It's not hard to figure out what's wrong with this movie. Skeptics may think Tyler Perry was a bad choice to fill in a young Morgan Freeman's shoes, but he was fine in the role. Plus, Matthew Fox as a psychopathic skinhead assassin is a lot of fun. Where the movie fails is in its haphazard direction, bland writing, and godawful editing. It's amazing the actors were able to recite this dialogue with a straight face.
The story of Alex Cross is a simple murder mystery: Alex Cross and his partner investigate a brutal crime scene and discover that they're after a professional killer referred to as Picasso. Things get personal and Cross plans to seek his revenge once and for all - standard crime thriller plot. The problem is when the characters start talking to each other. Honestly, it's laughable how bad some of this dialogue is, especially between Cross and his family. They throw in these "emotional" scenes to break up the action but all they do is make for a really awkward paced movie. It would be passable if the dialogue actually moved the plot forward or added depth to the characters but they don't, at all. There are some subplots that are introduced and never brought up again, e.g. Alex Cross becoming an FBI agent. What was the point of even including that?
The main reason to watch this movie is for Matthew Fox. He plays a sadist who is "fascinated by pain." Not very original but who cares, it's Matthew Fox playing a 130 pound unhinged lunatic. The scenes in which we see him doing his job - stalking his targets, infiltrating their houses, taking out their body guards and whatnot - are the most interesting parts of the movie. He's the only character given a clear cut motive and enough development to make him a passable antagonist.
Unfortunately, Perry isn't given nearly as much to work with. He's a generic detective with the name Alex Cross who acts as a poor man's Sherlock Holmes. His whole objective is to get into the mind of this madman while trying to maintain a steady family life, but instead of weaving tension between these two factors and having them play off one another, the writer/director think it's more effective to jump from one setting to another with no momentum building or rising tension whatsoever. Also, there wasn't enough psychological warfare between Cross and Picasso for there to be a compelling hero-villain dynamic. They try to do that in a couple scenes, but it's so poorly written that you don't believe a word of it.
The lack of good characters and dialogue would almost be forgivable if the action was excellent, but unfortunately that is not the case. The action scenes consist of shaky cam galore, constant jump cuts, and incomprehensible choreography. The climax of this movie, if you can even call it that, is a horrifically edited nightmare. You can hardly make out what's going, and once it ends you're just like, "Okay. Is that it?"
Again, the leads save this movie from being a total bomb. I was admittedly entertained for a good portion of the movie despite its stupid dialogue. None of it is inventive or new; it's just your run-of-the-mill murder mystery that is low on thrills and high on cheese. It's worth a one time watch if it's on TV or something, but the main thing you'll remember from Alex Cross is the criminally wasted talent.
