This Christmas, I watched the 37-minute film Le pupille (The Pupil) on Disney+. It's one of the 15 films shortlisted for the Academy Awards early next year in the Live Action Short Film category. Set during wartime Italy, the film features little orphan girls living in a boarding school run by nuns, as they go about their routines on Christmas Eve leading to Christmas Day. There's a little bit of a musical number. But instead of singing "It's A Hard-Knock Life", the orphans act as a Greek chorus, opening and later closing the film, singing the summary of the plot as well as the denouement. The film contains themes of youth defiance against cruelty, injustice and totalitarianism encapsulated in a funny, bittersweet but not too saccharin-sweet story that is as heartwarming as it is profound.
At the center is the wide-eyed little girl Serafina (played by Melissa Falasconi, who received an Honorable Mention as Best Actor from the Philadelphia Film Festival), who brazenly stands up against the dictatorial Mother Superior, Fioralba (played by Alba Rohrwacher, the director's sister). The trigger for the main conflict is a humongous red cake which is given by someone for the orphans but the Mother Superior has other ideas for it.
The film's rebellion theme reminds us of Roald Dahl's Matilda and a past Oscar-winning short film titled Mindenki (Sing). But writer-director Alice Rohrwacher - a past winner at Cannes with 4 features films in her IMDb filmography - infuses Le pupille with so much tongue-in-cheek humor that keeps it from being too tense but still delivers the point precisely. Co-produced by, among others, the legendary Alfonso Cuarón, Le pupille is a wonderful, brilliant, entertaining and fulfilling short film. I look forward to seeing it listed in the Oscar nominations, to be announced on 24 January 2023.
