User reviews

In "Crazytown," The Good Doctor shifts gears, offering a more character-driven narrative that focuses on the emotional toll of working in a high-stakes medical environment. The episode revolves around Shaun and his colleagues as they deal with an influx of patients, each with unique and complex medical cases that push the team to their limits. Meanwhile, Shaun and Lea's relationship takes a back seat as the pressures of the hospital consume Shaun's attention, leading to tension between them.

Director Mike Listo brings a frenetic energy to the episode, with rapid pacing that mirrors the chaos of the hospital environment. The camera work is dynamic, with quick cuts and handheld shots that emphasize the fast-paced nature of the medical cases. The writing by Liz Friedman balances the medical drama with the personal stakes, creating a narrative that feels both urgent and emotionally grounded.

Freddie Highmore continues to deliver a strong performance as Shaun, but this episode also allows some of the supporting characters to shine. Antonia Thomas as Dr. Claire Browne is particularly compelling, as she grapples with her own emotional burnout. The ensemble cast works well together, creating a sense of camaraderie that adds depth to the hospital scenes.

The episode's visual style reflects the chaos of the hospital, with harsh lighting and tight framing used during the more intense moments. The editing is sharp, cutting quickly between different patients and their respective medical cases, creating a sense of urgency that keeps the audience engaged. However, during the quieter, more personal moments between Shaun and Lea, the camera lingers, allowing the tension to build slowly.

One of the most memorable scenes occurs when Shaun, overwhelmed by the chaos around him, retreats to a quiet corner of the hospital to collect himself. The scene is shot in near silence, with only the faint sounds of the hospital in the background. The camera focuses on Shaun's face, capturing the emotional toll that the day has taken on him. The lighting is soft, creating a sense of isolation that mirrors Shaun's internal state.

While "Crazytown" is an engaging and fast-paced episode, the subplot involving Shaun and Lea's relationship feels somewhat underdeveloped, as it takes a back seat to the medical drama. However, the strong performances and dynamic direction make this episode a standout in the season, offering a thrilling yet emotionally resonant narrative.

I am not at all happy with the show bringing in the new CEO who refers to patients as clients and wants patients to rate the doctors' performances. Everyone knows there can be personality conflicts that have nothing to do with a physician's ability.

Why even write these episodes? There is no hook left at all to keep people watching this drivel.

It doesn't have proper romance, no comedy-value at all (like House M. D. did) and the interplay between character feels empty and formulaic.

This series was fine for the first few seasons, but everything that was good about it has been bled dry and it now feels like watching an animated corpse.