21 reviews
- Likes_Ninjas90
- Apr 27, 2013
- Permalink
Expectations for the lowish-budget Aussie surfing film Drift were not pitched overly high. My local cinema's synopsis of the story about two brothers who 'spend their youth searching for the perfect wave
(dreaming) of a world where they can surf to live and live to surf' I pretty much felt sure what I was letting myself in for.
But the film delivered more than was promised.
The film has a lively start, with the brothers as young children arriving fortuitously at the Western Australian surf town which would become their home after the cross-continent drive from Sydney where their mother had executed a tense midnight flit for the three of them to escape their drunken brute of a father.
The action quickly fast forwards to their young adulthood as they lead a laid back if dead-end lifestyle before realising they can make surfboards better than those commercially available, moulding them in the garage at their home as their seamstress mother starts fashioning custom-made wetsuits. Their ambitions to expand are constantly thwarted by a lack of funds, the myopic tendencies of the town's old world conservative bank manager and the unwanted attentions of the local constabulary suspicious of their motives and lifestyle. Matters are complicated by a feud with the local bikie-gang – also the town's drug suppliers.
A talented, itinerant and very hirsute surf filmmaker, a slightly unconvincing Sam Worthington, arrives on the scene in his bus-come-home with an attractive Hawaiian companion befriending the brothers and giving them much needed support in their constant battles with the bikies and encouragement in their enterprises.
The main characterisations within the film were well drawn. Myles Pollard gave a stand-out performance as the elder brother, Andy, whose drive and business acumen didn't impinge upon his enjoyment of the more flippant things in life. The younger, rather wayward and unreliable brother Jimmy was nicely played by Xavier Samuel with roguish charm. Their mutual attraction and rivalry for the Hawaiian girl was subtly underplayed.
The story swept along at a good pace and remained surprisingly fresh and original until the film's showdown. In debt to the bikies after becoming unwittingly involved in a drug deal by an accomplice, the boys desperately need cash they don't have. But as luck would have it, there is an upcoming major surf competition on the horizon. If only this could be won and the cash prize used to get them out of trouble
Jimmy, the more talented surfer, has gone walkabout so it falls to Andy to register as a wild-card entrant and save both their dreams and business – as well as his unbroken legs. From that point onwards, we were in rather familiar territory.
This is a small scale film, well aware of its limitations which on the whole punched nicely above its weight. It portrayed a dark side to the sleepy coastal town to a degree I had not expected. Cinematography from Geoffrey Hall was first rate capturing the beauty and awesome power of the surf. There is enough good surfing action to please the aficionados but not at the expense of developing story and characters. A sporadic glam-rock soundtrack was insufficient, possibly the result of budget restraints.
But the film delivered more than was promised.
The film has a lively start, with the brothers as young children arriving fortuitously at the Western Australian surf town which would become their home after the cross-continent drive from Sydney where their mother had executed a tense midnight flit for the three of them to escape their drunken brute of a father.
The action quickly fast forwards to their young adulthood as they lead a laid back if dead-end lifestyle before realising they can make surfboards better than those commercially available, moulding them in the garage at their home as their seamstress mother starts fashioning custom-made wetsuits. Their ambitions to expand are constantly thwarted by a lack of funds, the myopic tendencies of the town's old world conservative bank manager and the unwanted attentions of the local constabulary suspicious of their motives and lifestyle. Matters are complicated by a feud with the local bikie-gang – also the town's drug suppliers.
A talented, itinerant and very hirsute surf filmmaker, a slightly unconvincing Sam Worthington, arrives on the scene in his bus-come-home with an attractive Hawaiian companion befriending the brothers and giving them much needed support in their constant battles with the bikies and encouragement in their enterprises.
The main characterisations within the film were well drawn. Myles Pollard gave a stand-out performance as the elder brother, Andy, whose drive and business acumen didn't impinge upon his enjoyment of the more flippant things in life. The younger, rather wayward and unreliable brother Jimmy was nicely played by Xavier Samuel with roguish charm. Their mutual attraction and rivalry for the Hawaiian girl was subtly underplayed.
The story swept along at a good pace and remained surprisingly fresh and original until the film's showdown. In debt to the bikies after becoming unwittingly involved in a drug deal by an accomplice, the boys desperately need cash they don't have. But as luck would have it, there is an upcoming major surf competition on the horizon. If only this could be won and the cash prize used to get them out of trouble
Jimmy, the more talented surfer, has gone walkabout so it falls to Andy to register as a wild-card entrant and save both their dreams and business – as well as his unbroken legs. From that point onwards, we were in rather familiar territory.
This is a small scale film, well aware of its limitations which on the whole punched nicely above its weight. It portrayed a dark side to the sleepy coastal town to a degree I had not expected. Cinematography from Geoffrey Hall was first rate capturing the beauty and awesome power of the surf. There is enough good surfing action to please the aficionados but not at the expense of developing story and characters. A sporadic glam-rock soundtrack was insufficient, possibly the result of budget restraints.
- tvmovienews
- Aug 4, 2013
- Permalink
'DRIFT': Three Stars (Out of Five)
Surf movie set in the 1970s about two brothers trying to start a successful surf shop at the high point of the sport's business. It stars Myles Pollard, Xavier Samuel, Sam Worthington and the beautiful Lesley-Ann Brandt (who bares a striking resemblance to Halle Berry). It was directed by Ben Nott and Morgan O'Neill and written by O'Neill and Tim Duffy. I found the film to be mildly amusing but I think surfers (and surf movie fans) will get more of a kick out of it.
Pollard (who also produced the flick) stars as Andy Kelly and Samuel plays his brother Jimmy; two brothers who fled their abusive father, with their mom (Robyn Malcolm), when they were kids. They moved to a coastal town (in Australia) and became obsessed with surfing. When they're much older (in the 70s) they try to avoid a life of crime and start a surf shop; selling wetsuits and boards (out of their garage). They meet JB (Worthington, who was a Drama school classmate of Pollard's) and his friend Lani (Brandt) who come into town and become business associates of the brothers.
The movie has some decent surfing scenes and beautiful visuals but the characters aren't quite as developed or relatable as I like in a character-driven drama film. The surf scenes are kind of cool and exciting but they are few and far between. I did really enjoy Worthington's character though and all of the acting is decent in the movie. Like I said I'm sure surf and sports fans will enjoy the film more but I found it to be merely decent.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=ayoPMqb3Nl8
Surf movie set in the 1970s about two brothers trying to start a successful surf shop at the high point of the sport's business. It stars Myles Pollard, Xavier Samuel, Sam Worthington and the beautiful Lesley-Ann Brandt (who bares a striking resemblance to Halle Berry). It was directed by Ben Nott and Morgan O'Neill and written by O'Neill and Tim Duffy. I found the film to be mildly amusing but I think surfers (and surf movie fans) will get more of a kick out of it.
Pollard (who also produced the flick) stars as Andy Kelly and Samuel plays his brother Jimmy; two brothers who fled their abusive father, with their mom (Robyn Malcolm), when they were kids. They moved to a coastal town (in Australia) and became obsessed with surfing. When they're much older (in the 70s) they try to avoid a life of crime and start a surf shop; selling wetsuits and boards (out of their garage). They meet JB (Worthington, who was a Drama school classmate of Pollard's) and his friend Lani (Brandt) who come into town and become business associates of the brothers.
The movie has some decent surfing scenes and beautiful visuals but the characters aren't quite as developed or relatable as I like in a character-driven drama film. The surf scenes are kind of cool and exciting but they are few and far between. I did really enjoy Worthington's character though and all of the acting is decent in the movie. Like I said I'm sure surf and sports fans will enjoy the film more but I found it to be merely decent.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=ayoPMqb3Nl8
As far as the sports genre is concerned, those featuring surfing are about as niche as you go. Only 12 films have ever grossed more than $1 million at the domestic box office let alone found any measure of breakout success. Those that did find some semblance of an audience, like Soul Surfer and Point Break, had the added aid of family appeal and incorporating a heist element respectively, but for the most part they land with a whisper – not anything like the thundering, mammoth waves these daredevils tackle.
But in spite of this subgenre's lack of mainstream appeal there is one thing they – and Australian import Drift – prove, and that is surfing looks damn cool, especially when presented so slickly and in such a high energy fashion. So it's a shame in the case of this period drama (which transports us back to the early years of the sport in the land down under) that the wet and wild sequences trump anything transpiring on dry land and that most of the human drama relies on unnecessary plot turns and the usual formula that accompanies almost all sport based fare.
Drift follows two brothers Jimmy (Xavier Samuel) and Andy Kelly (Myles Pollard) and their mother who reside in a small seaside town following a late night escape from their abusive father/husband. Already carrying a passion for surfing, the two grow with the hobby and view their actual jobs as mostly inconveniences. It's one day when their mother's seamstress occupation produces a homemade wetsuit that gives Andy the idea of marrying passion with profession and they endeavour to open their own surf shop with customized gear and boards. But of course, nothing is as easy as it seems as money, gangsters, the allures of the hippy age and rivalries all act as roadblocks to a newfound dream.
Things are kicked off even further by the arrival of a duo of righteous surfers played by a tubular Sam Worthington and his plutonic companion Lani, played by Spartacus: Blood and Sand's Lesley-Ann Brandt. So with this rag tag gang assembled they seek to revolutionize how surfers view the gear they use: surf attire made by surfers, not made by "the man" and promoted by models who have never hit the waves a day in their life. The premise, retro feel and fine performers make Drift seem like the right idea of how to approach this sport – using it as a backdrop to a family drama and a struggle for the little guy (with some awesome surf sequences tossed in for good measure).
While this is the case some of the time, Drift invests in too many unnecessary plot threads, including one about some thugs who for some reason have an issue with the Kellys, which eventually involves into an all out war as one of their own gets mixed up in the drug trade. With the Kellys already struggling with a mortgage, their start-up business and the trials of growing together, this added kink proves to be nothing more than a distraction (and is furthermore concluded in a laughably stunted fashion). There is also a bizarre storyline involving a completely underdeveloped, inexplicably evil banker trying to steal the Kellys farm, er, house which adds nothing but a cartoonish villain that makes Mr. Potter look chipper.
Worthington's character JB is also a bit of a perplexing entity, though the Aussie native's performance is certainly among the most natural he's ever given. His tippy motif is fine enough, never becoming to philosophic and grating, but his ideals seem completely jumbled. One moment he's stating (regarding the Kelly's plan to make their own surf line) that you can't beat the man by becoming the man and at another instance saying that you can't always fight and should sometimes just resign to what is. Additionally scenes of him using his passion for photography and filmmaking to help make these brothers distinct in the industry go nowhere until the very end, deviating from the main story for what become perfunctory attempts to add substance.
Then we arrive at the climax, which of course involves a local surf competition, the winnings from which could save the family farm, er, house and get those gangsters off their back. Again, while impressively staged (and not concluded in the most ridiculous way possible) it collectively doesn't get much more clichéd than that, and when you lump in the montages and other corny moments it truly softens the experience.
Not content on just examining an interesting moment in history, Drift piles on dramatic excess and contrived turns which are muted to some effect only by universally strong work from the cast and, again, those gripping surf sequences. So while certainly not boring and far from offensively bad, Drift isn't compelling enough to warrant anything other than a rental, and definitely not enough to spur any sort of revolution for the surf drama.
But in spite of this subgenre's lack of mainstream appeal there is one thing they – and Australian import Drift – prove, and that is surfing looks damn cool, especially when presented so slickly and in such a high energy fashion. So it's a shame in the case of this period drama (which transports us back to the early years of the sport in the land down under) that the wet and wild sequences trump anything transpiring on dry land and that most of the human drama relies on unnecessary plot turns and the usual formula that accompanies almost all sport based fare.
Drift follows two brothers Jimmy (Xavier Samuel) and Andy Kelly (Myles Pollard) and their mother who reside in a small seaside town following a late night escape from their abusive father/husband. Already carrying a passion for surfing, the two grow with the hobby and view their actual jobs as mostly inconveniences. It's one day when their mother's seamstress occupation produces a homemade wetsuit that gives Andy the idea of marrying passion with profession and they endeavour to open their own surf shop with customized gear and boards. But of course, nothing is as easy as it seems as money, gangsters, the allures of the hippy age and rivalries all act as roadblocks to a newfound dream.
Things are kicked off even further by the arrival of a duo of righteous surfers played by a tubular Sam Worthington and his plutonic companion Lani, played by Spartacus: Blood and Sand's Lesley-Ann Brandt. So with this rag tag gang assembled they seek to revolutionize how surfers view the gear they use: surf attire made by surfers, not made by "the man" and promoted by models who have never hit the waves a day in their life. The premise, retro feel and fine performers make Drift seem like the right idea of how to approach this sport – using it as a backdrop to a family drama and a struggle for the little guy (with some awesome surf sequences tossed in for good measure).
While this is the case some of the time, Drift invests in too many unnecessary plot threads, including one about some thugs who for some reason have an issue with the Kellys, which eventually involves into an all out war as one of their own gets mixed up in the drug trade. With the Kellys already struggling with a mortgage, their start-up business and the trials of growing together, this added kink proves to be nothing more than a distraction (and is furthermore concluded in a laughably stunted fashion). There is also a bizarre storyline involving a completely underdeveloped, inexplicably evil banker trying to steal the Kellys farm, er, house which adds nothing but a cartoonish villain that makes Mr. Potter look chipper.
Worthington's character JB is also a bit of a perplexing entity, though the Aussie native's performance is certainly among the most natural he's ever given. His tippy motif is fine enough, never becoming to philosophic and grating, but his ideals seem completely jumbled. One moment he's stating (regarding the Kelly's plan to make their own surf line) that you can't beat the man by becoming the man and at another instance saying that you can't always fight and should sometimes just resign to what is. Additionally scenes of him using his passion for photography and filmmaking to help make these brothers distinct in the industry go nowhere until the very end, deviating from the main story for what become perfunctory attempts to add substance.
Then we arrive at the climax, which of course involves a local surf competition, the winnings from which could save the family farm, er, house and get those gangsters off their back. Again, while impressively staged (and not concluded in the most ridiculous way possible) it collectively doesn't get much more clichéd than that, and when you lump in the montages and other corny moments it truly softens the experience.
Not content on just examining an interesting moment in history, Drift piles on dramatic excess and contrived turns which are muted to some effect only by universally strong work from the cast and, again, those gripping surf sequences. So while certainly not boring and far from offensively bad, Drift isn't compelling enough to warrant anything other than a rental, and definitely not enough to spur any sort of revolution for the surf drama.
- Simon_Says_Movies
- Aug 2, 2013
- Permalink
There are other surf movies that are better for sure, but this is just fine.
Set in the early 70's, we get to see what surfing was all about during that time period. The surfing industry barely be taken seriously by anyone who isn't involved in the activity, and trying to break out of that draws criticism from those even within the community. It's a struggle of commercialism vs living life in the moment.
'Drift' has some great shots. The rest of the story is just okay, and is slow moving. The acting is decent enough, but love triangles absolutely drive me up the wall. Thankfully it wasn't over done, but seemed like it was heading that way for awhile.
Set in the early 70's, we get to see what surfing was all about during that time period. The surfing industry barely be taken seriously by anyone who isn't involved in the activity, and trying to break out of that draws criticism from those even within the community. It's a struggle of commercialism vs living life in the moment.
'Drift' has some great shots. The rest of the story is just okay, and is slow moving. The acting is decent enough, but love triangles absolutely drive me up the wall. Thankfully it wasn't over done, but seemed like it was heading that way for awhile.
- Slarkshark
- Aug 29, 2023
- Permalink
There's been plenty of surf films and documentaries over the years, and if you're a surfer or surfing fan, no doubt you've seen them all. Drift is the latest surf film paying tribute to and giving us a glimpse into the Australian surf life when popular surf brands were just beginning.
Set in Western Australia in the early 1970's, Drift is the story of surfer brothers Andy and Jimmy Kelly (Myles Pollard and Xavier Samuel). Andy is dissatisfied with working long hours at the local mill, while trying to keep younger brother Jimmy from a life of crime. With help from their mother Kat (Robyn Malcolm), and childhood friend Gus (Aaron Glenane), they start a surf shop in their backyard garage, making custom-made wetsuits and new surfboards.
Along the way they meet and get inspiration from surfer photographer/filmmaker JB (Sam Worthington) and his Hawaiian friend Lani (Lesley-Ann Brandt). Their success and hard work comes at a price though as they deal with members of the community who are not ready for their innovative ideas and trouble from a violent bikie gang.
The acting is fine all round. Myles Pollard, who also co-produced the film, is solid as the responsible older brother. Xavier Samuel, in one of his best performances, brings charisma and energy to his role. Sam Worthington is excellent. He is perfect as the free-spirited hippie. He seemed to enjoy this role more than some of his recent work and it was wonderful to see him in an Aussie film again.
The film does a great job of bringing the 70's back to life. You gotta love JB's colourful bus and the classic kombi vans! The surfing photography is exciting and breathtaking, and the cinematography by Geoffrey Hall is simply beautiful. The soundtrack, a mix of 70's classics and more recent tunes, really adds to the cool laid back vibe.
Directed by Ben Nott and Morgan O'Neill, Drift is well-paced and there's a lovely balance between the surfing scenes and the dramas of everyday life. I honestly would've loved to have seen a few more surfing scenes. And even if you're not interested in surfing, this honest Australian film will inspire and engage.
The cast and crew looked like they had fun making this film and it shows. A snapshot into the Aussie surf life, it was a highly enjoyable and upbeat movie experience.
Set in Western Australia in the early 1970's, Drift is the story of surfer brothers Andy and Jimmy Kelly (Myles Pollard and Xavier Samuel). Andy is dissatisfied with working long hours at the local mill, while trying to keep younger brother Jimmy from a life of crime. With help from their mother Kat (Robyn Malcolm), and childhood friend Gus (Aaron Glenane), they start a surf shop in their backyard garage, making custom-made wetsuits and new surfboards.
Along the way they meet and get inspiration from surfer photographer/filmmaker JB (Sam Worthington) and his Hawaiian friend Lani (Lesley-Ann Brandt). Their success and hard work comes at a price though as they deal with members of the community who are not ready for their innovative ideas and trouble from a violent bikie gang.
The acting is fine all round. Myles Pollard, who also co-produced the film, is solid as the responsible older brother. Xavier Samuel, in one of his best performances, brings charisma and energy to his role. Sam Worthington is excellent. He is perfect as the free-spirited hippie. He seemed to enjoy this role more than some of his recent work and it was wonderful to see him in an Aussie film again.
The film does a great job of bringing the 70's back to life. You gotta love JB's colourful bus and the classic kombi vans! The surfing photography is exciting and breathtaking, and the cinematography by Geoffrey Hall is simply beautiful. The soundtrack, a mix of 70's classics and more recent tunes, really adds to the cool laid back vibe.
Directed by Ben Nott and Morgan O'Neill, Drift is well-paced and there's a lovely balance between the surfing scenes and the dramas of everyday life. I honestly would've loved to have seen a few more surfing scenes. And even if you're not interested in surfing, this honest Australian film will inspire and engage.
The cast and crew looked like they had fun making this film and it shows. A snapshot into the Aussie surf life, it was a highly enjoyable and upbeat movie experience.
- streamofstars
- May 5, 2013
- Permalink
"You know the trouble with being the last man standing? You got no one to share it with." This is the true story of Jimmy (Samuel) & Andy Kelly. They are two brothers who share a love for surfing. When they come up with an idea to open a shop to sell their own gear Andy is 100% into it while Jimmy just wants to do his own thing. Between the money problems, the dangerous waves and angry bikers things don't go as easy as the brothers planned. There have been a few surfing movies to come out in the last few years. Soul Surfer I thought was very good. Chasing Mavericks was OK. This one is a little of both. The first hour and a half were a little slow and I almost stopped it a few times, but the ending was great and I am very glad that I stuck with it. There are some movies that are good but the ending seems to ruin everything. This one is the opposite. The movie is a little slow moving but the ending makes up for it. Overall, a movie that is a struggle in some parts but the end is a great reward for sticking with it. I give it a B-.
- cosmo_tiger
- Jul 10, 2013
- Permalink
- jacquie-109-602428
- Mar 28, 2013
- Permalink
SHH!! If you listen very closely... You can hear the cogs of the screenplay turn, as our cardboard characters bluster their way through predictable confrontations, obvious story developments and easily anticipated 'twists'. From the first minute, when a mother abandons her drunken loser of a husband with her two sons, and one of them kicks him in the chest as they escape in their car, it's all plastic Hollywood construct... Despite being an Australian production, and the disclaimer 'based on a true story' notwithstanding.
Yes, as you'd expect there's loads of top footage of professional surfers doing their 'thing', with waves crashing and gravity-defying stunts aplenty for the connoisseur. But you can see that kind of spectacle in a documentary on the subject. It is REALLY worth wading through this murky plot, including a tacked on romance, stereotypical hippy culture and the most one dimensional bad guys EVER? I would suggest not.
Gnarly surfing, man. Shame the rest is so bogus. 4/10
Yes, as you'd expect there's loads of top footage of professional surfers doing their 'thing', with waves crashing and gravity-defying stunts aplenty for the connoisseur. But you can see that kind of spectacle in a documentary on the subject. It is REALLY worth wading through this murky plot, including a tacked on romance, stereotypical hippy culture and the most one dimensional bad guys EVER? I would suggest not.
Gnarly surfing, man. Shame the rest is so bogus. 4/10
- natashabowiepinky
- May 20, 2015
- Permalink
Totally entertaining. We all know modern day culture even the surfer culture so I'll not expound on that. Just the surfing shots in this film make it a 10. Actng is excellent. At the beginning you're told: this is based on actual events, and it isn't hard to see why. We live in a world today where evil abounds... there are some good as well as bad choices in this film. Hopefully the viewers will comprehend the better decisions and if challenged in their life with such... will make the right choices. One can put all aside and just enjoy the surfing; which makes one want to leave the cities and live the life of the GREAT outdoors!
Drift begins with a family on the run from an alcoholic dad. It's a little pre-story to what's in store later. They end up on the West Australian coast looking at amazing swell coming in. Great! Let's stay here. The family makes a living shaping and selling surfboards, making wetsuits and winning the odd surfing contest. This over-arching plot has legs but they're not very nice-ly shaped legs. The sub plots though are where we're really let down. There's a lot of possible conflicts and resolutions that could be explored but the hints and clues go nowhere. The two surfing brothers fall in love with the same girl, Lani, an Hawaiian and there's a hint of jealousy in the air but it resolves without bringing the characters to a head. And that's just one example.
Surf shots are pretty good but that sort of footage is available lots of places. What we're looking for in a surf movie, guys , is a story.
Surf shots are pretty good but that sort of footage is available lots of places. What we're looking for in a surf movie, guys , is a story.
- jpcastle100
- May 20, 2013
- Permalink
this honest look at surfing and living in the 70's is not to be missed and you don't need to be a surfer to enjoy this classic piece of Australian cinema. beautifully shot from the land and in the ocean it draws you into the world of these two brother that are as different as chalk and cheese. but both love to surf.
sam worthington plays a drifter hippy who become part of there lives.bring a women with him to add fuel to there little world. but it there love of surfing and doing a job you love not a job you have too do that make the movie so enjoyable. and it not a surf movie that dies the minute it leaves the beach, you follow these guys in and out of the water with as much interest.
an all round great film that made me long for the beach and a simpler time.if you want to see a good Australian drama that not just made for TV check it out.
sam worthington plays a drifter hippy who become part of there lives.bring a women with him to add fuel to there little world. but it there love of surfing and doing a job you love not a job you have too do that make the movie so enjoyable. and it not a surf movie that dies the minute it leaves the beach, you follow these guys in and out of the water with as much interest.
an all round great film that made me long for the beach and a simpler time.if you want to see a good Australian drama that not just made for TV check it out.
Surfing movies have been my favorites since i was a kid but when will we get a surfing movie with a story in it? drift promises the beginning of a story about a surfing family but none of the relationships develop into something that grips you. One brother is the slow and steady type, working in the local saw mill, which incidentally reminded me a lot of Tim Wintons book Breath. The other brother is supposed to be more cool and a better surfer but he has an unfortunate habit of stealing stuff. This was another Wintonesque touch. They're both pretty good together, despite their differences and there's a punch up at one point but none of these personality traits are really sorted out. And this is just the two leads. They both love the same girl and you're expecting some kind of resolution there but what? it just peters out. very unsatisfactory.
- kathrynpayne
- May 22, 2013
- Permalink
I can't stop watching all these surfing films. I'm a huge fan of Chasing Mavericks and this was up to standard! It wasn't as good as Chasing Mavericks, but still really good, the old Hippie-Flower-Power thing is making it even better.
The choice of actors/actresses was fantastic, Sam Worthington, Xavier Samuel and Lesley-Ann Brandt, just to mentions a few - did a really good job. This movie gave both joy and emotional moments and the contents were perfect. This movie is for a person who's in to surfing, and who likes the sixties. The film begins with black and white color effect, which shows us the past and then switches to color when they are grownup. Like I said the story is really interesting, and it gets even more interesting when you know it has happened!
I recommend almost anyone to watch it, and especially you who've seen "Chasing Mavericks"!
The choice of actors/actresses was fantastic, Sam Worthington, Xavier Samuel and Lesley-Ann Brandt, just to mentions a few - did a really good job. This movie gave both joy and emotional moments and the contents were perfect. This movie is for a person who's in to surfing, and who likes the sixties. The film begins with black and white color effect, which shows us the past and then switches to color when they are grownup. Like I said the story is really interesting, and it gets even more interesting when you know it has happened!
I recommend almost anyone to watch it, and especially you who've seen "Chasing Mavericks"!
- felixmartinsson
- Jun 8, 2013
- Permalink
Big surf, cool 70's vibe. Give this movie a chance, make popcorn and have a beer. Excellent surf photography, beautiful, rough coastline of Australia. You will enjoy this film if you remember the big boards and OP board shorts. Goes slow but gets better just like the waves!. There are great scenes where old style cameras and wetsuits are used. The actors are good, you will recognize one of the actors from the film 'Clash of the Titans'! The plot could use some help but the feel of the film is very hippie style. There is a few drug scenes but they didn't mess that up too bad. The surfing is definitely the best. Real pros in every scene with old boards used for the film to keep it true to the time. Enjoy dude!
- cyjt5297-738-150968
- Aug 5, 2013
- Permalink
- carolethecatlover-678-214093
- May 6, 2013
- Permalink
Really enjoyed this movie. Some nice Australiana and look back into the culture in the 60s and 70s.
Enjoyed the whole movie, just wished the soundtrack was relevant to the era.
Worth a chilled watch.
Enjoyed the whole movie, just wished the soundtrack was relevant to the era.
Worth a chilled watch.
From '76 when Margs was the Nimbin of the West, carved my name on the log bar at Settlers, surfed the coast from 3-Bears, Yals, Smiths, Cowaramup, Gracetown, the Box and the Point to Redbank and all spots south, fish and crays whenever we wanted.
Got stuck on the bommies just like the opening scene, thought I'd never coming up but got dragged out by a wave that snapped my board in half.
Had a 6' 10" single fin for my first board (the one that snapped)... never got out to Cow Bombie or The Right, they were the stuff of myths. The house and Park at Prevelly...
Sigh, it's all millionaires now and it's sad (although I have to admit I still have my block on the hill at Yals...).
I love this movie if only for the memories of the waves I rode in my teens, 20s and 30s.hard to explain the stoke and even with all the development I still get 'locals' privileges in my 60s.
An ace movie.
Got stuck on the bommies just like the opening scene, thought I'd never coming up but got dragged out by a wave that snapped my board in half.
Had a 6' 10" single fin for my first board (the one that snapped)... never got out to Cow Bombie or The Right, they were the stuff of myths. The house and Park at Prevelly...
Sigh, it's all millionaires now and it's sad (although I have to admit I still have my block on the hill at Yals...).
I love this movie if only for the memories of the waves I rode in my teens, 20s and 30s.hard to explain the stoke and even with all the development I still get 'locals' privileges in my 60s.
An ace movie.
- bobn-10809
- Dec 21, 2021
- Permalink
A must watch brilliant cinematography well shot and directed, never mind the negative reviews just enjoy the ride, AU do me proud. Drift is a 2013 Australian film about the birth of the surf industry in the 1970s. It was shot in WA and co-directed by Morgan O'Neill and Ben Nott and starring Sam Worthington, Xavier Samuel and Myles Pollard. Based on true stories from the era and a novel adaptation, Drift is the action filled story of a outsiders who eventually forge a successful future in surfing equipment and competition...stumbling upon the worldwide multibillion-dollar cultural movement we know now.