Railroad owner Dagny Taggart and steel mogul Henry Rearden search desperately for the inventor of a revolutionary motor as the U.S. government continues to spread its control over the nation... Read allRailroad owner Dagny Taggart and steel mogul Henry Rearden search desperately for the inventor of a revolutionary motor as the U.S. government continues to spread its control over the national economy.Railroad owner Dagny Taggart and steel mogul Henry Rearden search desperately for the inventor of a revolutionary motor as the U.S. government continues to spread its control over the national economy.
- Awards
- 3 nominations total
Storyline
Did you know
- TriviaAll of the roles from Atlas Shrugged: Part I (2011) were recast.
- GoofsThe characters pull up the track at a bridge that only goes back a small distance, and ends in grass.
- Quotes
James Taggart: Here's to my wife, Mrs. James Taggart. Love does, indeed, conquer all. Even social and economic barriers. You know, money cannot buy happiness. Truer words were never spoken. We're no longer chasing the almighty dollar. Our ideals are higher than profit. Instead of the aristocracy of money, we have...
Francisco d'Anconia: The aristocracy of pull. I mean, now, it's about influence. But you knew that already.
James Taggart: What I know is that you need to learn some manners.
Reception Guest #1: If you ever doubted that money was the root of all evil, there's your proof.
Francisco d'Anconia: So, you think that money is the root of all evil. Have you ever asked yourself "What's the root of money?" Money is a tool that allows us to trade with one another. Your goods for mine. Your efforts for mine. The keystone of civilization. Having money is not the measure of a man. What matters is how he got it. If he produced it by creating value, then his money is a token of honor.
James Taggart: Look who's talking about honor.
Francisco d'Anconia: But if he's taken it from those who produce, then there is no honor. Then you're simply a looter.
Reception Guest #2: Señor d'Anconia, we all know that money is made by the strong at the expense of the weak.
Francisco d'Anconia: What kind of strength are you talking about? The power to create value? Or the ability to manipulate, to extort money in back room deals, - to exercise pull?
James Taggart: All right... just leave.
Francisco d'Anconia: Hey. When money ceases to be the tool by which men deal with one another, then men become the tools of men. Blood, whips, chains or dollars. Take your choice. There is no other. And your time is running out.
- Crazy creditsJust before the usual disclaimer at the end ("The events, characters and firms depicted" etc.): Introducing The FISKER KARMA Designed And Engineered By Fisker Automotive, Inc.
- Alternate versionsIn the theatrical release, when John Galt is revealed at the end of the film, his face is fully lit and visible. In the DVD and Netflix release, his face has been darkened and obscured.
- ConnectionsFeatured in WatchMojo: Top 20 Worst Movies of the Century (So Far) (2020)
For full disclosure, I would consider myself to be a political moderate and a longtime fan of Ayn Rand's work. While I do agree with many of Ayn's sentiments about socialism, I do also resent the fact that her work is now being appropriated (and attacked) as some sort of political manifesto. Therefore, the film should be judged solely on its own merits and faults - NOT because you're a liberal or a conservative.
The original 1957 novel was intended as Ayn's most extensive statement on her philosophy of Objectivism and is considered by many followers to be her masterpiece. I would instead judge it to be an important, but flawed masterwork. ATLAS SHRUGGED is her love letter to the America that inspired Ayn to become such an advocate for individual freedoms, liberty and capitalism. It can also be viewed as a dire warning that allowing more government and socialist policies could transform our nation into the Russia she so bitterly left behind in 1925.
The main problem I found with the book was that the characters were unrealistically polarized in their attitudes about the individual's role in society. As a result, I often found them a bit rigid, cold and lacking in any sort of personality that the reader might empathize with. Instead, Ayn entirely expected her readers to embrace the heroes in her work for their ethics, virtue and idealism alone. What she didn't anticipate were the mediocre actors that would wind up portraying her heroes and villains This "character weakness" in her original writing is greatly magnified in this theatrical rendering,especially with the B and C list acting talent that was enlisted. To make matters even worse, budgetary constraints forced the producers of ATLAS SHRUGGED: PART 2 to recast almost ALL of the main characters?! Having watched PART 1 over a year ago, this wasn't entirely bothersome since most of the original actors weren't all that memorable to begin with. However, I can see this change being a bit more perplexing if I were to view both parts back to back. Samantha Mathis did an acceptable job with the Dagny Taggart role, but most performances were fairly unmemorable. The only semi-familiar faces I could pick out were Diedrich Bader (best known for The Drew Cary Show) and Arye Gross (from Ellen).
Many of the core ideas of the book, such as "The Strike" that part 2 covers, are presented awkwardly. Therefore, the reasoning behind the actions for the strike might seem hokey or incomprehensible to those who are unfamiliar with the original book. Also, the story has been given a bit of a modern face lift which I don't necessarily take issue with. The signs advertising gasoline for $42 a gallon at various points in the movie are both chilling and somehow humorous at the same time. I say humorous only because the story seems so fantastical at some points that I couldn't help but question the credibility of this ominous vision of the future. But more often I found myself struggling to remember what was originally in the book versus what was added by the screenwriters. Regardless of who is to blame, the results are a blemish upon my memories of the original book.
The decision to chop the book into 3 parts with widely staggered release dates has only served to make this controversial and often difficult book into a confusing mess. And by presenting the story in such delayed and mismatched parts, it's far less likely anyone other than a devoted Rand fan would bother to see all three parts. I actually made a point to see the movie during its opening weekend for fear that it would leave theaters quickly. (ATLAS SHRUGGED PT. 1 lasted only a few weeks in Atlanta and was next to impossible to find on the Internet for the following 6 months.) ATLAS SHRUGGED PT. 2 (and the series as a whole) is a disappointing and confusing representation of the original book. While I was initially thankful that someone finally managed to bring this book to celluloid, that feeling has now turned to regret. I felt very conflicted about the movie after leaving the theater and my friends (who were less familiar with the book) were fairly negative, even though they were politically sympathetic to the ideas in the movie.
Although I will probably watch part 3 (IF it ever gets finished), I can't see giving this movie anything more than a 4/10 score. I can't really see a casual viewer with little knowledge of Ayn Rand's work or the original book getting much out of this production. This alone should be considered the film's most grievous failure.
But as Ayn Rand would say, don't trust anyone else's mind before your own. If you are a fan of her books, then take the time to see these movies and find your own perspective. Her ideas alone are worth discussion and maybe someone else can be inspired to do this book justice.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Atlas Shrugged: Part 2 - Either-Or
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $3,336,053
- Opening weekend US & Canada
- $1,751,572
- Oct 14, 2012
- Gross worldwide
- $3,336,053
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1