and practical effects." Usually I use these quotations to jump off from and disagree, but I think Staci pretty much summed it all up.
I have to call attention to the soundtrack. Some of it I do not know (probably new bands an old fogey like me never heard of) but the ones I do -- like Echo and the Bunnymen -- really set a great tone. I could have used more 80s throwbacks, like the Smiths or the Cure.
The wolf suits are impressive, though it is hard to top the creative force that is Rob Bottin from the original film. Bottin is a god. But, again, these suits are good. The camera moves fast so we cannot see any seams or flaws, which might be mildly annoying but serves the film well and adds a level of realism to the wolves.
There is also a definite sex factor. While I did not personally find the women of this film attractive, the intent was clearly to make them so and others may enjoy that. There is something feral about sex, and the director is well aware of this, throwing in not one but two sexually oriented scenes.
Is this worth seeing? Perhaps. It is not as great as some other werewolf films (e.g., "Ginger Snaps" or "Dog Soldiers") but it has the high school mentality without being as bland or mushy as "Twilight". So I guess it could have been worse.
Details
Box office
- Gross worldwide
- $180,871
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.85 : 1
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