A photography student's life takes a turn for the worse when her dead sister is welcomed back into the family home.A photography student's life takes a turn for the worse when her dead sister is welcomed back into the family home.A photography student's life takes a turn for the worse when her dead sister is welcomed back into the family home.
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- ConnectionsFollows Tomie (1998)
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The "Tomie" franchise is probably the most disappointing series of horror films I've ever seen. Despite an interesting premise (involving a demon girl who cannot die and causes violent obsessions from her acquaintances), every single installment (up to this point) has been painfully boring and sleep-inducing. When I heard that they were making a new one, I had zero interest. Then I heard that Noboru Iguchi ("The Machine Girl') was directing it, so I gave it a chance and I'm glad I did.
Here's a plot summary from Asianmediawiki: "Tsukiko (Moe Arai) is a member of the photography club in high school. On her way home with friend Kae (Aika Ota), Tsukiko runs into older sister Tomie (Miu Nakamura) who goes to the same high school. Tomie is also with Toshio (Kensuke Owada) - a guy Tsukiko has a secret crush on. Tsukiko is consumed with fierce jealousy over her sister, but at the same time is intoxicated with Tomie's beauty. Tsukiko keeps pressing the trigger on her camera. At that time Tomie tells her sister that she knows what she is feeling. When Tsukiko stops taking pictures, Tomie is crushed by a steel frame that falls from a building under construction. One year later, Tsukiko still suffers nightmares over her sister's death. Slowly, her daily life returns to some sense of normalcy. On Tomie's 18th birthday, her parents and Tsukiko stand around a birthday cake in her honor. At that time someone knocks on their door. Tomie stands in the doorway with rich black hair and her beauty shining even more brightly. Her parents are delighted to see Tomie and welcomes her back with tears pouring out. Meanwhile, Tsukiko stands there unable to believe what is transpiring. Tsukiko's nightmare now turns into reality and her terror is only set to begin."
There is no question that Iguchi infused more entertainment value in this one film than all of its predecessors combined. It starts off with a bloody death scene and becomes more outrageous and blackly comical with each passing minute. There's more creativity than one might expect in terms of the horror elements, and the actresses are good. It fails to rise above simple popcorn horror, but it is fun to watch for its WTF moments.
I hope Iguchi directs another "Tomie" film, because he's the only director who has displayed enough energy to make it entertaining.
Here's a plot summary from Asianmediawiki: "Tsukiko (Moe Arai) is a member of the photography club in high school. On her way home with friend Kae (Aika Ota), Tsukiko runs into older sister Tomie (Miu Nakamura) who goes to the same high school. Tomie is also with Toshio (Kensuke Owada) - a guy Tsukiko has a secret crush on. Tsukiko is consumed with fierce jealousy over her sister, but at the same time is intoxicated with Tomie's beauty. Tsukiko keeps pressing the trigger on her camera. At that time Tomie tells her sister that she knows what she is feeling. When Tsukiko stops taking pictures, Tomie is crushed by a steel frame that falls from a building under construction. One year later, Tsukiko still suffers nightmares over her sister's death. Slowly, her daily life returns to some sense of normalcy. On Tomie's 18th birthday, her parents and Tsukiko stand around a birthday cake in her honor. At that time someone knocks on their door. Tomie stands in the doorway with rich black hair and her beauty shining even more brightly. Her parents are delighted to see Tomie and welcomes her back with tears pouring out. Meanwhile, Tsukiko stands there unable to believe what is transpiring. Tsukiko's nightmare now turns into reality and her terror is only set to begin."
There is no question that Iguchi infused more entertainment value in this one film than all of its predecessors combined. It starts off with a bloody death scene and becomes more outrageous and blackly comical with each passing minute. There's more creativity than one might expect in terms of the horror elements, and the actresses are good. It fails to rise above simple popcorn horror, but it is fun to watch for its WTF moments.
I hope Iguchi directs another "Tomie" film, because he's the only director who has displayed enough energy to make it entertaining.
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