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The Gates

  • 2023
  • 1h 51m
IMDb RATING
4.7/10
985
YOUR RATING
Richard Brake, David Pearse, John Rhys-Davies, Michael Yare, Elena Delia, and Tom Neville in The Gates (2023)
A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he is in, and all of those in it.
Play trailer2:18
2 Videos
9 Photos
HorrorThriller

A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he is in, and all of those in it.A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he is in, and all of those in it.A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he is in, and all of those in it.

  • Director
    • Stephen Hall
  • Writers
    • Tim Reynolds
    • Stephen Hall
  • Stars
    • Esther Woods
    • Elena Delia
    • Sarah Noll
  • See production info at IMDbPro
  • IMDb RATING
    4.7/10
    985
    YOUR RATING
    • Director
      • Stephen Hall
    • Writers
      • Tim Reynolds
      • Stephen Hall
    • Stars
      • Esther Woods
      • Elena Delia
      • Sarah Noll
    • 17User reviews
    • 10Critic reviews
  • See production info at IMDbPro
  • Videos2

    Official Trailer
    Trailer 2:18
    Official Trailer
    The Gates
    Video 2:19
    The Gates
    The Gates
    Video 2:19
    The Gates

    Photos8

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    Top cast26

    Edit
    Esther Woods
    • Bound Woman
    Elena Delia
    Elena Delia
    • Emma Wickes
    Sarah Noll
    Sarah Noll
    • Selina Colcott
    Richard Brake
    Richard Brake
    • William Colcott
    Donal O'Shea
    • Policeman
    Peter Coonan
    Peter Coonan
    • George Sheppard
    Matthew O'Brien
    Matthew O'Brien
    • Phillip
    David Pearse
    David Pearse
    • Father Matthews
    Graeme Coughlan
    Graeme Coughlan
    • Crimms
    Zeb Moore
    Zeb Moore
    • Patrick
    Adam Moylan
    • Rufus
    Brian Fortune
    Brian Fortune
    • Governor Owen Forsyth
    Tristan Heanue
    Tristan Heanue
    • Jonathan Chapman
    Nigel Mercier
    Nigel Mercier
    • First Official
    Hector Moss
    Hector Moss
    • Second Official
    Tom Neville
    Tom Neville
    • Mr Leyton
    Lydia Little
    • Mrs. Leyton
    John Rhys-Davies
    John Rhys-Davies
    • Frederick Ladbroke
    • Director
      • Stephen Hall
    • Writers
      • Tim Reynolds
      • Stephen Hall
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews17

    4.7985
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    Featured reviews

    5Howling_at_the_Moon_Reviews

    The black goo is probably not a great sign my guy...

    This one landed in a funny place for me...however, overall I enjoyed it (with the knowledge that I do have a bias for period horror lol). It was decently atmospheric and I saw a lot of potential in what they created.

    The Gates was a bit of a roller coaster as I saw it. I continually found myself engaged and invested... and the next second I found myself being pulled out of the moment. I think that this was mainly attributed to the script, the acting and some scenery.

    While the script wasn't awful by any means, I felt it a bit hokey and underdeveloped at times and certainly didn't do the actors any favors. The acting was extremely hit or miss here. By far the best of the bunch was the uncle. He carried a lot of the weight of what was successful here on his back. Along with some side characters such as some prisoners, the antagonist and the rogue wife. Unfortunately a lot of the other actors were not as successful. The main paranormal investigator guy and his buddy didn't do the production many favors either. The buddy was stiff as a board with extremely stilted delivery but as a side character, that wasn't as detrimental. The main one really had a lot of responsibility here due to the size and importance of his role... and he just didn't do it for me.

    I know that it is super difficult and often times expensive to pull off a period piece so kudos for that. The majority of the time it looked really great and convincing. Unfortunately, occasionally our modern day shown through and I was pulled you out of the moment a bit.

    I also think that the plot could've been refined a bit. The foundation definitely felt like it was there, but it lost its way at times and became a little convoluted. There were many subplots and interactions that got thrown to the side and felt unnecessary. I noticed this the most with the niece. By not having anything come to fruition with her mother or her potential gift... It almost made her character unnecessary. The ending also fell off the rails a bit and required a good amount of suspension of disbelief... and a bit of suspension of understanding as well.

    Now, while I know this feels overwhelmingly negative... while viewing this, you will find that a lot of these issues don't seem to be super detrimental or particularly deterring (at least for me). Also many of these are pretty common while enjoying an indie horror and can be looked past.

    I think they swung really big with this movie and while it wasn't 100% successful, I think they created something that was cool, decently entertaining and a production to generally be proud of. While I would love to round up, for me this gets a 5.5 rounding down to a 5, would recommend.
    7deacon_blues-88632

    Good, old-fashioned gothic horror!

    For a low-budget film, this one delivers superior production value and atmosphere! It's so nice to see a film that allows for the purely supernatural, without trying to explain everything in pseudoscience terms!

    Good, also, to see old John Rhys-Davies in a starring role again! The principals all turn in fine performances, although a few of the lesser performers were truly atrocious (especially Lucien's associate!).

    Richard Brake was a fine choice for the intensely evil William Colcott; he delivered a truly menacing performance!

    All-in-all, if you don't expect too much from this modest-sized project, I think most people who appreciate a good gothic tale will find it surprisingly satisfying!
    4Democrit

    The absurd closes the curtain🤕🤕🤕👻👻👻

    Throughout most of the performance, we watch the characters gracefully move around the stage, creating an exciting spectacle. The climax gradually grows closer to the finale, attracting our attention with the supernatural frenzy of an unsettled spirit belonging to an evil sorcerer. Out of nowhere, as if materializing from another world, the character "Maria" suddenly appears - why and for what purpose?... The humorous situation develops as rapidly as it ends :) But why was this introduced, you ask? :) - I don't know either :))) The otherworldly manifestation causes a whirlwind of demonic fun - a flickering light bulb built into a musical instrument turns out to be a powerful magical force :)))))) - hands grab the viewer's face, leaving him puzzled. What's going on here? - Even I ask myself this question with good reason :)))) Finally, the climax comes - a confrontation with a vile sorcerer. The characters use a glowing light bulb inside a musical instrument, and thanks to the extraordinary efforts of the actors, this brings wonderful "fruits" - the absurdity ends the performance, leaving the curtain down and not saying goodbye, subtly hinting at a future sequel. :)))) Admittedly, this scenario was conceived by artificial intelligence - I have no other explanation.
    4Steve9920

    It's no penny dreadful

    John Rhys Davies stars in this. But at the age of 80, the blunderbuss vocal energy of his Raiders Of The Lost Ark days are gone. Then again with the stilted, monologue type dialogue he and the rest of the cast are given to work with, it's not surprising. In fact, it is so uninspiring and dull, that I found it actually painful to listen to, so only lasted 30 minutes of the 1 hour 50.

    Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.

    Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.

    Go watch penny Dreadful instead.
    3derp-58409

    Good story ruined by poor script and acting

    First, it's a rather long movie for the substance. They really go to lengths to draw things out unnecessarily. The script is painful to listen to. It's very sophomoric, and the over-baked archetypes make the acting pretty cringe. I actually really like. John Rhys-Davies from other movies. Elena Deliia also does a good job with a poor script. However, Michael Yare should seek employment as something other than an actor. It's like watching a junior-high school student attempt acting for the first time. What makes it all worse is, even though there are a few good actors, there is absolutely zero synchronicity between the cast. None of them mesh well together, so it makes it really difficult to try to enjoy what little gems there are to this story. This could have been done a million times better, and they obviously had the budget for it.

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    Storyline

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    Did you know

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    • Trivia
      Cork City Gaol, was the film location portrayed as Bishop's Gate Jail
    • Goofs
      The electric chair was never used for executions in England.

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    FAQ

    • How long is The Gates?Powered by Alexa

    Details

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    • Release date
      • June 27, 2023 (United States)
    • Country of origin
      • Ireland
    • Language
      • English
    • Also known as
      • Врата ада
    • Production companies
      • Forever Safe Productions
      • Head Gear Films
      • Mad Honey Productions
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $1,000,000 (estimated)
    • Gross worldwide
      • $67,280
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      1 hour 51 minutes
    • Color
      • Color
    • Aspect ratio
      • 2.39:1

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