A David and Goliath law drama about a drug-addicted lawyer who takes on a health supply corporation while battling his own personal demons.A David and Goliath law drama about a drug-addicted lawyer who takes on a health supply corporation while battling his own personal demons.A David and Goliath law drama about a drug-addicted lawyer who takes on a health supply corporation while battling his own personal demons.
- Awards
- 2 wins
Roxanna Hope Radja
- Sylvia
- (as Roxanna Hope)
Troy Anthony Hogan
- Nurse Pete Downing
- (as Troy Hogan)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis movie is based on a true story and had the blessing of real-life Weiss and Danziger. Weiss and Danzinger had been approached by an inventor having trouble selling a safety syringe developed to protect health care workers from accidentally being infected by dirty needles due to a major industry needle maker and hospital group purchasing organizations pushing back against the introduction of the new, safer syringes.
- GoofsAt 33 minutes in the girl in the red SUV has the radio on and it's playing a song from Locksley called "The Whip" which was released in 2010. The movie takes place in 1998.
- Quotes
Nurse Vicky Rogers: Sometimes the brightest light comes from the darkest places.
- ConnectionsFeatured in WatchMojo: Top 10 Best Chris Evans Performances (2022)
Featured review
Puncture (2011)
A brave attempt to make an edgy drama from a current social event, mixing personal intensity with a critique of corporate greed and ethical inertia.
On that score, it might be loosely compared to the 1996 "The Insider," which focused on the tobacco industry. Here it is the hospital and pharmaceutical world. The trigger is a nurse who gets an accidental needle stick, and even though there was and is a solution to most needle sticks, the industry has been slow to change, at the peril of many lives.
The personal side of this is based on the lead lawyer who takes the case of this nurse, which leads to a general uncovering of the problem and a pressuring of the industry almost single-handedly. It also turns out that he's a total coke addict, and his life is in overdrive all the time, with the necessary crashes along the way. The actor here is Chris Evans, who reminded me a little of a young George C. Scott, but without the depth of character Scott managed to bring with his acidity. Evans is key here, and not quite enough. The movie holds him more than he drives the movie, mostly because he has a kind of blankness inside, a practiced intensity rather than a really out of the box abandonment we might find irresistible.
So why watch? Mostly for the plot, the story as it develops and reminds you of how the world works, and how some people have ideals that make them ignore the resistance of the rest of us. The only problem with this is that it's a story we've seen before, in the outline. It needs to be known and told, for sure, but maybe a twenty minute spot on Sixty Minutes might serve the cause best. Here, the drama and the social justice are jammed together into a single, overlong, somewhat predictable movie. Good might not be good enough.
A brave attempt to make an edgy drama from a current social event, mixing personal intensity with a critique of corporate greed and ethical inertia.
On that score, it might be loosely compared to the 1996 "The Insider," which focused on the tobacco industry. Here it is the hospital and pharmaceutical world. The trigger is a nurse who gets an accidental needle stick, and even though there was and is a solution to most needle sticks, the industry has been slow to change, at the peril of many lives.
The personal side of this is based on the lead lawyer who takes the case of this nurse, which leads to a general uncovering of the problem and a pressuring of the industry almost single-handedly. It also turns out that he's a total coke addict, and his life is in overdrive all the time, with the necessary crashes along the way. The actor here is Chris Evans, who reminded me a little of a young George C. Scott, but without the depth of character Scott managed to bring with his acidity. Evans is key here, and not quite enough. The movie holds him more than he drives the movie, mostly because he has a kind of blankness inside, a practiced intensity rather than a really out of the box abandonment we might find irresistible.
So why watch? Mostly for the plot, the story as it develops and reminds you of how the world works, and how some people have ideals that make them ignore the resistance of the rest of us. The only problem with this is that it's a story we've seen before, in the outline. It needs to be known and told, for sure, but maybe a twenty minute spot on Sixty Minutes might serve the cause best. Here, the drama and the social justice are jammed together into a single, overlong, somewhat predictable movie. Good might not be good enough.
- secondtake
- Apr 28, 2012
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Details
Box office
- Gross US & Canada
- $68,945
- Opening weekend US & Canada
- $29,175
- Sep 25, 2011
- Gross worldwide
- $123,700
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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