IMDb RATING
7.2/10
5.8K
YOUR RATING
A non-judgmental analysis of the driving forces of human behavior when confronted with the unknown, of the way we perceive the other and on how we relate to an unsettling future.A non-judgmental analysis of the driving forces of human behavior when confronted with the unknown, of the way we perceive the other and on how we relate to an unsettling future.A non-judgmental analysis of the driving forces of human behavior when confronted with the unknown, of the way we perceive the other and on how we relate to an unsettling future.
- Awards
- 7 wins & 18 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe town hall meeting scene (starting at about 1 hour 28) is a single unbroken take lasting nearly 15 minutes.
- SoundtracksYumenji's Theme
Composed by Shigeru Umebayashi for In the Mood for Love (2000)
Featured review
RMN is the Romanian translation of "MRI" - the medical machine which takes deep images of the human body including the brain. In a way, renowned Director Cristian Mungiu (4 MONTHS, GRADUATION) is examining the inner souls of his fellow countryman. An X-Ray if you will.
Mungiu's screenplay is set in a small Transylvanian village. Mattias (Marin Grigore), a brute of a man, has returned from a job for hire in Germany to reunite with his estranged wife Ana (Macrina Barladeanu) and young son Rudi (Mark E. Blenyesi) who claims to have seen something so horrible that he can barely speak. Csilla (Judith Slate) manages a local bakery and is also Mattias' old flame. There are obvious tensions, but the town is seemingly idyllic with its snow-capped mountains, abundant livestock and quiet lifestyles.
The outward peace begins to crack when Csilla's bakery is forced to hire three migrants from Sri Lanka to keep operating. The locals have balked at working for minimum wage, but, before long they aim their ire at the black workers who they equate with invading gypsies. Soon the entire populace is riled by their presence, this despite the village's own checkered history with immigration, not to mention so many of they themselves going overseas for work - doubly so now that Romania has joined the E. U..
Mungiu's intentions are clear, but, he doesn't take a direct route. His concerns are more with exploring the inner psychological forces of the villagers' behavior more than their direct actions. The key sequence is a fifteen minute long single take which places Mattias and Csilla as the focus of the frame, while the townspeople rail on airing predictable grievances.
Mungiu's method includes a pair of visual metaphors and a premonition of sorts. The script doesn't all work and the strain of drawing it all together as a whole shows at times. Still, R. M. N. Is a reminder of how universal prejudice and the various incarnations of injustice can be. The acting by Slate and Grigore in particular is quite strong and Mungiu's rigorous intelligence make a definite impact. There are a pair of arresting images towards the end that are hauntingly effective.
Mungiu's screenplay is set in a small Transylvanian village. Mattias (Marin Grigore), a brute of a man, has returned from a job for hire in Germany to reunite with his estranged wife Ana (Macrina Barladeanu) and young son Rudi (Mark E. Blenyesi) who claims to have seen something so horrible that he can barely speak. Csilla (Judith Slate) manages a local bakery and is also Mattias' old flame. There are obvious tensions, but the town is seemingly idyllic with its snow-capped mountains, abundant livestock and quiet lifestyles.
The outward peace begins to crack when Csilla's bakery is forced to hire three migrants from Sri Lanka to keep operating. The locals have balked at working for minimum wage, but, before long they aim their ire at the black workers who they equate with invading gypsies. Soon the entire populace is riled by their presence, this despite the village's own checkered history with immigration, not to mention so many of they themselves going overseas for work - doubly so now that Romania has joined the E. U..
Mungiu's intentions are clear, but, he doesn't take a direct route. His concerns are more with exploring the inner psychological forces of the villagers' behavior more than their direct actions. The key sequence is a fifteen minute long single take which places Mattias and Csilla as the focus of the frame, while the townspeople rail on airing predictable grievances.
Mungiu's method includes a pair of visual metaphors and a premonition of sorts. The script doesn't all work and the strain of drawing it all together as a whole shows at times. Still, R. M. N. Is a reminder of how universal prejudice and the various incarnations of injustice can be. The acting by Slate and Grigore in particular is quite strong and Mungiu's rigorous intelligence make a definite impact. There are a pair of arresting images towards the end that are hauntingly effective.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- МРТ
- Filming locations
- Panemar - Râtu Mare FN, Jucu, Cluj County, Romania(baking factory)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $46,360
- Opening weekend US & Canada
- $6,121
- Apr 30, 2023
- Gross worldwide
- $738,520
- Runtime2 hours 5 minutes
- Color
- Aspect ratio
- 2.39 : 1
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