User reviews

Maybe I'm being charitable here, but I felt the "lack of chemistry" between the leads that so many criticise here could have been intentional, a trope for repressed emotion or the etiquette of the time. Yes, there are some major flaws, some clunking (such as the keyboard-sniffing, rat capture and of course, the damp squib of an ending), but there's also a lot to enjoy, particularly if you are a Rickman fan. But yes, some more historical context would have been good, it feels like an afterthought, and perhaps a deeper examination of whether the affair was set up from the start by an impotent husband.

When Richard Madden gets hired as Alan Rickman's assistant, he gets more than just a job in the bargain. Taken under Alan's wing, and taken into his home, he meets and quickly develops an affection for Alan's wife, Rebecca Hall. Yes, Richard's very handsome, but Rebecca didn't have an unhappy home before she met him. She had a devoted husband, plenty of money, beautiful clothes, a large house, and a child. Why, then, did Alan ever think it was a good idea to have a handsome, capable young man move into his home and spend time with his wife?

I was a little disappointed in this movie. The sets and costumes were beautiful, and given what they had to work with, the actors turned in fine performances, but the script itself wasn't very captivating. There were parts that seemed so obvious a double meaning or secret twist must surely surface, and while much of the movie promised a different meaning to the title, the denouement was a bit of a letdown. Still, if you really like period pieces and stories of forbidden love, you might enjoy renting it.

DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. Much of this movie is filmed with a handheld camera, and the movement might make you sick. In other words, "Don't Look, Mom!"

Tis a classic story of forbidden love told throughout the ages from ancient Greece up to the present day.

I enjoyed it as much as it goes, with excellent performances from the cast. I would have liked to have seen more of the young theatre talent Shannon Tarbet, who plays the initial girlfriend of the protagonist.

I thought that to update it for the modern audience an odd plot twist would have been good, especially for the men who might find this story somewhat ponderous.

A must for those who like Jane Austen, male viewers may fall asleep!

It's a good movie. There's the desire and the betrayal in a certain way, but there's no action, no passion and it continues till the end of the film. It could have been better.

I watched this film and was anxious to see a period piece set in Germany pre WWI but it never quite got off the ground. There is no chemistry between the two lovers. The male lead is not somebody a wife would fall in love with even if he is there all the time. He had no personality. He does not make her laugh, is not all that great with the son and offers no sex appeal. Rickman offers the only acting spark. It would have been interesting to see more of what Germany was like leading up, during and after the defeat of the war. Would make for such wonderful material both in plot and theme. A feeble attempt was made to stir up the politico in a scene close to the end where there is an aggressive street demonstration with people wearing swastikas. The Nazi party did not come into existence at the time the film depicts (end of war 1918). The DAP which was the predecessor of the Nazi party came into being in 1919 but it was not known enough for a street demonstration in 1918 and not with Nazi swastikas. These are simple facts I found online. I would not have researched had there not been that street demonstration scene with swastikas. It was totally out of place for the rest of the film. There should have been more of these types of scenes as there were riots in Germany in 1916 because of shortages in fuel and food. The film totally missed the effects the war had on the German people. The kiss at the end was as passionless as the whole lifeless movie.

I can just express my feeling about this movie in three very short sentences Nice story Great actors terrible cinematography

"A Promise" is a film that I had a very hard time enjoying. While it has some lovely cinematography and some amazingly pretty scenes of pre- World War One Germany, the story itself is amazingly sterile and bereft of energy.

When the story begins, Friedrich (Richard Madden) is an amazingly capable and efficient assistant. Over time, he becomes invaluable to the boss, Herr Hoffmeister (Alan Rickman) and is his trusted aid. So, when Hoffmeister becomes ill and cannot remain on the job, he invites Friedrick to come to his home and relay his instructions to the factory. So, each day Friedrich shuttles back and forth from work to the Hoffmeister home--where he slowly begins to notice the boss' wife, Lotte Hoffmeister (Rebecca Hall). She is significantly younger than her husband and over time, she and Friedrich become more and more friendly and eventually he becomes almost like a member of the family--taking the young son and his mother on various outings. So, it's not surprising that Friedrich develops feelings for her...and then her husband sends Friedrich to be the company's liaison in Mexico. What's to become of their relationship? And, more importantly, does the audience even care?!

As I sat and watched this film, several things struck me. The entire project was very, very lifeless. Throughout EVERYTHING, Friedrich and the boss' wife showed almost no energy and there was really almost no chemistry between them. They eventually SAID they loved each other but you wonder where this came from. As for him, you can tell he's obsessed as he spends his time sniffing where the Missus had been (THIS IS SO CREEPY). But with her, you really have no idea she reciprocates the feelings during so much of the movie because she is so incredibly restrained...too restrained. For the most part, the film is about repressed feelings and you almost never see them expressed. Had you LIKED the characters, this pain would have actually made the film quite intriguing. But, because it's very difficult to care about them, the film is so very, very dull. In essence, the film lacked romance--which is BAD because it's supposed to be a romance!

I should add to this that MUCH of the film occurs during WWI and the film barely even mentions it (like it's a minor inconvenience that gets in the way of their love) and you are left baffled at so much of the film. Most baffling is the pair FINALLY meet long after the war is over...and their conversation is stilted and ultra-bizarre. I call it a case of poorly written and difficult to believe dialog and you just have to hear it to believe it. Overall, other than the lovely costumes, sets, music and cinematography, I cannot find much about "A Promise" that would get me to recommend it.

By the way, the DVD for this film follows an annoying new trend. You cannot easily play the film but must slog through many promos for other films, as the MENU feature and SKIP buttons are disabled. You can use the FAST FORWARD keys but must hit them repeatedly to skip past each ad.

The only sensible character here was Richard Madden's character. The rest were weird to watch.

And why did the camera zoom in on the characters out of the blue?...

3 stars for the outfits really.

Perfect costuming and set decor. Alan Rickman is splendid and Rebecca Hall has won me over. But. The camera-work is negatively strange and distracting at times. The sudden zoom ins and (tragically trendy) shaky cam, not my cup of tea. I wish my remote control had a stabilizer button.

Seeing a guy get almost sick pining for a woman he really can't have got boring very quickly. Pass on this one.

This tries to be constrained and languid which can fabulous and infused with desperate yearning but this is just infused with stupor

It was pretty but poorly written performed and executed. As for Richard Madden ive only seen him in this and Bodyguard and find him wooden and unsexy as hell.

It's no wonder that the film's budget was nearly $11 million. "A Promise" is truly gorgeously shot.

It's equally no surprise that the US box-office take was less than $1 million. I don't know at whose feet to lay the blame for this soporific set-piece: casting? direction? I do know that this is a love story without much in the way of romantic feeling. Perhaps a boy-meets-girl, boy-gets-girl plot is way too predictable these days, but there was so little spark, particularly from the younger of the two male leads, that I did not even root for the typical outcome.

It was clever, I suppose, to substitute "British" class-based accents for a story set in Germany to distinguish characters' social classes from one another. (How would the average viewer know a higher-class German-accented English versus a lower-class one?) And there were certainly other competent directorial decisions. There may have also been an anachronism or two, however, including a clunky scene near the end alluding to the rise of Nazism, but the timing wasn't completely clear (right after the war? early 1920s?), so I'll give M. Leconte a pass on that.

May the great Alan Rickman, a highlight of this production, rest in peace.