"Sermon to the Fish" (2022) by Hilal Baydarov is a visually mesmerizing yet highly abstract film that explores war, isolation, and existential despair. It follows a soldier who returns to his village after war, only to find it eerily empty, creating a haunting atmosphere of loss and disconnection. The cinematography is breathtaking, with long, painterly shots that evoke a deep sense of melancholy. However, the film's narrative is minimal, prioritizing symbolism and mood over traditional storytelling, making it a challenging watch for those expecting a conventional plot.
Baydarov's slow, meditative style, reminiscent of Tarkovsky, demands patience. The sparse dialogue, extended silences, and philosophical undertones give the film an almost hypnotic quality. Performances are subdued, reinforcing the feeling that the characters are more symbolic than real. Sound design plays a crucial role, with natural sounds and eerie silence amplifying the film's otherworldly feel.
While the film excels in artistic depth, its extremely slow pacing and lack of a structured storyline may alienate some viewers. It's not a film that seeks to entertain but rather to provoke thought and introspection. The heavy use of allegory, particularly in its commentary on war's futility and the emptiness of human existence, gives it depth, but some symbolism may feel inaccessible.
Overall, Sermon to the Fish is a beautifully crafted but deeply unconventional film. It's ideal for those who appreciate experimental cinema and slow, poetic storytelling, but casual viewers may find it frustrating. A hypnotic, thought-provoking experience, though not one that invites easy interpretation.
