IMDb RATING
4.4/10
2.1K
YOUR RATING
Different strata of Polish society oppose communist aggression from Soviet Russia. Love lives on a par with war.Different strata of Polish society oppose communist aggression from Soviet Russia. Love lives on a par with war.Different strata of Polish society oppose communist aggression from Soviet Russia. Love lives on a par with war.
- Awards
- 5 nominations total
Aleksandr Domogarov
- Kryshkin
- (as Aleksander Domagarow)
Viktor Balabanov
- Vladimir Lenin
- (as Wiktor Balabanow)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film takes place from August 12 to August 25, 1920.
- GoofsThe band playing 'The Internationale' has no percussion instruments, even though percussion can be heard.
- SoundtracksSpiewka 1920
Written by Krzesimir Debski
Performed by Natasza Urbanska & Borys Szyc
Featured review
I was sent this film (with subtitles) on DVD by a friend in Poland and found it engrossing.
I guess it helped that I had already read a book on the subject, Warsaw 1920 by Adam Zamoyski, so knew what direction the film was going before it started, and that helped my understanding. The love interest and sub-plots enhanced the film, but again some knowledge of 20th Century Eastern European culture and politics helped.
My initial thoughts were that some of the colours were rather vivid and maybe unrealistic but a variety of cinematic styles were used and as they were not used frivolously they worked well in the end. The cabaret scenes showed glamour, style and sensitivity where necessary - all in stark contrast to some, frankly, barbaric and unglamorous battle scenes. I suspect that they were actually quite realistic representations of the fighting. There were some interesting touches that most people would not think about eg the taking of soldiers'/prisoners' boots (sometimes before their wearers were dead) because of their value at the time.
The principal story is true and the outcome of the battle ultimately decided whether Poland enjoyed independence between its partitioning until the end of WW1 and its invasion by the Germans and then the Russians in 1939.
For those with an interest in Eastern European history, it has been said that Stalin's treatment of the Polish Army officers in WW2 (see the superb film Katyn) was determined by the outcome of this battle.
I guess it helped that I had already read a book on the subject, Warsaw 1920 by Adam Zamoyski, so knew what direction the film was going before it started, and that helped my understanding. The love interest and sub-plots enhanced the film, but again some knowledge of 20th Century Eastern European culture and politics helped.
My initial thoughts were that some of the colours were rather vivid and maybe unrealistic but a variety of cinematic styles were used and as they were not used frivolously they worked well in the end. The cabaret scenes showed glamour, style and sensitivity where necessary - all in stark contrast to some, frankly, barbaric and unglamorous battle scenes. I suspect that they were actually quite realistic representations of the fighting. There were some interesting touches that most people would not think about eg the taking of soldiers'/prisoners' boots (sometimes before their wearers were dead) because of their value at the time.
The principal story is true and the outcome of the battle ultimately decided whether Poland enjoyed independence between its partitioning until the end of WW1 and its invasion by the Germans and then the Russians in 1939.
For those with an interest in Eastern European history, it has been said that Stalin's treatment of the Polish Army officers in WW2 (see the superb film Katyn) was determined by the outcome of this battle.
- benfaust59
- Feb 18, 2012
- Permalink
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Details
Box office
- Budget
- PLN 27,000,000 (estimated)
- Gross worldwide
- $8,417,043
- Runtime1 hour 55 minutes
- Color
- Aspect ratio
- 1.85 : 1
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