Directed by
Kipp Tribble | ||
Derik Wingo |
Writing Credits (in alphabetical order)
Kipp Tribble |
Cast (in credits order)
Kevin Sorbo | ... | Sean Justice | |
Bruce Davison | ... | Garrison | |
Patrick Barnitt | ... | Jack Samms | |
Johnny Alonso | ... | Trick | |
Sunny Doench | ... | Rona Samms | |
Kipp Tribble | ... | Scott | |
Derik Wingo | ... | Epperson | |
Rest of cast listed alphabetically: | |||
David Banks | ... | Jimmy | |
Luke Barnett | ... | Pete | |
Ralph Cipriano | ... | Peeping Tom | |
Daniel Michael DeLuca | ... | Mark | |
Bernhard Eichholz | ... | Bernie | |
Monica Giselle | ... | CSI Tech #2 | |
Spencer Johnson | ... | Theater manager | |
Candace Kita | ... | Camille | |
M. Martin Mapoma | ... | Mitch | |
Moksha McPherrin | ... | Frankie | |
Andrena Senola | ... | Penelope Grant (as Andrena Senola Johnson) | |
David Stever | ... | CSI Tech #1 | |
Dennis Y. Takeda | ... | Larry | |
Deirdre Wall | ... | Heather |
Produced by
Unique Dowtin | ... | co-producer |
Judie Johnson | ... | co-executive producer |
Spencer Johnson | ... | executive producer |
David Lanham | ... | producer |
George Maranville | ... | producer |
David Stever | ... | producer |
Kipp Tribble | ... | producer |
Derik Wingo | ... | producer |
Music by
Jason Gaines | ||
Roger Ryan |
Cinematography by
Keiko Nakahara |
Editing by
George Maranville |
Casting By
Ricki Maslar |
Production Design by
Gary Jones |
Art Direction by
Gary Jones |
Makeup Department
Monica Giselle | ... | key makeup artist |
Production Management
George Maranville | ... | post-production supervisor / unit production manager |
Second Unit Director or Assistant Director
Unique Dowtin | ... | second assistant director |
Art Department
Spencer Johnson | ... | art department assistant |
Sound Department
Tim Chilton | ... | foley artist |
Coffin | ... | adr & foley mixer |
Kevin Hill | ... | adr recordist |
Jaime Horrigan | ... | adr coordinator |
Mark Love | ... | re-recording mixer |
Reza Moosavi | ... | production sound mixer |
Tim Munger | ... | sound designer |
Zach Oldson | ... | boom operator |
Teddy Salas | ... | re-recording mixer |
Randolph Saucedo | ... | production sound mixer |
Paul Tiwana | ... | production sound mixer |
Special Effects by
Bernhard Eichholz | ... | special effects supervisor |
Visual Effects by
Bernhard Eichholz | ... | visual effects supervisor |
Blake Skaggs | ... | visual effects artist |
Stunts
David Lanham | ... | stunt consultant |
Camera and Electrical Department
Sean Dahlen | ... | second assistant camera |
Ryley Fogg | ... | dit red camera |
Pat Hubbard | ... | best boy grip |
Tetsuya Miyashita | ... | grip |
Felipe Solares | ... | gaffer |
James M. Wykoff | ... | first assistant camera |
Casting Department
Spencer Johnson | ... | original casting |
Costume and Wardrobe Department
Kody Pangburn | ... | wardrobe supervisor |
Editorial Department
David M. Geary | ... | colorist / digital intermediate supervisor |
Scott Irick | ... | assistant editor |
Location Management
Sheri Davis | ... | film commissioner: Inland Empire |
Gary Jones | ... | locations |
David Lanham | ... | location manager |
Music Department
Tim Munger | ... | composer: additional music |
Transportation Department
David Lanham | ... | transportation coordinator |
Additional Crew
Daniel Michael DeLuca | ... | production assistant |
Blake Skaggs | ... | titles |
Aaron Sweeting | ... | production assistant |