Directed by
| Nick Murphy | ... | (directed by) |
Writing Credits
| Stephen Volk | ... | (screenplay by) and |
| Nick Murphy | ... | (screenplay by) |
Cast (in credits order)
Produced by
| Joanie Blaikie | ... | co-producer |
| Jenny Borgars | ... | executive producer |
| Will Clarke | ... | executive producer |
| Olivier Courson | ... | executive producer |
| Sarah Curtis | ... | producer (produced by) |
| Robin Guise | ... | executive producer: LipSync Productions |
| Peter Hampden | ... | executive producer: LipSync Productions |
| Norman Merry | ... | executive producer |
| Joe Oppenheimer | ... | executive producer |
| Peter Raven | ... | executive producer: LipSync Productions |
| Ed Rubin | ... | associate producer |
| Carole Sheridan | ... | executive producer |
| Julia Stannard | ... | producer (produced by) |
| David M. Thompson | ... | producer (produced by) |
Music by
| Daniel Pemberton | ... | (music) |
Cinematography by
| Eduard Grau | ... | director of photography |
Editing by
| Victoria Boydell | ... | film editor |
Casting By
| Shaheen Baig | ||
Production Design by
| Jon Henson | ||
Art Direction by
| Fiona Gavin | ||
| Nicki McCallum | ... | supervising art director (as Nicola McCallum) |
Set Decoration by
| Robert Wischhusen-Hayes | ||
Costume Design by
| Caroline Harris | ||
Makeup Department
| Julie Dorrat-Keenan | ... | makeup artist |
| Sandrine Mugglestone | ... | daily assistant makeup/hair |
| Daniel Phillips | ... | hair designer / make-up designer |
| Tapio Salmi | ... | hair supervisor / makeup supervisor |
| Anita Anderson | ... | crowd hair/makeup artist: dailies (uncredited) |
| Caroline Greenough | ... | daily makeup artist (uncredited) |
| Kristyan Mallett | ... | prosthetics supplier (uncredited) |
| Olivia Rotheram-Jones | ... | crowd makeup artist (uncredited) |
| Melissa van Tongeren | ... | hair stylist (uncredited) |
Production Management
| Christopher Cameron | ... | unit manager: Scotland |
| Alistair Hopkins | ... | post-production supervisor |
| Emma Pike | ... | production manager |
| Lesley Stewart | ... | head of physical production: Optimum Releasing |
| Kevin Westley | ... | unit manager: England |
| Suzie Shearer | ... | production manager: reshoot (uncredited) |
Second Unit Director or Assistant Director
| Toby Ford | ... | first assistant director |
| Alison Goring | ... | second assistant director |
| Christian Otty | ... | third assistant director |
| Sarah Mooney | ... | third assistant director: reshoots (uncredited) |
Art Department
| Helen Allingham | ... | art department assistant |
| Mark Billingham | ... | dressing props: London |
| Brian Boyne | ... | carpenter |
| Catherine Carruthers | ... | graphics |
| Chris Chandler | ... | property master: London |
| Susan Collin | ... | graphics |
| Paul Curren | ... | supervising painter |
| Sam Curren | ... | painter |
| Fiona Dickson | ... | draughtswoman |
| Jim Elliott | ... | property master: Scotland |
| Colin H. Fraser | ... | charge hand (as Colin Fraser) |
| Derek Fraser | ... | construction manager |
| Iain Geddes | ... | painter |
| Alan Harley | ... | property hand |
| Allan Henderson | ... | stand-by props |
| Peter Knotts | ... | carpenter |
| Colin Macinnes | ... | stand-by carpenter: Scotland |
| Neil Maguire | ... | storyboard artist |
| Gary Martin | ... | dressing props: London |
| Jamie McCallum | ... | carpenter (as James McCallum) |
| George McKay | ... | painter |
| Paul McNamara | ... | property hand |
| Matt Mooney | ... | stand-by props |
| Danny Oji | ... | plasterer (as Daniel Oji) |
| Claire Pidgeon | ... | production buyer |
| Kara Ramsay | ... | stand-by art director |
| David Richmond | ... | carpenter |
| Tom Walker | ... | stand-by carpenter: England |
| Mark White | ... | carpenter |
| Craig Cheeseman | ... | property master (uncredited) |
| Charlie Cobb | ... | fine art painter (uncredited) |
Sound Department
| Mark Appleby | ... | adr mixer: LipSync Post |
| Ben Brazier | ... | foley editor: LipSync Post |
| Robert Brazier | ... | foley recordist: LipSync Post |
| Paul Cotterell | ... | adr mixer: LipSync Post / sound re-recording mixer: LipSync Post |
| Garry Davis | ... | sound trainee: London |
| Colin Gregory | ... | sound maintenance engineer |
| Sue Harding | ... | foley artist: LipSync Post |
| James Harrison | ... | sound effects designer: LipSync Post |
| Colin Nicolson | ... | production sound mixer |
| Ben Tat | ... | assistant adr mixer: LipSync Post |
| Andrew Walsh | ... | sound trainee (as Andy Walsh) |
| Ian Wilkinson | ... | adr editor: LipSync Post / dialogue editor: LipSync Post |
| Rowena Wilkinson | ... | foley artist: LipSync Post |
| Yanti Windrich | ... | assistant re-recording mixer |
| Laurent Boudaud | ... | sound mixer (uncredited) |
Special Effects by
| Neal Champion | ... | special effects |
Visual Effects by
| Stefan Drury | ... | head of visual effects: LipSync Post |
| Sean Farrow | ... | executive visual effects supervisor: LipSync Post (as Sean H. Farrow) |
| Simon Leech | ... | digital compositor: LipSync Post |
| Emelie Nilsson | ... | digital compositor: LipSync Post |
| David Sjodin | ... | digital compositor: LipSync Post |
| Daniel Spain | ... | systems engineer: LipSync Post |
| Angela Stanley | ... | digital compositor: LipSync Post (as Angela Rose) |
| Jon Stanley | ... | senior systems engineer: LipSync Post |
| Lucy Tanner | ... | visual effects coordinator: LipSync Post |
| James Elster | ... | digital compositor (uncredited) |
| Matt Foster | ... | matte painter: LipSync Post (uncredited) |
| Antonio Rodríguez Díaz | ... | digital compositor (uncredited) |
Stunts
| Abbi Collins | ... | stunt coordinator |
| Rob Jarman | ... | stunt double: Judd (as Robert Jarman) |
| Belinda McGinley | ... | stunt double: Constance |
| Daz Parker | ... | stunt double: Florence |
| William Willoughby | ... | stunt double: Mallory (as Will Willoughby) |
| Susan Horton | ... | stunt double: Mishael Morgan (uncredited) |
Camera and Electrical Department
| Maite Astiz | ... | second assistant camera (as Maite Sanchez Astiz) |
| Alex Bailey | ... | still photographer |
| Dave Berry | ... | stand-by rigger (as David Berry) |
| Alasdair Boyce | ... | video assistant |
| Ray Brown | ... | electrician |
| Robert Dibble | ... | first assistant camera |
| David Draper | ... | grip |
| Andy Duncan | ... | lighting gaffer (as Andrew Duncan) |
| Paul Edwards | ... | steadicam operator |
| Pau Esteve Birba | ... | camera operator / director of photography: second unit |
| Robert Etherson | ... | grip |
| Claire Louise Fraser | ... | camera trainee (as Claire Fraser) |
| Eduard Grau | ... | camera operator |
| Charlie Gray | ... | documentary photographer |
| Chris Hayden | ... | camera trainee |
| Alex Howe | ... | first assistant camera |
| Keith Hunt | ... | best boy |
| Rupert Lloyd-Parry | ... | grip (as Rupert Lloyd Parry) |
| Dave McKay | ... | aerial camera operator |
| Tom Miller | ... | still photographer: [eriod stills |
| Mark Morley | ... | grip |
| Martin Palmer | ... | electrician |
| Kevin Robertson | ... | electrician |
| Peter Robertson | ... | steadicam operator |
| Tony Sankey | ... | grip |
| Mike Scott | ... | steadicam operator |
| David Tyler | ... | lighting gaffer |
| Perry Costello | ... | rigger (uncredited) |
| Stuart Hendry | ... | assistant still photographer (uncredited) |
| Grant McPhee | ... | clapper loader: "b" camera (uncredited) |
| Giles Nuttgens | ... | additional photographer (uncredited) |
Casting Department
| Vanessa Baker | ... | adr voice casting |
| Aisha Bywaters | ... | casting associate (as Aisha Waters) |
Costume and Wardrobe Department
| Harriet Edmonds | ... | stand-by costume |
| Graham Hunter | ... | assistant costume designer |
| Anna Lau | ... | costume supervisor |
| John Laurie | ... | standby costume |
| Lyndie MacIntyre | ... | costume construction |
| Elizabeth Pittok | ... | costume trainee |
| Molly Rae Withers | ... | costume trainee |
| Louise Egan | ... | costume daily (uncredited) |
Editorial Department
| Rob Ackerman | ... | technical support: LipSync Post |
| Chris Bentley | ... | d-lab operator: LipSync Post |
| Linden Brownbill | ... | post production engineer: LipSync Post |
| Alberto Buron | ... | digital restoration technician: LipSync Post |
| James Clarke | ... | digital intermediate supervisor: LipSync Post |
| Ritchie Ferguson | ... | technical support: LipSync Post |
| Stuart Fyvie | ... | colourist: LipSync Post |
| Scott Goulding | ... | on-line editor: LipSync Post |
| Ruth Halliday | ... | negative checker |
| Lisa Jordan | ... | senior post producer: Lipsync Post |
| Scott Macbeth | ... | technical support: LipSync Post |
| Alexandra Montgomery | ... | post production delivery |
| Lea Morement | ... | assistant editor |
| Daniel Tomlinson | ... | senior d-lab operator: LipSync Post |
| Diana Vasquez | ... | d-lab operator: LipSync Post |
| Rick White | ... | technical support: LipSync Post |
| Abigail McKenzie | ... | digital lab operator (uncredited) |
Location Management
| Helene Lenszner | ... | location manager: England |
| Cindy Thomson | ... | location manager: Scotland |
Music Department
| Robin Ashwell | ... | musician: viola |
| Jennifer Bern | ... | musician: solo soprano |
| Crouch End Festival Chorus | ... | musicians: choir |
| Gordon Davidson | ... | music assistant |
| Andrew Dudman | ... | music mixer / score recordist |
| Stephanie Gonley | ... | leader: music |
| Gareth Griffiths | ... | music coordinator |
| Helen Kamminga | ... | musician: solo viola (as Helen Kaminga) |
| Daniel Pemberton | ... | score producer |
| Andrew Skeet | ... | conductor / orchestrator |
| David Temple | ... | director: The Grouch End Festival Choir |
| Alison Wright | ... | music supervisor |
| Darrell Alexander | ... | music coordinator (uncredited) |
| Paul Edmund-Davies | ... | musician: flute (uncredited) |
| Phil Hope | ... | music executive producer (uncredited) |
| Aled Jenkins | ... | assistant score engineer (uncredited) |
| Roger Linley | ... | musician: double bass (uncredited) |
| Hilary Skewes | ... | orchestra contractor (uncredited) |
Script and Continuity Department
| Lucy Enfield | ... | script supervisor |
Transportation Department
| Willie Bennie | ... | action car coordinator |
| Robert Ward | ... | driver: props |
Additional Crew
| Reno Antoniades | ... | legal services: Optimum Releasing, Lee & Thompson |
| Laurence Binyon | ... | poem: "For the Fallen (September 1914)" |
| Nicola Blacker | ... | senior production executive: Origin Pictures (as Nicola Hill) |
| Mary Brehony | ... | legal services: Creative Scotland, Brehony & Co. |
| Alexander Brodie | ... | rushes runner |
| James Buckler | ... | production and delivery coordinator: BBC Films |
| Neil Calder | ... | completion guarantor: Film Finances |
| Rosa Camero | ... | marketing |
| Lucy Cargill | ... | assistant to director: Scotland |
| Patricia Carr-Wright | ... | chaperone |
| Marion Comengre | ... | assistant to executive producer: Optimum Releasing |
| Peter Eardley | ... | production accountant |
| Tina Ellis | ... | post-production assistant accountant |
| Leslie Finlay | ... | development executive: Creative Scotland |
| James Forde | ... | chief financial officer: Optimum Releasing |
| Shyama Friedenson | ... | marketing: Studiocanal |
| Jamie Gavin | ... | rushes runner |
| Olivia Gifford | ... | rushes runner |
| Katie Goodson | ... | senior production executive: Origin Pictures (as Katie Goodson-Thomas) |
| Clare Hardwick | ... | completion guarantor: Film Finances |
| Tarn Harper | ... | post-production accountant |
| Jane Hawley | ... | production executive: BBC Films |
| Glynn Henderson | ... | health and safety advisor |
| Billy Hinshelwood | ... | legal services: Origin Pictures |
| Ruth Hodgson | ... | completion guarantor: Film Finances |
| Steve Joberns | ... | auditor: AGN Shipleys (as Stephen Joberns) |
| Ian Johnson | ... | unit publicist |
| Tracey Larcombe | ... | epk |
| Zander Levy | ... | development executive: Origin Pictures |
| Alison Macdonald | ... | unit nurse |
| Dan MacRae | ... | head of development: Optimum Releasing |
| Alfredo Matallana | ... | rushes runner |
| Jacqui McBride | ... | assistant accountant (as Jacqueline McBride) |
| Linda McClure | ... | business affairs: Creative Scotland |
| Ashley McFarlane | ... | floor runner |
| Alexandra Montgomery | ... | post production delivery / post-production delivery |
| Steven Moore | ... | production runner |
| Paul Mortimer | ... | unit nurse |
| Suzanne Noble | ... | head of press & publicity: Optimum Releasing |
| Neeral Patel | ... | production assistant: Origin Pictures |
| Linda Pather | ... | completion guarantor: Film Finances |
| Danny Perkins | ... | chief executive: Optimum Releasing |
| Livy Sandler | ... | legal & business affairs: manager: BBC Films |
| Hugh Spearing | ... | head of theatrical marketing: Optimum Releasing |
| Andy Surry | ... | assistant production coordinator (as Andrew Surry) |
| Ed Wethered | ... | development editor: BBC Films |
| Jenny Williams | ... | production coordinator |
| Rob Darnell | ... | runner (uncredited) |
| Lorraine Edwards | ... | pre-production assistant (uncredited) |
| Jim Elliott | ... | armourer (uncredited) |
| Robyn Henderson | ... | floor runner (uncredited) |
| Ruth Elizabeth Howard | ... | floor runner: dailies (uncredited) |
| Alex McEwan | ... | production assistant: reshoots (uncredited) |
| Michael D. Walsh | ... | assistant production coordinator (uncredited) |
Thanks
| Catherine Remy | ... | special thanks |