In any form of adaptation of real-life events, even the direct ones, the formation of a barrier between fact and fiction turns out to be the most crucial indicator by which to measure the qualitative aspects of the said adaptation—more so in the case of crime-oriented cases. So often, it happens that for mass appeal, reality is distorted in adaptations, thereby trivializing the impact of a crime on the lives of the people involved. In that regard, May December, a movie adaptation of one of the most sensitive scandals in the United States—the infamous case of Mary Kay Letourneau, a middle-aged woman who seduced one of her minor students and went on to have a family with him—was always going to be the most scrutinized entry. Most importantly, the way Mary Kay as a person became a household ‘topic’ during the late 90s due to the media...
- 12/3/2023
- by Siddhartha Das
- Film Fugitives
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