IMDb RATING
7.6/10
9.3K
YOUR RATING
This riveting crime thriller follows Oscar, a recent emigrant to Manila who gets pulled into a harrowing world of corruption and violence when he takes a job as an armored car driver to supp... Read allThis riveting crime thriller follows Oscar, a recent emigrant to Manila who gets pulled into a harrowing world of corruption and violence when he takes a job as an armored car driver to support his family (in Tagalog w/ English subtitles).This riveting crime thriller follows Oscar, a recent emigrant to Manila who gets pulled into a harrowing world of corruption and violence when he takes a job as an armored car driver to support his family (in Tagalog w/ English subtitles).
- Nominated for 1 BAFTA Award
- 9 wins & 10 nominations total
Moises Magisa
- Buddha
- (as Moises Mag Isa)
Daniel Magisa
- Conman #1
- (as Danny Mag Isa)
Jervi Cajarop
- Police Officer
- (as Jervie Cajarop)
Storyline
Did you know
- TriviaMetro Manila returned to 12 UK cinemas on 28th November 2013 for a one off screening to raise money for the victims of typhoon Haiyan/Yolanda that had hit the Philippines and killed close to 6000 people. 12 screens were donated by VUE cinemas and raised a total of £3540 for the DEC charity. Its British director, Sean Ellis said: "The people of the Philippines were tremendously supportive during the making of Metro Manila, and it's only right that we should now use the film to raise money to help the victims of this terrible disaster."
- GoofsThe key for the security box is far too simple in design. There was no need to take an impression and use a rather unrealistic casting process: any strip of metal could have been quickly used to pick such a simple lock. One simply coats the strip with a film of wax, tries to turn it in the lock, and this immediately shows which parts have to be cut away. This technique was already old in the Victorian era, and is not hard to think up for oneself.
- ConnectionsReferenced in Anthropoid Press Conference (2015)
- SoundtracksOscar and Mai Theme
Written by Robin Foster
Piano performed by Guy Farley
Recorded by Ronan Phelan
Assistant engineer Greg Marriott
Recorded at Sphere Studios London
Featured review
METRO MANILA is as much a heartbreaking drama of trying to make it in the big city as it is a crime thriller, probably even more so. Sean Ellis, who directed, wrote, produced and did the cinematography has crafted an excellent story that, while a little too familiar in some respects, is still powerfully acted and beautifully shot. In fact, the visual authenticity is what gripped me the most. Having been to the Philippines a couple of times, I felt like these were locations that I had seen before (even though I hadn't been to the ones specifically used for the film). There are dozens of shots capturing all of the various aspects of life in Manila, from the squalor of the slums to the bright lights of the Metro area. Everything is shown, and nothing is held back. The cinematographic choices also lend a degree of realism to the drama of the story.
As far as acting is concerned, everyone did a good job as far as I could tell, although some line readings did seem to be a little off. In particular, the actors who played Oscar Ramirez and Douglas Ong stood out. The story the film tells is quite a familiar one, although the execution and setting is what make it seem fresh. Basically, Oscar moves his family from the rice terraces of Banaue to Manila, in hopes that they will be able to make a better living. Oscar gets a job as an armored car driver, while his wife Mai takes a job at a hostess bar (similar to juice bars in South Korea). While there, both are confronted with the harsh realities of city life and are forced to make difficult choices for themselves. Seeing some of the things that they, Mai in particular, have to go through was painful to watch at times, but it helped in making these people easy to sympathize with. Generally, the story doesn't take too many surprising turns, but the way in which it ends was definitely emotionally satisfying.
As far as the action is concerned, while the film seems to be billed as a crime thriller, this isn't entirely accurate. Yes, crime is a part of the overall narrative, but at its heart the film is a family drama. This might disappoint people going in hoping for a shoot-em-up, but this film is more thought-provoking than it is riveting in an action-film sense. Trying to escape poverty is one of the film's biggest themes, and the way in which this was portrayed is, in my opinion, what sets it apart from other movies like it. Overall, I thought that the film was well-made, well-acted, well-shot, etc., even if the story wasn't the most original. Fans of foreign and Filipino cinema should definitely check this out, and I would also recommend it to anyone willing to give it a chance.
As far as acting is concerned, everyone did a good job as far as I could tell, although some line readings did seem to be a little off. In particular, the actors who played Oscar Ramirez and Douglas Ong stood out. The story the film tells is quite a familiar one, although the execution and setting is what make it seem fresh. Basically, Oscar moves his family from the rice terraces of Banaue to Manila, in hopes that they will be able to make a better living. Oscar gets a job as an armored car driver, while his wife Mai takes a job at a hostess bar (similar to juice bars in South Korea). While there, both are confronted with the harsh realities of city life and are forced to make difficult choices for themselves. Seeing some of the things that they, Mai in particular, have to go through was painful to watch at times, but it helped in making these people easy to sympathize with. Generally, the story doesn't take too many surprising turns, but the way in which it ends was definitely emotionally satisfying.
As far as the action is concerned, while the film seems to be billed as a crime thriller, this isn't entirely accurate. Yes, crime is a part of the overall narrative, but at its heart the film is a family drama. This might disappoint people going in hoping for a shoot-em-up, but this film is more thought-provoking than it is riveting in an action-film sense. Trying to escape poverty is one of the film's biggest themes, and the way in which this was portrayed is, in my opinion, what sets it apart from other movies like it. Overall, I thought that the film was well-made, well-acted, well-shot, etc., even if the story wasn't the most original. Fans of foreign and Filipino cinema should definitely check this out, and I would also recommend it to anyone willing to give it a chance.
- brchthethird
- Nov 13, 2014
- Permalink
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Details
Box office
- Budget
- £250,000 (estimated)
- Gross worldwide
- $200,584
- Runtime1 hour 55 minutes
- Color
- Aspect ratio
- 1.85 : 1
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