When a debt puts a young man's life in danger, he turns to putting a hit out on his evil mother in order to collect the insurance.When a debt puts a young man's life in danger, he turns to putting a hit out on his evil mother in order to collect the insurance.When a debt puts a young man's life in danger, he turns to putting a hit out on his evil mother in order to collect the insurance.
- Awards
- 9 wins & 21 nominations
Gralen Bryant Banks
- Pizza Patron
- (as Graylen Banks)
Scott A. Martin
- Pizza Manager
- (as Scott Martin)
Julia Adams
- Adele
- (uncredited)
Geraldine Glenn
- Pizza Patron
- (uncredited)
Sean O'Hara
- Rex
- (uncredited)
Blain Sanchez
- Prisoner
- (uncredited)
Tony Severio
- Pizza Patron
- (uncredited)
Storyline
Did you know
- TriviaGina Gershon had been originally offered the role of Sharla almost 20 years previously when the script was for a play, but she turned it down because she could not imagine performing the infamous chicken-leg scene "eight times a week" on stage.
- GoofsAfter Joe lights the fire to burn up the car we see in the next shot a set of pipes added to the undercarriage of the car to aid and/or assist with the stunt car fire and/or extinguishing of the fire.
- Quotes
Killer Joe Cooper: Tuna casserole! May I serve?
Dottie Smith: How are you gonna kill my mama?
Killer Joe Cooper: That's not appropriate dinner conversation, Dottie.
Dottie Smith: Unless you poison her.
- Crazy creditsThe unrated DVD retains the MPAA's NC-17 graphic at the end, although the rating was surrendered.
- Alternate versionsThe USA/Canada DVD is available in two versions, one the original NC-17 rated version (labeled as Unrated) and the other an R-Rated version. The R-Rated version has the following cuts:
- 1:25:27 (10.5 sec. cut) Sharla starts sucking at the chicken leg. Joe moans "Easy...easy."
- 1:25:42 (5.5 sec. cut) A cut to Carla, who is still sucking the chicken leg, is missing. The R-Rated shows the shot of Joe without interruption, lengthening it insignificantly.
- 1:25:49 (2.5 sec. cut) Joe asks Ansel in this shot "What do you think?". The R-Rated Version features the question from the off in the following shot of Ansel.
- 1:26:03 (Alternate Shot) The R-Rated shows Joe talking in a longer shot of himself and then an alternative shot of Ansel sitting down on the bench. The original features two shots from further away showing Sharla during her forced blow job. The Unrated Version runs a bit longer.
- 1:26:34 (11 sec. cut) The shot of Ansel can be seen a moment longer. Joe then asks twice: "Reach around and grab my ass!". Sharla obeys.
- 1:26:56 (Alternate Shot (No time difference)) The R-Rated Version mainly shows the shot of Joe longer and the alternative shot of Ansel before the shot from further away can be seen for a short time. The latter can be seen the whole time in the Unrated Version.
- 1:27:20 (Alternate Shot) The R-Rated Version shows the previous and following shots of Joe longer/earlier, whereas the Unrated cuts to a close-up of Sharla complying with Joe's demands and starting to moan.
- 1:37:30 (1 sec. cut) The shot starts a bit earlier with an additional (first) blow of the can against Chris' head.
- 1:37:33 (1.5 sec.) Another blow is missing.
- 1:37:41 (4.5 sec.) Joe beats Chris with the can three more times against the head and in the face, Chris spits out blood. Additional shot of Dottie screaming "Oh God!".
- 1:42:47 (No time difference) The MPAA overlays at the end differ display the different rating for the two versions.
- ConnectionsFeatured in The Big Review: Summer Trailer Park Series (2012)
Featured review
Killer Joe is a roller-coaster of a movie. At first it seems like a dark comedy, then a crime drama plot starts to uncover, and by the end it becomes downright terrifying. I'm a sucker for these kinds of movies and Killer Joe absolutely nails everything it goes for. This kind of story couldn't be pulled off without the right director. Thankfully William Friedkin knocks it out of the park. You can smell the white trash emanating from the screen. Every detail of every action is given the right amount of attention; every shot has purpose. Not one second is gone to waste. And in order for a story like this to truly resonate you'd need competent actors, and I don't think you could find a more perfect cast for Killer Joe if you tried. McConaughey is absolutely mesmerizing as this badass detective who's a hit-man on the side. The story revolves around a trailer trash family and their plan to exploit an insurance policy on the husband's ex-wife because the son got wrapped up in a bad drug deal, so they hire Killer Joe to do the job. Little do they know, Killer Joe does not f*ck around.
It's a graphic movie but it's not gratuitous. There's a reason for everything that is shown. And the narrative slowly builds to an explosive climax that leaves you flabbergasted. Seriously, the final scene in this movie which is about 10 minutes long, is absolutely phenomenal. Shocking, riveting, unsettling. Matthew McConaughey is downright villainous in this role. It's hard to call him a "villain" because he's straightforward in his motivations, much like it's hard to call the family the "heroes" because they're a bunch of moronic assholes, except the daughter who just doesn't know any better. The line between good and evil is blurred to the point of nonexistence, with Joe epitomizing this duality being the half detective half gun-for-hire hard-ass that he is. It's quite poetic, really. The characters in this movie are scum, and they all get what's coming to them.
Killer Joe is a lot of things, but one thing it's not is scatterbrained. It's entirely focused and cohesive. All the genres it glosses over fit right into this depraved story arc, and it grips you to the screen from beginning to end. This movie certainly isn't for everyone, but if you can stomach Killer Joe, you won't soon forget it.
It's a graphic movie but it's not gratuitous. There's a reason for everything that is shown. And the narrative slowly builds to an explosive climax that leaves you flabbergasted. Seriously, the final scene in this movie which is about 10 minutes long, is absolutely phenomenal. Shocking, riveting, unsettling. Matthew McConaughey is downright villainous in this role. It's hard to call him a "villain" because he's straightforward in his motivations, much like it's hard to call the family the "heroes" because they're a bunch of moronic assholes, except the daughter who just doesn't know any better. The line between good and evil is blurred to the point of nonexistence, with Joe epitomizing this duality being the half detective half gun-for-hire hard-ass that he is. It's quite poetic, really. The characters in this movie are scum, and they all get what's coming to them.
Killer Joe is a lot of things, but one thing it's not is scatterbrained. It's entirely focused and cohesive. All the genres it glosses over fit right into this depraved story arc, and it grips you to the screen from beginning to end. This movie certainly isn't for everyone, but if you can stomach Killer Joe, you won't soon forget it.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Saldo de cuentas
- Filming locations
- Six Flags New Orleans - Six Flags Pkwy, New Orleans, Louisiana, USA(Abandoned Theme Park)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $1,987,762
- Opening weekend US & Canada
- $37,900
- Jul 29, 2012
- Gross worldwide
- $4,633,668
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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