The Gates

First, it's a rather long movie for the substance. They really go to lengths to draw things out unnecessarily. The script is painful to listen to. It's very sophomoric, and the over-baked archetypes make the acting pretty cringe. I actually really like. John Rhys-Davies from other movies. Elena Deliia also does a good job with a poor script. However, Michael Yare should seek employment as something other than an actor. It's like watching a junior-high school student attempt acting for the first time. What makes it all worse is, even though there are a few good actors, there is absolutely zero synchronicity between the cast. None of them mesh well together, so it makes it really difficult to try to enjoy what little gems there are to this story. This could have been done a million times better, and they obviously had the budget for it.

John Rhys Davies stars in this. But at the age of 80, the blunderbuss vocal energy of his Raiders Of The Lost Ark days are gone. Then again with the stilted, monologue type dialogue he and the rest of the cast are given to work with, it's not surprising. In fact, it is so uninspiring and dull, that I found it actually painful to listen to, so only lasted 30 minutes of the 1 hour 50.

Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.

Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.

Go watch penny Dreadful instead.

Throughout most of the performance, we watch the characters gracefully move around the stage, creating an exciting spectacle. The climax gradually grows closer to the finale, attracting our attention with the supernatural frenzy of an unsettled spirit belonging to an evil sorcerer. Out of nowhere, as if materializing from another world, the character "Maria" suddenly appears - why and for what purpose?... The humorous situation develops as rapidly as it ends :) But why was this introduced, you ask? :) - I don't know either :))) The otherworldly manifestation causes a whirlwind of demonic fun - a flickering light bulb built into a musical instrument turns out to be a powerful magical force :)))))) - hands grab the viewer's face, leaving him puzzled. What's going on here? - Even I ask myself this question with good reason :)))) Finally, the climax comes - a confrontation with a vile sorcerer. The characters use a glowing light bulb inside a musical instrument, and thanks to the extraordinary efforts of the actors, this brings wonderful "fruits" - the absurdity ends the performance, leaving the curtain down and not saying goodbye, subtly hinting at a future sequel. :)))) Admittedly, this scenario was conceived by artificial intelligence - I have no other explanation.

I'm honestly not sure what people don't like about this movie.

Because it is pretty damn good!

It's a period piece, that takes place in the late stages of the 19th century.

In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.

We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.

So that it can't attach itself to someone, and escape the confines of the prison walls.

The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.

While the film, as a whole, is like a more dramatic version of Ghostbusters.

Either way...I thought that it was both well done, and highly entertaining!

Though, perhaps it's not what some people were looking for, or expecting.

That being said...it does seem to set itself up for a sequel.

So, if you liked it as much as I did.

You have that to look forward to, in the future.

A solid supernatural thriller, all around.

6 out of 10.

Plot

A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he is in, and all of those in it.

Cast

Career villain Richard Brake who is severely wasted here alongside John Rhys-Davies who is just in wall to wall abysmal movies at this stage of his career. A deserved nod however to Michael Yare who was great here.

Verdict

The cover filled me with mixed emotions, Richard Brake? Fantastic, the rest? Amateurish. I thought hey even if it's bad at least Brake will deliver a great evil twisted psychotic performance as always and who doesn't love John Rhys-Davis!? Well, it actually managed to screw my first point up rather impressively. What do I mean by that? Well Brake is the antagonist certainly, but he's barely in the movie at all and when he is it's fleeting and he doesn't really speak at al. In fact honestly I'd be surprised if he has a dozen words of dialogue in the entire movie and isn't even on screen with kills either, his presence is pretty non-existent so that's a major flaw and blatant false advertising!

The setting is interesting, the concept though cliched is fairly engaging and the film does have a few well constructed moments. Sadly then it descends into the realm of the generic and hits you with a very weak ending that is simply lazy and uninspired.

The Gates isn't bad, it's just a shadow of it's potential and that's even worse.

Rants

I get the overwhelming impression lately that a lot of movies suffer with a writing issue that starts with a writer coming up with a concept and.......nothing else. They come up with the premise of a movie, but no middle, no end just the general concept. So we're hit with that, excited about where it's to go and then the quality dips offensively and ends uninspired like they had absolutely no ideas beyond the concept. I see it all the time and it's so frustrating, if writers could come up with more than the mere basis and create a full story that would be great. Otherwise you get The Gates!

The Good

Passable premise John Rhys-Davies Nice setting

The Bad

Brake is wasted Potential squandered badly Weak finale.