Plot

Haaji and Haleema are living in a village called Sampigehalli. They have four daughters and one son. The First three daughters are married. Haaji Saheb finds a boy named Babruddin for Nafeesa. Babruddin used to travel to Mumbai and is mesmerised by the City Life. He feels she is not pretty. so refuses to take her to Mumbai Nafeesa is disheartened with the treatment of her husband. Before leaving to Mumbai. Babruddin succumbs to his physical urges and ends up abusing Nafeesa. she becomes pregnant. Nafeesa delivers a baby boy. Nafeesa is heart-broken when Babruddin doesn't come back to visit her or her son. Nafeesa receives a written TALAQ from Babruddin. Nafeesa's world is Shattered. Nafeesa dedicates her life for her son, Munna and declines a Marriage offers. Babruddin's father comes home to meet Munna, who is twelve years old now. Promising him an Opportunity to study and become a doctor. With this he lures away Munna from his mother Nafeesa. Nafeesa is devastated and Lonely again What happens to Nafeesa's future..?

Nafisa is a humble community young lady brought into the world in a Muslim family, who has dreams of a decent everyday life. At the point when she is hitched to a well-off kid who knows the enormous city life, her joyfully ever-after appears to be a long way from turning into a reality.

Saara Vajra is the transformation of a novel by essayist Saara Aboobacker, which exposes the situation of ladies in the families of unassuming community Karnataka, where they have limitations and their fantasies are much of the time just restricted to their psyches alone. This transformation by Aarna Saadya is a bit exaggerated, yet talks about numerous relevant issues that are tracked down in these homes and that should be tended to. The film manages the existence of Nafisa, a young lady who thinks she has tracked down the man of her fantasies, when she is hitched to a gorgeous, young fellow from a decent family. Be that as it may, her significant other, who has had a sample of city life, finds his yokel spouse frequently frightful and treats her with scorn. Then starts Nafisa's excursion, when she is compelled to get away from her family, including her child. Anu Prabhakar sparkles in a creator upheld job, where she particularly succeeds in her more established symbol. Sudha Belawadi and Ramesh Bhat give the much-required weightage to their jobs. Rehaman Hussain dazzles in his dim job. The film has a few decent clear lines of sight of inside Karnataka as well. What pulls it back is the treatment, where it frequently appears to be exaggerated and beyond absurd. While this adds to the profound allure, one feels that dealing it down a little would have made a difference. Watch this however, as it resolves many issues that should be spoken about and has a few decent exhibitions.

This a saga of a Muslim lady married to a male dominated man from Muslim at her very young age. Fighting for her rights, right to education, multiple marriage & fight against triple Triple Talaq is the interesting part of the story