Pioneer One

Maybe there are other stories out there like this, but I haven't run across any with these particular details. It's intriguing, fairly well-paced and feasible (to an uninformed civilian like me).

The acting is a little hollow but generally believable enough to not be distracting. There is a reasonable amount of character development. But I get the impression that someone, at some point, exclaimed "where's the humanity?!!" or the like.

Then they wrote in the blond nurse from the childrens' cancer ward and the pissed off convenience store girlfriend. And farmed the parts out to crushes, girlfriends or granddaughters. The scenes with the childrens' nurse are unwatchable and taint every actor that shares a scene with her. They stand out so starkly, I wish they could be edited out... and replaced with characters summarizing any pertinent information around her character's interaction with the subject. As it is, I just fast forward through them.

Generally good submission from what I assume are less experienced writers, director and actors, at a very low budget. It would be nice to see them in future productions, with more resources, to get a better idea of what they're capable of.

Although it has a lower budget than cable/network TV sci-fi shows, it still gives more of an exciting storyline than I've seen in popular sci- fi shows.

I love Stargate. It's a fantastic show - but it's extremely predictable.

Pioneer One is so new and so unique, that it's unpredictable to even the writers. The concept is so simplistic, yet so mind-blowing that it trumps so many other shows purely by being basic and going back to the fundamentals of television.

Despite what Paul Shephard, also of Perth, thinks, the low budget and average acting only serve to emphasise the fact that the small idea, the brainchild of the minority, has risen to the heights of the great through the purity of dialogue and the lack of opposite point of view (which only serves to pique the interest of the curious).

Pioneer One is a must watch, for any one REMOTELY interested in sci-fi, the unknown, space, or for people who are tired of the recycled, regurgitated fesces that Hollywood excretes.

I cannot wait for Season 2. I have already contributed.

Until we live on Mars,

Xavier

Other have already spoken of this series as a "pioneer" for a new model of funding, so I'll focus on the dramatic and entertainment merits of the show.

First of all, the production is surprisingly good for it's low budget (reportedly $6k for the the pilot). There are some instances where the low budget becomes apparent - e.g. when the characters see something that's clearly meant to be amazing or shocking, we see it in the actor's reactions rather than the thing itself - but low budget is the card that the series has been dealt and the team work around it very well.

What surprised me the most was the quality of the acting. Sure, some of the fringe roles are a bit ropey - but the central cast are excellent. If anything, the lack of mainstream TV experience of the stars is a boon - it's refreshing to see characters on screen who behave in a normal human fashion, as opposed to the hyper-emotion that's become standard these days.

There are some clichéd moments that serve to convey character relationships and something more inventive would have been nice - but it's a 6-episode series, so there's less room for subtle development. On the other hand, one of the hallmarks of low-budget film making is that the director is often more interested in a specific moment or shot and less interested in how to get there. Thankfully, that's avoided here and the plot advances in a logical yet organic way.

As with the acting, the low budget actually helps with the special effects. In mainstream TV sci-fi, we're used to slow motion action, big red fireballs and CGI backdrops. This series' low budget means that they couldn't do any of that. Instead, the SFX is quick and brutal and the main focus is on the people dealing with the aftermath - just as it is in real life.

The writers have a belter of a sci-fi concept here. I'd love to see this series come back for a second season. The danger is that more money for season 2 might move the show in a different direction - but I hope that the show runners remember that Pioneer One's greatest strength is its humanity.

I got the chance to see this pilot at the New York Television Festival, and I'm not surprised it won for Best Drama. Other pilots with at least twice the budget were uninspired and predictable, while this pilot was brave in presenting its audience with questions, and no promises as to when they would be answered.

Yes, the HD didn't do some of the scenes justice (in particular, the way the first scene was lit hurt my eyes...I wonder if they just used the fluorescents that were already there, which I think is a pretty bad idea for filming). Yes, the actors' performances twitch and on a rare occasion falter. But the finished product won me over.

I hope that they forge ahead in making their entire first (only?) season, and I appreciate that they've made sure to keep all episodes as available as possible, and their fans as updated as possible (Vodo, Vimeo, timely posts on their sites, etc.). I'm following them on Twitter, I'm a fan on Facebook, I enjoyed the second episode, and I really can't wait for March when the third episode comes out.

Good job, guys. You prove that, when using the web as a tool, successful low-budget screen production is still possible.

Pioneer One has proved that independent media can compete with traditional markets. More and more people are looking at web series as a way to distribute shows and build an audience. I like the idea of independent media sidestepping the traditional studios and using the internet to reach an audience.

Pioneer One has an engaging story. The music is amazing. For being produced for less then $10,000 I'm surprised how good it looks. I'm hoping that the creators will be able to produce all the episodes that they've planned for the series.

I suggest that everyone watch this series with an open mind. This wasn't produced by a studio with a big budget and computer effects. Yet, it tells an interesting story.