IMDb RATING
5.6/10
4.6K
YOUR RATING
A couple loses their children near some caves in Tijuana. The children return to their parents the next day, unharmed. However, something has happened to them.A couple loses their children near some caves in Tijuana. The children return to their parents the next day, unharmed. However, something has happened to them.A couple loses their children near some caves in Tijuana. The children return to their parents the next day, unharmed. However, something has happened to them.
- Director
- Writer
- Stars
- Awards
- 6 wins & 3 nominations total
David Arturo Cabezud
- Lucio
- (as David Cabezud)
Enrique Saint-Martin
- Encargado
- (as Enrique Saint Martin)
Julio Granados
- Guardia
- (as Julio Cesar Granados)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a very weird movie. Almost feels like exploitation. And while this is a hard sell, the way it is portrayed and played is really great. There are some holes in the plot and you might wonder about motives and actions of the main characters (especially the mother), but it all fits into the rhythm of the movie and the way it tells the story, no matter how out there it seems.
The acting is really good and for a small budget movie this really knows how to set the mood. This is something that some other movies miss out on. If you can dig that, you will also dig the abyss this movie opens from time to time. Ending something like this, is always a fine line. And I think they did a really good job here with that too ...
The acting is really good and for a small budget movie this really knows how to set the mood. This is something that some other movies miss out on. If you can dig that, you will also dig the abyss this movie opens from time to time. Ending something like this, is always a fine line. And I think they did a really good job here with that too ...
On the way home to Tiajuana, Mom and Dad stop at a rest stop and their two children want to do some exploring in the nearby caves. (No one seems to consider that there are rattlesnakes and mountain lions in this part of Mexico). The children don't come back, and the parents call the police. The police find the children the next morning and return them to the parents. When the children come home, it slowly becomes obvious that something happened to them in the cave.
This movie is about dread, sex and possession, and it takes the audience down a few blind alleys before it gets to the payoff. However, when it does pay off, it is the stuff of nightmares. Creeping sense of "ick" gives way to horror in the last ten minutes.
Finally, most kids love horror movies, especially if there are kids in them. This is NOT a movie for kids.
This movie is about dread, sex and possession, and it takes the audience down a few blind alleys before it gets to the payoff. However, when it does pay off, it is the stuff of nightmares. Creeping sense of "ick" gives way to horror in the last ten minutes.
Finally, most kids love horror movies, especially if there are kids in them. This is NOT a movie for kids.
this movie wont be for everyone. I'm sure im not the only one who has a hard time with sexual horror. There is a lot of uncomfortable sexual scenes in this movie that will make it hard for some people to watch. They even get pretty damn close to crossing the line when it comes to the children yet thankfully they showed some restraint. For such a smutty type movie it did however feel intelligent. The plot was gripping and very intense and had me wondering until the end when it concludes very nicely. I liked the ending a lot and thought it wrapped things up nicely. It also left room for a sequel which would be interesting because of the unique antagonist in this movie. There isn't a lot of gore but when it shows up it was very unnerving and brutal. Here Comes The Devil is a movie that is too raw for a mainstream audience but is smart enough that it will probably find cult appreciation.
This is a fairly straightforward story that lacks surprises but is reasonably entertaining. See it for the shock value. Even by horror standards, this is not for the easily offended; themes include: satanism and the occult, menstruation, gratuitous nudity, gory violence, graphic sex, implied pedophilia, and described incest. Probably not a good movie for a first date!
The story isn't complicated; it meets the expectations set by the title and synopsis. The characters are equally simplistic, their actions implausible, often leading nowhere. The most sympathetic character is the babysitter, who got more than she was bargaining for and doesn't know what the hell happened! (And has the boobs to prove it!)
And what's up with the frequent, jarring camera zooms? The cinematographer should be shot. It's like a technique Robert Rodriguez would use when spoofing '70's grindhouse flicks.
This is the kind of movie you find late night on cable TV. Lots of visual punch to grab the viewer's attention, nothing complicated to force you to think too much, impulsive action that shows the writers weren't having to think too much either. Enjoy it for the gonzo exploitation flick it is and don't expect anything more.
The story isn't complicated; it meets the expectations set by the title and synopsis. The characters are equally simplistic, their actions implausible, often leading nowhere. The most sympathetic character is the babysitter, who got more than she was bargaining for and doesn't know what the hell happened! (And has the boobs to prove it!)
And what's up with the frequent, jarring camera zooms? The cinematographer should be shot. It's like a technique Robert Rodriguez would use when spoofing '70's grindhouse flicks.
This is the kind of movie you find late night on cable TV. Lots of visual punch to grab the viewer's attention, nothing complicated to force you to think too much, impulsive action that shows the writers weren't having to think too much either. Enjoy it for the gonzo exploitation flick it is and don't expect anything more.
"Here Comes the Devil" by Adrián García Bogliano is a captivating exploration of parental love, supernatural dread, and the fragility of family unity. Set against the sun-drenched yet ominous backdrop of Tijuana, the film begins with the disappearance of two children during a family outing. When they return the next morning, something feels disturbingly different, sparking their parents' investigation into an initial suspicion of abuse-only to uncover something far darker at play.
What sets this film apart is its daring blend of styles and themes. Rooted in the eerie atmospheres of 1970s horror cinema, "Here Comes the Devil" evokes the classics with its grainy visuals, rapid zooms, and low-budget charm. These stylistic choices, while seemingly amateurish at times, contribute to the film's unsettling rhythm, keeping viewers engaged as the story unravels.
Bogliano crafts a layered narrative that juxtaposes familial devotion with themes of possession, loss of innocence, and diabolical influence. The supernatural presence-though never explicitly shown-looms large, manifesting through the children's chilling behavior and the fracturing of their parents' relationship. This subtle approach heightens the tension, proving that psychological and emotional terror can be far more effective than overt scares.
The film's opening scene-a shocking mix of explicit sexuality and brutal violence-sets the tone for a story that refuses to shy away from provocative territory. As the narrative progresses, the mother's increasing belief in a malevolent force contrasts sharply with the father's rational skepticism, creating a compelling dynamic that anchors the escalating horror in relatable human conflict.
The final act shifts focus to familiar horror tropes, including possessed children and supernatural forces, yet it handles them with a fresh sense of dread and ambiguity. The closing moments, deliberately unresolved, leave viewers pondering the pervasive nature of evil and the enduring vulnerability of the human spirit.
It succeeds as an effective horror film that prioritizes atmosphere and emotional resonance over cheap thrills. It is a haunting meditation on parental fear, the loss of innocence, and the darkness that lies just beneath the surface of normalcy.
Although the devil is never explicitly seen, his presence is felt through the actions of the children and the breakdown of the family. The title "Here Comes the Devil" suggests that evil is always present, ready to corrupt.
What sets this film apart is its daring blend of styles and themes. Rooted in the eerie atmospheres of 1970s horror cinema, "Here Comes the Devil" evokes the classics with its grainy visuals, rapid zooms, and low-budget charm. These stylistic choices, while seemingly amateurish at times, contribute to the film's unsettling rhythm, keeping viewers engaged as the story unravels.
Bogliano crafts a layered narrative that juxtaposes familial devotion with themes of possession, loss of innocence, and diabolical influence. The supernatural presence-though never explicitly shown-looms large, manifesting through the children's chilling behavior and the fracturing of their parents' relationship. This subtle approach heightens the tension, proving that psychological and emotional terror can be far more effective than overt scares.
The film's opening scene-a shocking mix of explicit sexuality and brutal violence-sets the tone for a story that refuses to shy away from provocative territory. As the narrative progresses, the mother's increasing belief in a malevolent force contrasts sharply with the father's rational skepticism, creating a compelling dynamic that anchors the escalating horror in relatable human conflict.
The final act shifts focus to familiar horror tropes, including possessed children and supernatural forces, yet it handles them with a fresh sense of dread and ambiguity. The closing moments, deliberately unresolved, leave viewers pondering the pervasive nature of evil and the enduring vulnerability of the human spirit.
It succeeds as an effective horror film that prioritizes atmosphere and emotional resonance over cheap thrills. It is a haunting meditation on parental fear, the loss of innocence, and the darkness that lies just beneath the surface of normalcy.
Although the devil is never explicitly seen, his presence is felt through the actions of the children and the breakdown of the family. The title "Here Comes the Devil" suggests that evil is always present, ready to corrupt.
Did you know
- TriviaThe credits include a page of Spiritual Help ("Ayuda Espiritual") which lists: Nicolas Roeg, Henry James, Neither the Sea Nor the Sand (1972), director Sergio Martino, Spanish director Eloy de la Iglesia, The Centerfold Girls (1974), David Cronenberg, Donald Cammell, Picnic at Hanging Rock (1975), The Entity (1982), singing group Los Iniciados, horror writer T.E.D. Klein, writer/director Sebastián De Caro, Dust Devil (1992), William Finley, Marilyn Burns and classic rock station KGB San Diego.
- ConnectionsFeatures Eaten Alive (1976)
- SoundtracksAOK in the USA
Performed by Knife of Simpson (as Knife Of Simpson)
Under license from Nathan E. Perry
- How long is Here Comes the Devil?Powered by Alexa
Details
Box office
- Gross US & Canada
- $4,534
- Opening weekend US & Canada
- $783
- Dec 15, 2013
- Gross worldwide
- $4,534
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