The Gates

I'm honestly not sure what people don't like about this movie.

Because it is pretty damn good!

It's a period piece, that takes place in the late stages of the 19th century.

In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.

We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.

So that it can't attach itself to someone, and escape the confines of the prison walls.

The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.

While the film, as a whole, is like a more dramatic version of Ghostbusters.

Either way...I thought that it was both well done, and highly entertaining!

Though, perhaps it's not what some people were looking for, or expecting.

That being said...it does seem to set itself up for a sequel.

So, if you liked it as much as I did.

You have that to look forward to, in the future.

A solid supernatural thriller, all around.

6 out of 10.

When I stumbled upon the 2023 horror/thriller "The Gates" here in 2024 and seeing that it had Richard Brake on the cast list, then there was no doubt about me sitting down to watch it.

Writers Tim Reynolds and Stephen Hall, with the latter also being the director of the movie, put together an enjoyable supernatural thriller with a good storyline. The storyline included the creation of the EVP (Electrical Voice Phenomena), which was a nice touch. It is an atmospheric thriller, where the writers gradually builds up the suspense and piles up elements of a supernatural dread.

Something that worked against the movie was the pacing of the narrative, because it was rather slow and bland at times, without much of anything thrilling or exciting happening, and that made sitting through 111 minutes of the movie somewhat of an ordeal at times. So either a more round-handed trim in the editing or a more spruced-up storyline would have served the movie well.

The acting performances in the movie were good from the entire cast ensemble, and with the likes of John Rhys-Davies and Richard Brake at the helm, then you're in capable hands. Richard Brake brought his usual devilish charm and sinister charisma, while John Rhys-Davies brought a level of class and Shakespearian atmosphere to the movie. Michael Yare (playing Lucian Abberton) and Elena Delia (playing Emma Wickes) definitely put on good performances as well.

The colors and lighting used throughout the course of the movie were definitely enhancing the atmosphere of the movie tremendously, making it seem and feel like a distinct 1890-period set movie. As did the wardrobe, sets and props department, I liked that level of dedication to making the movie feel authentic. It worked marvelously in favor of the overall feel of the movie.

While "The Gates" certainly is a watchable movie, I was expecting a bit more from a movie with Richard Brake and John Rhys-Davies. And I have to admit that this is not a movie that I will be returning to watch a second time, because the storyline just doesn't have the contents to support more than a single viewing.

My rating of director Stephen Hall's 2023 movie "The Gates" lands on a five out of ten stars. It was as if the movie buckled in under its own ambition to deliver more than director Stephen Hall could muster.

John Rhys Davies stars in this. But at the age of 80, the blunderbuss vocal energy of his Raiders Of The Lost Ark days are gone. Then again with the stilted, monologue type dialogue he and the rest of the cast are given to work with, it's not surprising. In fact, it is so uninspiring and dull, that I found it actually painful to listen to, so only lasted 30 minutes of the 1 hour 50.

Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.

Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.

Go watch penny Dreadful instead.

Plot

A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he is in, and all of those in it.

Cast

Career villain Richard Brake who is severely wasted here alongside John Rhys-Davies who is just in wall to wall abysmal movies at this stage of his career. A deserved nod however to Michael Yare who was great here.

Verdict

The cover filled me with mixed emotions, Richard Brake? Fantastic, the rest? Amateurish. I thought hey even if it's bad at least Brake will deliver a great evil twisted psychotic performance as always and who doesn't love John Rhys-Davis!? Well, it actually managed to screw my first point up rather impressively. What do I mean by that? Well Brake is the antagonist certainly, but he's barely in the movie at all and when he is it's fleeting and he doesn't really speak at al. In fact honestly I'd be surprised if he has a dozen words of dialogue in the entire movie and isn't even on screen with kills either, his presence is pretty non-existent so that's a major flaw and blatant false advertising!

The setting is interesting, the concept though cliched is fairly engaging and the film does have a few well constructed moments. Sadly then it descends into the realm of the generic and hits you with a very weak ending that is simply lazy and uninspired.

The Gates isn't bad, it's just a shadow of it's potential and that's even worse.

Rants

I get the overwhelming impression lately that a lot of movies suffer with a writing issue that starts with a writer coming up with a concept and.......nothing else. They come up with the premise of a movie, but no middle, no end just the general concept. So we're hit with that, excited about where it's to go and then the quality dips offensively and ends uninspired like they had absolutely no ideas beyond the concept. I see it all the time and it's so frustrating, if writers could come up with more than the mere basis and create a full story that would be great. Otherwise you get The Gates!

The Good

Passable premise John Rhys-Davies Nice setting

The Bad

Brake is wasted Potential squandered badly Weak finale.

One known name to head the poster: Check!

Found old prison to serve as the place where to shoot almost the entire movie: Check!

Apart from above everything about this movie is awful. Terribly awful. Oh, apart from the mass murderer, because he was actually kind of cool.

This movie reminds me of a too long and drawn out episode of some campy Sherlock Holmes episode for teenagers. Everything, apart from maybe the first two minutes, is absolutely wrong. Which is quite interesting in a way. Did they use some other director for the first two minutes, I wonder, because the first two minutes were actually dark and bloody. Immediately after that everything turned horribly boring with a horribly boring script and cast.