When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between t... Read allWhen 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.
- Awards
- 7 nominations total
Chelsea Chrostowski
- Smiling Passerby Woman
- (uncredited)
Richard Doone
- Man in Bookstore Line
- (uncredited)
Caroline Lindy
- Hostess
- (uncredited)
Shelby Mason
- Lunch Friend
- (uncredited)
Travis Alan McAfee
- Laundromat Thief
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFilmed mostly at Josh Radnor's alma mater Kenyon College, a small liberal arts school located in Gambier, Ohio. Allison Janney was a student there.
- GoofsWhen Dean calls Jesse he identifies himself as the person who reads "Franzen," referring to the book he is always carrying, an author that both he and Jesse enjoy. But, in the hospital scene, the author of the same book is clearly Foster Wallace, that is not mentioned except to say that he killed himself. Franzen is alive and well.
- Quotes
Prof. Peter Hoberg: Any place you don't leave is a prison.
- ConnectionsReferenced in The Tonight Show with Jay Leno: Episode #19.203 (2011)
Featured review
"And binding with briars my joys and desires." William Blake, from Songs of Experience
Liberal Arts is a small, endearing film about idealism, the reality of life, the complicated nature of aging, and the beauty of experience. The briars play a part, but mostly it's about the romanticism of academia versus the reality of growing old. That's quite a bit for 97 minutes, but writer/director Josh Radnor does an admirable job setting straight the hopes that a superior education like his at Kenyon College can foster.
This lyrical film, like the simple poem that opens this review, makes no grand demands as it juxtaposes the beauty of undergraduate reading and writing with the reality of love not quite mature enough and maturity not ready enough. New York City college admissions counselor Jesse (Josh Radnor) at 35 returns to his college to visit a retiring professor, Peter (Richard Jenkins), and falls for a 19 year old coed, Zibby (Elizabeth Olsen). Radnor's alma mater, Kenyon College in Gambier, Ohio, is the beautiful location although not identified.
The complications may be obvious given the differences in their ages, but the issues are spot on—and because I lived that plot as a youngish college administrator I congratulate Radnor for neither over-romanticizing nor condemning youthful idealism and the encroachments of "life," described as "happening" after graduation and mitigating the romanticism a college English major fosters. That the pop cult ascendance of the Vampire Trilogy may trump the lofty literature of college does not subvert the notion that everything is good given the right place and time.
The sweetness of the film reaffirms Mr. Radnor as a dreamer of quality, a thinker who confirms life's ambiguities and its promise to those who "say yes" to everything. Again, Blake in Songs of Innocence confirms the efficacy of positive thinking, in this case of feeling the godhead's presence:
He doth give his joy to all;/ He becomes an infant small;/ He becomes a man of woe; / He doth feel the sorrow too.
"It's not Tolstoy, but it's not television, and it makes me happy," Zibby says about reading a vampire trilogy. The same could be said of this simple romance underpinned by Blake's realistic optimism.
Liberal Arts is a small, endearing film about idealism, the reality of life, the complicated nature of aging, and the beauty of experience. The briars play a part, but mostly it's about the romanticism of academia versus the reality of growing old. That's quite a bit for 97 minutes, but writer/director Josh Radnor does an admirable job setting straight the hopes that a superior education like his at Kenyon College can foster.
This lyrical film, like the simple poem that opens this review, makes no grand demands as it juxtaposes the beauty of undergraduate reading and writing with the reality of love not quite mature enough and maturity not ready enough. New York City college admissions counselor Jesse (Josh Radnor) at 35 returns to his college to visit a retiring professor, Peter (Richard Jenkins), and falls for a 19 year old coed, Zibby (Elizabeth Olsen). Radnor's alma mater, Kenyon College in Gambier, Ohio, is the beautiful location although not identified.
The complications may be obvious given the differences in their ages, but the issues are spot on—and because I lived that plot as a youngish college administrator I congratulate Radnor for neither over-romanticizing nor condemning youthful idealism and the encroachments of "life," described as "happening" after graduation and mitigating the romanticism a college English major fosters. That the pop cult ascendance of the Vampire Trilogy may trump the lofty literature of college does not subvert the notion that everything is good given the right place and time.
The sweetness of the film reaffirms Mr. Radnor as a dreamer of quality, a thinker who confirms life's ambiguities and its promise to those who "say yes" to everything. Again, Blake in Songs of Innocence confirms the efficacy of positive thinking, in this case of feeling the godhead's presence:
He doth give his joy to all;/ He becomes an infant small;/ He becomes a man of woe; / He doth feel the sorrow too.
"It's not Tolstoy, but it's not television, and it makes me happy," Zibby says about reading a vampire trilogy. The same could be said of this simple romance underpinned by Blake's realistic optimism.
- JohnDeSando
- Sep 30, 2012
- Permalink
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $327,345
- Opening weekend US & Canada
- $27,435
- Sep 16, 2012
- Gross worldwide
- $1,150,681
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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