Narrowly avoiding jail, new dad Robbie vows to turn over a new leaf. A visit to a whisky distillery inspires him and his mates to seek a way out of their hopeless lives.Narrowly avoiding jail, new dad Robbie vows to turn over a new leaf. A visit to a whisky distillery inspires him and his mates to seek a way out of their hopeless lives.Narrowly avoiding jail, new dad Robbie vows to turn over a new leaf. A visit to a whisky distillery inspires him and his mates to seek a way out of their hopeless lives.
- Awards
- 7 wins & 10 nominations
Jasmin Riggins
- Mo
- (as Jasmine Riggins)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFirst time actor Paul Brannigan was, like his character, a former prison inmate. He met Paul Laverty when the screenwriter was visiting various youth centers to get an idea of how young people in Scotland felt and spoke.
- GoofsWhen Albert is sitting on Rhino's shoulder looking through the pub window you can see the cameraman's reflection in the window on the right of Albert. The cameraman's reflection becomes even more visible after Rhino puts Albert down.
- Quotes
Station Master: [over the speaker in the train station] This is God calling. Get off the fucking track, will you?
- Alternate versionsThe UK release was cut, the distributor chose to reduce the number of uses of very strong language in order to obtain a 15 classification. An uncut 18 classification was available.
- ConnectionsFeatured in At the Movies: Cannes Film Festival 2012 (2012)
Featured review
Yesterday was my birthday and this was the film my wife and I decided to go out to watch, even if it seemed almost all the other screens at our 'Plex were showing "Spider Man". I think we made the right choice. It probably helped our enjoyment being from Glasgow enabling us to play "Spot the Location" as you invariably do in these situations and of course our familiarity with not only the "types" portrayed in the film but also their what I'll politely term vocabulary and vernacular.
What it is at heart is a caper film involving four young offenders who as part of their "community pay-back" sentences get taken under the wing of a good-hearted middle-aged "minder" well played by John Henshaw and learn that they have a penchant for whisky-tasting after a sponsored visit to a distillery. From there, they hatch an unlikely plan to steal for a private collector extracts from a rare cask which takes them up to the islands on an intrepid mini-"Mission Impossible", which after some ups and downs ends happily for all.
The film displays Ken Loach's by now usual mix of naturalistic realism with everyday settings and improbable plotting with attendant unlikely coincidence along the way. The film starts with a couple of violent scenes to fully convey the tough environment from which the protagonists are seeking a way out but changes into a different film altogether when the four decamp to the Highlands to carry out their ingenious theft. That dichotomy in retrospect seems a little forced at times and the coincidental nature of the plotting which affords them their once-in-a-lifetime opportunity stretches credulity as it settles into almost Ealing-esque territory but it's carried off with some flair and conviction with a nice human touch at the end to send everyone home out of the cinema with a "feel-good" smile on their faces.
The ensemble acting is as usual with Loach of a high standard. Paul Brannigan as the brains behind the misfits shines but each of the four comes across with their own personality. The dialogue is sharp and up to date with some funny set-pieces thrown in too, particularly those involving the wrong bike and how a recovering junkie slaked his thirst.
Overall, once you suspend disbelief at the plot development and denouement, this is an easy film to settle down and enjoy. My wife and I certainly did, happy birthday to me!
What it is at heart is a caper film involving four young offenders who as part of their "community pay-back" sentences get taken under the wing of a good-hearted middle-aged "minder" well played by John Henshaw and learn that they have a penchant for whisky-tasting after a sponsored visit to a distillery. From there, they hatch an unlikely plan to steal for a private collector extracts from a rare cask which takes them up to the islands on an intrepid mini-"Mission Impossible", which after some ups and downs ends happily for all.
The film displays Ken Loach's by now usual mix of naturalistic realism with everyday settings and improbable plotting with attendant unlikely coincidence along the way. The film starts with a couple of violent scenes to fully convey the tough environment from which the protagonists are seeking a way out but changes into a different film altogether when the four decamp to the Highlands to carry out their ingenious theft. That dichotomy in retrospect seems a little forced at times and the coincidental nature of the plotting which affords them their once-in-a-lifetime opportunity stretches credulity as it settles into almost Ealing-esque territory but it's carried off with some flair and conviction with a nice human touch at the end to send everyone home out of the cinema with a "feel-good" smile on their faces.
The ensemble acting is as usual with Loach of a high standard. Paul Brannigan as the brains behind the misfits shines but each of the four comes across with their own personality. The dialogue is sharp and up to date with some funny set-pieces thrown in too, particularly those involving the wrong bike and how a recovering junkie slaked his thirst.
Overall, once you suspend disbelief at the plot development and denouement, this is an easy film to settle down and enjoy. My wife and I certainly did, happy birthday to me!
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Nổi Loạn
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $346,669
- Opening weekend US & Canada
- $18,837
- Apr 14, 2013
- Gross worldwide
- $13,090,471
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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