A group of people start a business where they impersonate the recently deceased in order to help their clients through the grieving process.A group of people start a business where they impersonate the recently deceased in order to help their clients through the grieving process.A group of people start a business where they impersonate the recently deceased in order to help their clients through the grieving process.
- Director
- Writers
- Stars
- Awards
- 5 wins & 7 nominations total
- Lamp Shop Owner
- (as Efthymis Filippou)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaEfthymis Filippou, screenwriter, had to step in as the "owner of the lighting shop" two days before shooting of the film started.
- Quotes
Stretcher-bearer: [speaking to the nurse] We're going to do a test. I'm going to use this object. If it doesn't change colour and stays white, then it automatically means you are competent and reliable, and can stay in our group. If it changes colour, there are two possibilities. First, it might turn blue. If it turns blue, then it automatically means that you are competent, but unreliable. Therefore? There's no therefore. It doesn't really matter if it turns blue. It's just something I said. The second and worst possible outcome is for this club to turn red. Which means automatically that you are too unreliable to and too incompetent to stay with us. Let's see.
[He stares at the club for a long time. Its color does not change. Suddenly, he hits her over the head with the club]
Stretcher-bearer: It changed. It turned red. I'm afraid you'll have to go.
- ConnectionsFeatured in At the Movies: Venice Film Festival 2011 (2011)
- SoundtracksPopcorn
Written by Gershon Kingsley
Performed by Marsheaux
Under license from Boune Co/D-Version Music Publishing Ltd & Undo Records
There are no stakes, there's nothing to root for, nor is there anything to reflect and learn from. Everything happens because the script says it happens. And if there is in fact something profound hidden underneath all those layers of vapid cynicism like the "art crowd" says there is, then the movie does a horribly poor job even letting us know that there is.
But not everything I have to offer this movie is criticism. Because from a technical aspect, the movie is more than competent. I actually found Alps to be quite pleasing visually. The camerawork was so expertly done that I repeatedly found myself acknowledging the compositions. And even the actors did a pretty good job with what little was handed to them. Angeliki Papoulia stands out in particular; especially in the climactic "break-in" scene, where everything interesting about it was her performance.
Overall, this movie felt like someone was attempting the most exaggerated Lanthimos parody with every one of the director's signature tropes turned up to 11. Watch it only if you must.
- isaacsundaralingam
- May 28, 2021
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Alpler
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €97,000 (estimated)
- Gross US & Canada
- $16,057
- Opening weekend US & Canada
- $2,628
- Jul 15, 2012
- Gross worldwide
- $233,222
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1