A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
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Did you know
- TriviaInspired by the New York film noirs of the late 1940s and 1950s such as Jules Dassin's The Naked City (1948) and Samuel Fuller's Pickup on South Street (1953).
- SoundtracksCrimewave (Crystal Castles vs. Health)
Performed by Crystal Castles
Written by Ethan Kahn
Courtesy of Lies Records under exclusive license to Last Gang Records Inc.
Used by permission of Universal-Polygram Int. Publ., Inc.
on behalf of Universal Music Publ. Ltd.
Featured review
The other night I caught up with "Cadillac Records". I was impressed with Columbus Short, a new name to me, and I decided to look out for his subsequent movies. After watching this mess I will stop looking.
Alicja Bachleda made her movie debut at 16 in a masterpiece. Sad she has sunk to this.
Mike Starr, who has appeared in an enormous number of movies as a heavy, either played straight or for humor, does his usual reliable job here.
I love Film Noir, and there is a good story hiding somewhere within all the confusion. Mr Onah should have handed over the direction to someone with a clue. They are not shy about promoting Spike Lee's name as one of the 17 (!) producers, executive producers and assistant producers. You would think that Lee or one of his colleagues would have had the common-sense to steer the director away from some of his more egregious errors, such as:
--- The incessant narration, on topics related and unrelated to the story in progress.
--- Awful camera-work, replete with shakes and glare.
--- The pointless flashbacks (a common feature of such low-budget would-be neo-noirs).
--- The horrible soundtrack, which made it almost impossible to follow the plot. So often these days the music (if that is what it is meant to be) drowns out the dialogue, made worse when, as here, many of the cast seem to suffer speech impediments.
I was discussing with a friend only today why so many Brit actors are now popping up in US movies, even in supporting roles as "All-American" characters. My friend thought it was because they were cheaper, but I think the main reason is because they can articulate. Method acting is great when used by a Newman or a Steiger, but downright confusing when attempted by knuckle-dragging illiterates who think it is a way to by- pass real training as actors.
I give it 4 for the sense of location and the promise in the plot. Not the lead actors' fault, they did their best. I don't suppose anyone involved will go near Onah as a director again. Maybe he can make a career as a screen-writer.
It looked like something made by a student. I see here that it was. I think a good rule-of-thumb for novice directors is to keep it simple, then add special effects and gimmicks as their skills increase with experience.
Alicja Bachleda made her movie debut at 16 in a masterpiece. Sad she has sunk to this.
Mike Starr, who has appeared in an enormous number of movies as a heavy, either played straight or for humor, does his usual reliable job here.
I love Film Noir, and there is a good story hiding somewhere within all the confusion. Mr Onah should have handed over the direction to someone with a clue. They are not shy about promoting Spike Lee's name as one of the 17 (!) producers, executive producers and assistant producers. You would think that Lee or one of his colleagues would have had the common-sense to steer the director away from some of his more egregious errors, such as:
--- The incessant narration, on topics related and unrelated to the story in progress.
--- Awful camera-work, replete with shakes and glare.
--- The pointless flashbacks (a common feature of such low-budget would-be neo-noirs).
--- The horrible soundtrack, which made it almost impossible to follow the plot. So often these days the music (if that is what it is meant to be) drowns out the dialogue, made worse when, as here, many of the cast seem to suffer speech impediments.
I was discussing with a friend only today why so many Brit actors are now popping up in US movies, even in supporting roles as "All-American" characters. My friend thought it was because they were cheaper, but I think the main reason is because they can articulate. Method acting is great when used by a Newman or a Steiger, but downright confusing when attempted by knuckle-dragging illiterates who think it is a way to by- pass real training as actors.
I give it 4 for the sense of location and the promise in the plot. Not the lead actors' fault, they did their best. I don't suppose anyone involved will go near Onah as a director again. Maybe he can make a career as a screen-writer.
It looked like something made by a student. I see here that it was. I think a good rule-of-thumb for novice directors is to keep it simple, then add special effects and gimmicks as their skills increase with experience.
- How long is The Girl Is in Trouble?Powered by Alexa
Details
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.35 : 1
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Top Gap
By what name was The Girl Is in Trouble (2015) officially released in India in English?
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