An unexpected promotion at a cutthroat hedge fund pushes a young couple's relationship to the brink, threatening to unravel far more than their recent engagement.An unexpected promotion at a cutthroat hedge fund pushes a young couple's relationship to the brink, threatening to unravel far more than their recent engagement.An unexpected promotion at a cutthroat hedge fund pushes a young couple's relationship to the brink, threatening to unravel far more than their recent engagement.
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- 11 nominations
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- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn a 2023 interview with Collider, Chloe Domont spoke about the importance of rehearsal in her process: "Rehearsals are invaluable. I don't know how anyone can make a movie and not rehearse. Even if you can't put it into the budget, figure out how to rehearse on weekends. That's what I preach because it just saves you so much time while shooting. You get to work out the kinks and bumps, and if the blocking doesn't quite work, or an actor's bumping on a line, or whatever. You have time to rewrite it, you can rework it with them. Also, we rehearsed with my DP (Menno Mans), so we were changing the shot list, we were finding better, more exciting ways to shoot a scene. So, by the time we got to shooting, on the day we could just fly... I think that I wouldn't be able to sleep the night before if I didn't know exactly what I was doing that day. (Laughs) I don't know how people do it. I mean, yeah, some people get off on that kind of spontaneity, but the thing is, something unexpected will always come up in filmmaking. It's like, no matter how much you prepare, too, no matter how much you rehearse, something unexpected will always come up. I think that that's the beauty of filmmaking. But for me, at least, when you're prepared ahead of time, you know exactly what you're doing coming in, then you can make those pivots very quickly because you've done all the work, and you've done all the prep."
- GoofsWhen Emily returns from the bar and is in the kitchen talking to Edmund, she starts eating a piece of food and then throws it onto the counter. However, on the next cutaway from Edmund, she is still holding the piece of food.
- SoundtracksLove to Love You Baby (Extended Version)
Written by Donna Summer, Giorgio Moroder & Pete Bellotte
Performed by Donna Summer
Courtesy of Island Records
Under license from Universal Music Enterprises
Featured review
First of all, it's incredibly distracting that it's NOT actually filmed in NYC but in Serbia. I literally had to pause the movie and look up the filming location within the first 10 minutes or so, because the entire "feel" of the movie was NOT New York, and I wondered, "Are they supposed to be living somewhere overseas? But everyone has American accents..." It's amazing how unique NYC's entire energy is, that you can't really copy it by filming elsewhere. So, the whole film had an otherworldly feel to it, and that bugged me.
On to the plot: I was engaged for the most part, and wanted to see what was going to happen. The acting was good. By the time we got to the final scene, though, I was just underwhelmed. It needed a twist, or it needed to have gone much, much deeper into the characters' inner lives. It was kind of like a cross between a character-driven film and a plot-driven film, but neither of those was strong enough to give it the "oomph" it needed to make it a great film.
I read someone's review that they said the ending was what every power woman dreams of or something. What?? No. I'm a woman who is successful career-wise, and I don't relate to the female lead character at all (okay, maybe a little bit professionally, but not in her relationship with her fiancee). In fact, I would have just dumped the guy after he started pouting incessantly due to my promotion. I couldn't understand why the character wasted her time with him, and I found it tedious.
That character is also annoyingly terrible at communicating with her mother. The way she lets herself be led around by her is BEYOND annoying. I'm in my 50s and I wouldn't have ever let my mother do what her mother did... (hint: call off the unasked-for party like a grown-up!). How would a younger woman in today's world let that kind of 1950s behavior go on? It just doesn't make sense.
Overall, the movie was still entertaining. A decent effort and not a total waste of time. But it could have been SO much more, and left me kind of wondering, "What was the point of this movie?"
On to the plot: I was engaged for the most part, and wanted to see what was going to happen. The acting was good. By the time we got to the final scene, though, I was just underwhelmed. It needed a twist, or it needed to have gone much, much deeper into the characters' inner lives. It was kind of like a cross between a character-driven film and a plot-driven film, but neither of those was strong enough to give it the "oomph" it needed to make it a great film.
I read someone's review that they said the ending was what every power woman dreams of or something. What?? No. I'm a woman who is successful career-wise, and I don't relate to the female lead character at all (okay, maybe a little bit professionally, but not in her relationship with her fiancee). In fact, I would have just dumped the guy after he started pouting incessantly due to my promotion. I couldn't understand why the character wasted her time with him, and I found it tedious.
That character is also annoyingly terrible at communicating with her mother. The way she lets herself be led around by her is BEYOND annoying. I'm in my 50s and I wouldn't have ever let my mother do what her mother did... (hint: call off the unasked-for party like a grown-up!). How would a younger woman in today's world let that kind of 1950s behavior go on? It just doesn't make sense.
Overall, the movie was still entertaining. A decent effort and not a total waste of time. But it could have been SO much more, and left me kind of wondering, "What was the point of this movie?"
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Details
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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