Daaaaaali!

This is my new favorite autobiographical format. For a persona as big and other worldly as Salvadore Dali, no one is better than Quentin Dupieux to relay it. Known for his surrealist film making and very special style, I really was intrigued to see how Quentin Dupieux would fare with an autobiography, especially that of a grand artist like Dali. This movie is very Dali if one might say so: all over the place, highly stylish but with a sure sense of purpose and artistic expression. Multiple actors interpret the eponymous character, actors of different styles ranging from the physical, the tragic to the comedic, a real star studded cast: Gilles Lellouche, Pio marmai, Jonathan Cohen et Edouard Baer. Each single one of them adding nuance and style while staying faithful to the countless live references of Dali's interviews. This is by no means a discovery of Salvadore Dali nor a proper autobiographical film. It is however a celebration of the personna: highly mystical and impossibly entertaining as was the artist. The film is centered around a fictional interview of Dali that never had a chance to materialize, sometimes because of circumstance but mostly due to Dali's eccentricities. This fictional thread is the only anchor to reality in the film, wandering between the corners of the surrealist artists' mind, memories and paintings, an expression of his approach and his art. Quentin Dupieux is on a hot roll after Yannick, and he has been for a while. A wonderful directorial mind that found its style and genre. This movie is the manifestation of how important the medium is to the art: Dali's life could never be resumed in a book or a film, it is a retelling of a unique artistic expression, one that Dupieux has successfully captured through his unique style and ravishing lens without any need for a solid plot or a conventional storytelling.

French, unique and clever movie.

Excellent acting performances across, much in thanks to careful directing.

The movie requires no pre-knowledge about Dali. If you've seen at least one painting, you'll notice the paintings don't seem to fall far from the artist.

Cleverly designed plot, many unexpected and witty twists - a biopic where boring chronologic is replaced by humour. The portrayal of Dali is very enjoyable, every pronounciation seems a carefully thought out way to showcase his excentric (to quote Dali) particuliarities and in some sense also decay towards the latter stages of life.

A very good film, seen at the Göteborg film festival.

As she puts it herself, Judith was a pharmacist but it was way too boring, so she decided to be a journalist instead. So she becomes obsessed with the idea of interviewing Salvador Dalí for a magazine, but will she?

Quentin Dupieux is a master of making glued to the screen and laughing out loud even if there is no real plot in the film. In spite of Dalí, excuse me, Daaaaaalí involved, this one is more absurdism rather than surrealism, which is perfectly to my taste. The setting here is more significant than the content, and every moment, you never know what you're gonna see next. Pure cinematographic pleasure!

P. S. A great collaboration with Thomas Bangalter from Daft Punk for the music.

The Dupieux Inception made me laugh so much, I never know what to expect but it's an intergalactic foot every time, plus I love Dali! A little tripoté of actor to embody Dali, a divinatory Dali, timeless, in a film that seems to resume the end of 2001 without any limit. I won't be able to tell you what it means, but it's pretty crazy! No limit in time, logic, meaning?

It is the story of an interview, in a dream, in a film, in a painting, in an interview, in a dream, in a film, in a painting, etc, etc... It is crazy and I love and for me, it is Jonathan Cohen who gives the most life to the eccentric character, it is an absolute treat to see him take all the tics of the master!

I recommend to those who like the Dupieux style, the others, will be completely strawberry, as every time:D.

I have watched six Quentin Dupieux movies. WRONG/REALITY/LE DAIM/MANDIBULES/ Incroyable mais vrai and this one. DAAAAAALI! Is my least favorite movie of his. Up until now, the only movie which i would not have recommended was LE DAIM. But even LE DAIM is better than this.

It's like Dupieux ran out of ideas and artistically, he is on a decline. At times i felt i was watching just a rehash of his previous movies. This is a 67 minutes movie and still felt boring at times. There are still clever and funny moments here and there, Dupieux remains a unique and capable artist. But i think he should take a break in order to find his rhythm. Too many movies in the last years.