Directed by
Clio Barnard | ... | (directed by) |
Writing Credits
Clio Barnard | ... | (written by) |
Lila Rawlings | ... | (story development) |
Oscar Wilde | ... | (inspired by 'The Selfish Giant') |
Cast (in credits order) verified as complete
Produced by
Katherine Butler | ... | executive producer |
Lizzie Francke | ... | executive producer |
Tracy O'Riordan | ... | producer (produced by) |
Music by
Harry Escott |
Cinematography by
Mike Eley | ... | director of photography |
Editing by
Nick Fenton |
Casting By
Amy Hubbard |
Production Design by
Helen Scott |
Art Direction by
David Bowes |
Costume Design by
Matthew Price |
Makeup Department
Jessica Goodall | ... | hair stylist: additional photography / makeup artist: additional photography |
Gary Hartley Farrar | ... | hair stylist: additional photography / makeup artist: additional photography |
Alice Hopkins | ... | hair stylist / makeup artist |
Fiona Lobo-Cranston | ... | hair supervisor: additional photography / makeup supervisor: additional photography |
Sue Wyburgh | ... | hair designer / make-up designer |
Production Management
Ameenah Ayub Allen | ... | production manager |
Meg Clark | ... | post production supervisor |
Tracey Josephs | ... | head of production: Film4 |
Fiona Lamptey | ... | production manager: Film4 |
Ian MacDonald | ... | additional unit manager: additional photography |
Fiona Morham | ... | head of production: BFI |
Gary Preston | ... | unit manager |
Second Unit Director or Assistant Director
Tony Aherne | ... | first assistant director |
Matt Carver | ... | first assistant director: additional photography |
Harry Eagle | ... | third assistant director |
Bruce H. Gill | ... | third assistant director |
Richard Stanley Jan Harris | ... | second assistant director (as Richard Harris) |
Reshma Makan | ... | second assistant director |
Paul Sparrow | ... | second assistant director: additional photography (as Paul C. Sparrow) |
Art Department
Maxine Carlier | ... | standby art director |
Charlotte Farnell | ... | art department intern |
Hannah Gawthorpe | ... | art department intern |
Tom Higgins | ... | standby carpenter: additional photography |
Douglas Ingram | ... | storyboard artist |
Helen Jones | ... | production buyer |
Martin Koen | ... | dressing props |
Kirsty Lea | ... | art department intern |
Jonny Mellor | ... | painter (as Johnny Mellor) |
Neil O'Rourke | ... | property master |
Thomas Power | ... | standby art director: additional photography (as Tom Power) / standby props (as Tom Power) |
Sound Department
Tim Barker | ... | sound designer / sound recordist |
Philip Clements | ... | foley editor |
Andie Derrick | ... | foley artist (as Andi Derrick) |
Dan Green | ... | dialogue editor |
Sue Harding | ... | foley artist |
Martin Jensen | ... | re-recording mixer |
David Mitchell | ... | sound recordist: additional photography |
Rebecca Morgan | ... | sound maintenance engineer: additional photography |
Juraj Mravec | ... | foley supervisor |
Forbes Noonan | ... | re-recording mixer |
Jess Pegram | ... | studio manager: Boom Post |
Chinna Udenze | ... | boom operator |
Luis Fernandez Garcia | ... | assistant sound re-recording mixer (uncredited) |
Special Effects by
Scott MacIntyre | ... | special effects supervisor |
Visual Effects by
Tom Debenham | ... | visual effects supervisor: One Of Us |
Chaya Feiner | ... | visual effects producer: One Of Us |
Dominic Parker | ... | visual effects supervisor: One Of Us |
Mike Pope | ... | digital artist: One Of Us |
Emma Ibbetson | ... | visual effects head of of production: one of us (uncredited) |
Rachael Penfold | ... | visual effects executive producer: One of Us (uncredited) |
Stunts
Abbi Collins | ... | stunt coordinator |
Rob Jarman | ... | stunt driver |
Ray Nicholas | ... | additional stunt coordinator |
Curtis Rivers | ... | additional stunt coordinator |
Richard Wheeldon | ... | stunt driver |
Camera and Electrical Department
Peter Bains | ... | genny operator / production electrician |
Borja Berrosteguieta | ... | second assistant camera |
Matt Bounsall | ... | camera equipment: Take2 |
Ian Coffey | ... | first assistant camera: additional photography |
Hamish Doyne-Ditmas | ... | "b" camera operator: second unit |
Matthew French | ... | second assistant camera |
Ross Gill | ... | camera intern |
Daniel Holland | ... | "b" camera operator: second unit (as Dan Holland) |
Lionel Johnson | ... | digital imaging technician |
Mark Jones | ... | grip |
Brendan Judge | ... | "b" camera grip: second unit |
Jan Koblanski | ... | camera trainee |
Richard Lawson | ... | "b" camera first assistant: second unit |
Jason Lee | ... | assistant grip: second unit |
Dave Leigh | ... | crane technician: second unit |
Deena Mathews | ... | additional camera equipment: ARRI Media |
Paul Murphy | ... | gaffer |
Agatha A. Nitecka | ... | still and specials photographer |
Dean Oram | ... | cranes: Panavision Manchester |
Jessica Oxley | ... | camera trainee: second unit |
Craig Parker | ... | "b" camera first assistant: second unit |
Iwan Prys Reynolds | ... | first assistant camera |
Craig Shields | ... | assistant grip: second unit |
Laura Thompson | ... | lighting equipment: ARRI Lighting |
William Tracey | ... | rigging gaffer |
Simon Wood | ... | steadicam operator: second unit |
Will Akbar | ... | vt operator (uncredited) |
Casting Department
Simon Cox | ... | casting assistant |
Costume and Wardrobe Department
Elin Karner | ... | costume trainee |
Sophie O'Neill | ... | costume supervisor |
Anna Robson | ... | costume trainee |
Lauren Sutton | ... | costume trainee |
Ailsa Windsor | ... | costume trainee |
Editorial Department
Mike Andrews | ... | digital film technician |
Len Brown | ... | digital intermediate film consultant |
Michelle Cort | ... | digital intermediate conform editor |
Theresa Crooks | ... | digital intermediate conform editor |
Johnathan Wei Dickinson | ... | data transfer (as Jonny Dickinson) |
Tim Drewett | ... | digital intermediate conform editor |
John Ensby | ... | laboratory contact: Technicolor Pinewood |
Nion Hazell | ... | negative checker |
Matt James | ... | digital intermediate supervisor |
Steve Knight | ... | digital intermediate coordinator |
Justin Lanchbury | ... | digital intermediate consultant |
Andrew MacRitchie | ... | assembly editor |
Julien Mazon | ... | trailer editor |
Steve Mercer | ... | assistant editor |
Laura Metcalfe | ... | digital intermediate post-production manager |
Steve Owen | ... | data transfer |
Gareth Parry | ... | digital intermediate on-line editor |
Martin Scoones | ... | film grader: Technicolor Pinewood |
Asa Shoul | ... | digital intermediate colorist |
Tom Sugden | ... | digital intermediate conform editor |
Jamie Welsh | ... | digital intermediate conform editor |
Liam Wife | ... | editing equipment: Hyperactive Broadcast |
Location Management
Jonathan Davies | ... | location manager |
Beverley Lamb | ... | additional location finding |
Anna Lee | ... | additional location finding / location manager: additional photography |
Flo Miller | ... | location assistant |
Emma Plimmer | ... | additional location agent: Locality |
Music Department
Joe Auckland | ... | musician: flugelhorn |
Craig Fortnam | ... | musician: guitars |
Arthur Lea | ... | musician: tenor horn |
Trevor Mires | ... | musician: euphonium |
Hugh Wilkinson | ... | musician: percussion |
Ian Wood | ... | music mixer / music recordist |
Isobel Griffiths | ... | orchestral contractor (uncredited) |
Script and Continuity Department
Liz Briggs | ... | additional script supervisor |
Sylvia Parker | ... | script supervisor |
Transportation Department
Nigel Aldworth | ... | action vehicles |
Arnold Clarke | ... | vehicle hire: Enterprise Rent-A-Car (as Arnold Clark) |
Julie Freeth | ... | technical vehicle hire: Barnes Hire |
Gary Preston | ... | action vehicles / facilities |
Wayne Ridal | ... | tracking vehicles/low loaders: Anglo American Filming Vehicles |
Anthony 'Cheeky' Walsh | ... | action vehicles |
Neil Adams | ... | action vehicles: Neil Adams TV & Film (uncredited) |
Additional Crew
Robin Anson | ... | production runner |
Josh Bailey | ... | workshop participant |
Matt Bailey | ... | workshop participant (as Matty Bailey) |
Sue Bruce-Smith | ... | commercial and brand strategy: Film4 |
Jonah Carroll | ... | workshop participant |
Jonathan Carter | ... | unit medic: Mediprop |
Sarah Caughey | ... | senior business affairs executive: BFI |
Lisa Chapman | ... | chaperone |
Sue Charles | ... | clearance legal services: Aslan Charles Kousetta |
Abbi Collins | ... | horse master |
Sean Connolly | ... | production assistant |
Cristina Cretu | ... | production runner |
Matt Curtis | ... | titles designer |
David Danisovszky | ... | accounts assistant |
Julie Dixon | ... | chaperone |
Craig England | ... | chef |
Natalie Gavin | ... | workshop participant |
David Gillon | ... | unit medic: Mediprop |
Rio Ginnelly | ... | chaperone |
Jane Goodwin | ... | riding instructress: Conner Chapman |
Jess Gormley | ... | workshop participant |
Mark Hollis | ... | chaperone / tutor |
Steve Howard | ... | health and safety advisor: JHA Safe T |
Tom Hulme | ... | workshop participant (as Thomas Hulme) |
Mick Hurrell | ... | health and safety advisor: JHA Safe T |
Kasif Iqbal | ... | workshop participant |
Danny Janes | ... | location catering: Daru TV & Film |
David Jones | ... | production accountant |
Ethan Jones | ... | workshop participant |
Emma Kayee | ... | production coordinator |
Natasha Lauder | ... | production assistant |
Andrew Lee | ... | chef |
Louise Long | ... | legal and business affairs: Film4 |
Jonathan Mason | ... | workshop participant |
Marcus McSweeney | ... | epk |
Nohail Nazir Mohammed | ... | workshop participant |
Jane Moore | ... | production legal services: Jane Moore Solicitors |
Paul Murphy | ... | additional horse master |
Keeley Naylor | ... | unit publicist: Emfoundation |
Jacob Nielsen | ... | accounts intern |
Kimberly Noone | ... | artists accommodation: Hilton Bradford (as Kimberley Noon) |
Daniel O'Donnell | ... | workshop participant (as Danny O'Donnell) |
Alan Parkinson | ... | archive footage: Compuhire |
Conner Petty | ... | workshop participant |
Andrew Pilkington | ... | production runner |
Amanda Pyne | ... | production finance: BFI |
Ben Roberts | ... | director of film fund: BFI |
Hannah Saunders | ... | projects and marketing coordinator: Film4 |
Jason Shaw | ... | insurance: Media Insurance Brokers |
Rajesh Shinde | ... | archive footage: Compuhire |
Cory Sizer | ... | workshop participant |
Trent Sizer | ... | workshop participant |
Aaron Smith | ... | workshop participant |
Colson Smith | ... | workshop participant |
Paul Sparrow | ... | production coordinator: additional photography (as Paul C. Sparrow) |
Martin Stokes | ... | workshop participant |
Jimmy Tate | ... | horse master / horse supplier |
Daniel Warrish | ... | workshop participant |
Gaynor Watts | ... | additional chaperones supplier: Tykes 2000 Casting |
Alison Webster | ... | horse coordinator / horse master coordinator |
Ben Wilkinson | ... | business affairs manager: BFI |
Jamey Wolpert | ... | development editor: BFI (as Jamie Wolpert) |
Rob Yeomans | ... | floor runner |
Richard Ligthart | ... | dvd featurette (uncredited) |
Thanks
Matt Bailey | ... | special thanks (as Matty Bailey) |
Sharon Bailey | ... | special thanks |
Stuart Baker | ... | thanks |
Nicky Ball | ... | special thanks: Creative England |
John Barnard | ... | special thanks |
Matthew Bates | ... | special thanks |
Steve Bishop | ... | thanks: Fabric - Culture for the Arts Bradford |
Violet Cannon | ... | thanks |
Adam Chodzko | ... | thanks |
Clay Barnard Chodzko | ... | special thanks |
Seth Barnard Chodzko | ... | special thanks |
Raymond Coleman | ... | thanks |
Martin Cooke | ... | special thanks: Dick Lane Metals |
Elizabeth Cowie | ... | thanks (as Professor Elizabeth Cowie) |
Katie Crofts | ... | thanks |
Tom Debenham | ... | thanks |
Janis Duff | ... | thanks: THS |
Richard Dunbar | ... | thanks |
James Gander | ... | thanks |
Kyle Gibson | ... | thanks |
Danny Gulliver | ... | thanks |
Alexander Gunn | ... | thanks (as Alex Gunn) |
Mark Haddon | ... | thanks: Haddon PR |
Janet Harbord | ... | thanks (as Professor Janet Harbord) |
Zoe Harper | ... | thanks |
Dominic Harrison | ... | thanks |
Diane Heywood | ... | thanks |
Chris Hordley | ... | special thanks: Creative England |
Mylo Riordan Johnson | ... | special thanks |
Barry Kimm | ... | thanks: Pact |
Alison Lockett | ... | thanks |
Bebhinn Lynch | ... | thanks |
Leena Markovic | ... | thanks |
Charlotte Maude | ... | thanks |
Michael Morris | ... | special thanks |
Louise Murphy | ... | thanks |
Shazia Nazir | ... | thanks |
Eileen O'Riordan | ... | special thanks |
Mitchell Oddie | ... | thanks |
Dominic Parker | ... | thanks |
Kate Penlington | ... | thanks |
Isaac Ravenscroft | ... | thanks |
Lila Rawlings | ... | special thanks |
Pete Rennie | ... | thanks |
Angela Scott | ... | thanks |
David Seaton | ... | thanks |
Gideon Seymour | ... | thanks: Fabric - Culture for the Arts Bradford |
Ian Smith | ... | special thanks: The Television Workshop |
Tracy Smith | ... | thanks: THS |
Jan Speechley | ... | thanks: BBEC |
Maxine Stanley | ... | thanks |
Alex Stevens | ... | thanks (as Professor Alex Stevens) |
Anne Tate | ... | thanks |
Jimmy Tate | ... | thanks (as James Tate) |
Jemima Thomas | ... | thanks |
Sue Walton | ... | thanks: BBEC |
Dan Weldon | ... | thanks: Northern Film School |
David Wilson | ... | special thanks: Bradford UNESCO City of Film |
Dan Winch | ... | thanks |