Psychoanalyst Sigmund Freud invites professor C.S. Lewis to debate the existence of God, Freud's unique relationship with his daughter, and Lewis' unconventional relationship with his best f... Read allPsychoanalyst Sigmund Freud invites professor C.S. Lewis to debate the existence of God, Freud's unique relationship with his daughter, and Lewis' unconventional relationship with his best friend's mother.Psychoanalyst Sigmund Freud invites professor C.S. Lewis to debate the existence of God, Freud's unique relationship with his daughter, and Lewis' unconventional relationship with his best friend's mother.
- Awards
- 1 nomination
George Andrew-Clarke
- Paddy Moore
- (as a different name)
Anna Amalie Blomeyer
- Ilsa
- (as Anna Blomeyer)
Storyline
Did you know
- TriviaAnthony Hopkins had previously portrayed C.S. Lewis in Shadowlands (1993) 30 years prior to this film.
- GoofsLewis is shown researching the Gospels while a woman who appears to be his wife calls him to bed. This film takes place in 1939, but Lewis did not marry Joy Davidman Gresham until 1956. The woman was actually Janie Moore, who Lewis lived with until 1949.
- Quotes
[last lines]
Sigmund Freud: From error to error, one discovers the entire truth.
- ConnectionsFeatured in The Project: Episode dated 19 April 2024 (2024)
- SoundtracksVariations on an Original Theme, Op. 36, 'Enigma' Variation 9: Nimrod
Composed by Edward Elgar
Performed by Symfonický orchester Slovenského rozhlasu (as Slovak Radio Symphony Orchestra) & Adrian Leaper (Conductor)
Licensed courtesy of Naxos Music UK Ltd
Featured review
I saw this movie this afternoon - Saturday afternoon - and there were only three people in the hall. I was not surprised.
Freud's Last Session is part of a cottage movie genre, almost always taken from a Broadway play, where two-man shows are relatively common. The author puts two historical figures together in a room and lets them debate various important issues for close to two hours. Nixon/Frost is the one I remember offhand, but there have been others as well. In the theater - a small theater - I can see this working well. I'm not sure how it works as a movie, or more to the point: for whom it works. Movies, even modest ones like this, cost a LOT more to produce than plays. Can something like this recoup the investment?
Yes, the two actors give very fine performances. People go to see Shakespeare plays not to see what will happen to Hamlet or Romeo and Juliet. They already know before they enter the theater. They go to see how the actors will deliver the lines.
But here, unlike in Shakespeare, the lines are not particularly striking. Hopkins in particular did a great job of creating the character Freud, but he didn't have Shakespeare's words - or even, say, those of the playwright who wrote The Lion in Winter - to work with.
So I'm left with my initial question: how many people are going to pay to see Hopkins and Goode deliver their uninspired lines? And will that make enough ticket sales to at least break even on this movie?
I enjoyed it, yes, but I found that it was too much of the same thing for too long, and would have been happier if it had been shorter.
Freud's Last Session is part of a cottage movie genre, almost always taken from a Broadway play, where two-man shows are relatively common. The author puts two historical figures together in a room and lets them debate various important issues for close to two hours. Nixon/Frost is the one I remember offhand, but there have been others as well. In the theater - a small theater - I can see this working well. I'm not sure how it works as a movie, or more to the point: for whom it works. Movies, even modest ones like this, cost a LOT more to produce than plays. Can something like this recoup the investment?
Yes, the two actors give very fine performances. People go to see Shakespeare plays not to see what will happen to Hamlet or Romeo and Juliet. They already know before they enter the theater. They go to see how the actors will deliver the lines.
But here, unlike in Shakespeare, the lines are not particularly striking. Hopkins in particular did a great job of creating the character Freud, but he didn't have Shakespeare's words - or even, say, those of the playwright who wrote The Lion in Winter - to work with.
So I'm left with my initial question: how many people are going to pay to see Hopkins and Goode deliver their uninspired lines? And will that make enough ticket sales to at least break even on this movie?
I enjoyed it, yes, but I found that it was too much of the same thing for too long, and would have been happier if it had been shorter.
- richard-1787
- Jan 20, 2024
- Permalink
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Details
Box office
- Gross US & Canada
- $906,283
- Opening weekend US & Canada
- $45,590
- Dec 24, 2023
- Gross worldwide
- $2,711,999
- Runtime1 hour 50 minutes
- Color
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